comes across as one big joke
| Original Score: 3/5
| Original Score: 2/5
The most Hitchcockian riff that De Palma ever examined is the capacity for the human psyche to harbor intense, complicated divergence.
| Original Score: 4/4
Brian De Palma's joke, in its manifold aspects, roasts the counterculture's na´vetÚ regarding cinema as "truth 24 frames per second"
Wasn't quite as controversial as its X-rated predecessor, Greetings (1968), but it still has a bite, even today.
Now considered valued mostly as a relic.
| Original Score: B-
| Original Score: 4/5
| Original Score: 5/5
Sort of a sequel to De Palma's Greetings: De Niro plays a Vietnam vet who attempts to pursue a "Peeping Tom" art career with a new kind of porn film.
| Original Score: C+