Himizu (2013) - Rotten Tomatoes

Himizu (2013)





Critic Consensus: No consensus yet.

Movie Info

Sion Sono (Suicide Club, Cold Fish), adapts Minoru Furuya's popular manga to tell the confrontational tale of a troubled adolescent boy whose dreams of an ordinary life are slowly eroded in the aftermath of the Tohoku earthquake and tsunami. Fifteen year old Sumida (Sh˘ta Sometani) and his mother run a small boat rental business on the outskirts of the city. They don't get many customers, but the presence of some local homeless people on their property ensure that there's rarely a dull moment around the shop. Meanwhile, at school, Sumida's classmate Keiko (Fumi Nikaidou) makes no secret of her massive crush on him. When Sumida's mother decides to abandon both the business and her son, Keiko and the other locals team up in an attempt to spruce up the boat house, and lure in some new clientele. But when Sumida's drunken, physically abusive father repeatedly shows up to berate the beleaguered teen, and a vicious crime boss appears seeking to collect on a lingering debt, the volatile situation quickly begins to boil over. ~ Jason Buchanan, Rovimore
Rating: Unrated
Genre: Drama
Directed By:
Written By: Minoru Furuya, Sion Sono
In Theaters:
On DVD: Oct 13, 2014
Olive Films


Mitsuru Fukikoshi
as Keita tamura
Megumi Kagurazaka
as Keiko tamura
Ken Mitsuishi
as Sumida's father
Makiko Watanabe
as Sumida's mother
as Kaneko
Jun Murakami
as Tanimura
Anne Suzuki
as Waitress
Asuka Kurosawa
as ????{jpn}
Show More Cast

News & Interviews for Himizu

Critic Reviews for Himizu

All Critics (16) | Top Critics (4)

[Mr. Sono] gives the film a harrowing cacophony and a sense of trauma with sound effects, including subtle echoes.

Full Review… | March 13, 2014
New York Times
Top Critic

Refreshing yet thoroughly unpleasant ...

Full Review… | March 11, 2014
Village Voice
Top Critic

Occasionally heavy-handed in the delivery of its ideas, but also a refreshingly sensitive character study.

Full Review… | January 16, 2013
L.A. Weekly
Top Critic

Much of the film's impact stems from a pair of remarkable lead performances.

Full Review… | May 16, 2012
Time Out
Top Critic

Despite the almost nonstop drumbeat of human cruelty, there's a surprising core of sweetness to Himizu...This is a movie that uses hopelessness as a way to explore hope.

Full Review… | April 1, 2014
Movie Mezzanine

Sion Sono's film is a vision of coming of age as trial by fire, a thunderous encapsulation of that period of transition in which adolescents try to discover themselves: their passions, their purpose, their sense of morality.

Full Review… | March 11, 2014
Slant Magazine

Audience Reviews for Himizu


One of my increasingly favourite directors, Sion Sono, delivers this bizarre but heartfelt look at two adolescents struggling with what life has to offer them. Sumida must look after his family's boathouse after his parents leave. Now and again his drunk father returns to remind him that he would have been better of if Sumida had died, then he could have obtained the insurance. It's that kind of film. Sure, it's predominantly wrapped up in darkness, but there is heart and beauty also to be found. Sumida is reluctant to let anyone in, and only wishes for a 'normal' future. A series of events lead to stabbings, yakuza, rock collecting, and fighting a nazi. It's a strange film, but the strangest thing of all is how real it all feels. Set against the backdrop of the aftermath of the Tohoku earthquake and tsunami, the film has a distant feel but gradually lets you in and enjoy the characters. Certainly more than your average film.

Luke Baldock

Super Reviewer

Filmed more naturalistically than the other Sion Sono films I've seen. Still very weird. The character motivations and emotions always don't make much sense, but still an interesting movie. It gets better in its second half. The main problem I had with it was Sumida hitting Keiko several times, almost casually, and the movie seems to almost treat it as endearing and not terrible like it is. Perhaps I'm missing the director's intent through the cultural prism, but I feel like the movie is all too accepting of it. It made me unable to feel much for Sumida as the film went on. And it also made me wonder why Keiko, an interesting character, would just blankly accept it (even if she was infatuated with him).

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