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His Secret Life (2002)
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Reviews Counted:34
Fresh:25
Rotten:9
Average Rating:6.5/10
Consensus: Well-acted soap opera.
Theatrical Release:Sep 20, 2002 Limited
Synopsis: When Antonia (Margherita Buy) loses her husband Massimo in a terrifying car accident, she is devastated. Taking care of necessary business after his death, she runs across a painting, a gift to her... When Antonia (Margherita Buy) loses her husband Massimo in a terrifying car accident, she is devastated. Taking care of necessary business after his death, she runs across a painting, a gift to her husband with a note attached indicating that Antonia's partner of 15 years had been indiscreet for seven of them. She tracks down his lover and finds that Massimo has been involved in a homosexual affair with a man named Michele (Stefano Accorsi). She also finds in Michele's home an adopted family of misfits who all knew and loved her deceased husband. As Antonia attempts to understand her husband's secret, she becomes accepted into this commune and also begins to have some of her own loving admirers, including Michele. Turkish director Ferzan Ozpetek (STEAM: THE TURKISH BATH) directs this touching film that places caring and understanding before judgement or anger. [More]
Starring: Margherita Buy, Stefano Accorsi, Erika Blanc, Serra Yilmaz
Starring: Margherita Buy, Stefano Accorsi, Erika Blanc, Serra Yilmaz, Andrea Renzi, Lucrezia Valia, Koray Candemir
Director: Ferzan Özpetek
Director: Ferzan Özpetek
Screenwriter: Ferzan Özpetek
Producer: Gianni Romoli, Tilde Corsi
Studio: Strand Releasing
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Reviews for His Secret Life
Ozpetek's effort has the scope and shape of an especially well-executed television movie.
At times a bit melodramatic and even a little dated (depending upon where you live), Ignorant Fairies is still quite good-natured and not a bad way to spend an hour or two.
The two leads give wonderful performances and when they try to connect with each other it's as awkward and desperate as you would expect, also real and touching.
Ozpetek joins the ranks of those gay filmmakers who have used the emigre experience to explore same-sex culture in ways that elude the more nationally settled.
This is a thoughtful, affecting film, filled with absorbing characters.
The film's messages of tolerance and diversity aren't particularly original, but one can't help but be drawn in by the sympathetic characters.
As Antonia is assimilated into this newfangled community, the film settles in and becomes compulsively watchable in a guilty-pleasure, daytime-drama sort of fashion.
This is lightweight filmmaking, to be sure, but it's pleasant enough -- and oozing with attractive men.
Full of profound, real-life moments that anyone can relate to, it deserves a wide audience.
Working from a surprisingly sensitive script co-written by Gianni Romoli ... Ozpetek avoids most of the pitfalls you'd expect in such a potentially sudsy set-up.
Ozpetek succeeds in portraying small nuances that demonstrate the stages of love -- unrequited or blossoming -- and in showcasing the family structure created by a group of people who have been rejected for one reason or another.
It's this memory-as-identity obviation that gives Secret Life its intermittent unease, reaffirming that long-held illusions are indeed reality, and that erasing them recasts the self.
Though intrepid in exploring an attraction that crosses sexual identity, Ozpetek falls short in showing us Antonia's true emotions ... But at the very least, His Secret Life will leave you thinking.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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