After a healthy start, pretentiousness lets down a promising premise, and the film just runs out of ticker.
The Story of Marie and Julien (2003)
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Reviews Counted:12
Fresh:6
Rotten:6
Average Rating:5/10
Synopsis: Acclaimed French director Jacques Rivette (GANG OF FOUR) helms this offbeat look at love and relationships. Marie (Emmanuelle Béart) is the object of affection for clock repair man Julien (Jerzy... Acclaimed French director Jacques Rivette (GANG OF FOUR) helms this offbeat look at love and relationships. Marie (Emmanuelle Béart) is the object of affection for clock repair man Julien (Jerzy Radziwilowicz), who bides his time between his business, romancing Marie, and blackmailing the mysterious Madame X (Anne Brochet). Rivette unravels some sensual scenes between the two lovers, with Marie quickly moving in with Julien as their relationship flourishes. But problems are afoot, as Julien starts to notice something distinctly strange about his new love, and fears she is harboring a terrible secret. To prise the truth out of her, he turns to Madame X for help, who seems to be the only person who can help him with his quandary. A moving finale to Rivette's film subsequently unravels, leaving a haunting and indelible mark as the action builds to an unforgettable climax. [More]
Starring: Emmanuelle Beart, Jerzy Radziwilowicz, Anne Brochet
Starring: Emmanuelle Beart, Jerzy Radziwilowicz, Anne Brochet
Director: Jacques Rivette
Director: Jacques Rivette
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Reviews for The Story of Marie and Julien
Far from bad, but academic and -- for once with this director -- overlong.
All the story's power is allowed to leak away by the deliberative heaviness with which Rivette pads through his 150-minute narrative, with its exasperating lack of dramatic emphasis.
For a picture about the fantastic and supernatural, it's a surprisingly flat and unmagical affair.
["The Story of Marie and Julien"] is lovely to look at, gorgeously photographed by William Lubchansky.... But, the film never stirred my core.
An intellectually dazzling but slow-moving, dreary and somewhat pretentious chamberwork.
One of Rivette's most straightforward and intriguing works, and one of his most successful narratives.
Insistent minimalism--not everyone's expectations since "The Sixth Sense" but sighting of the Beart body creates an effect of its own.
Rivette, working from a story he developed with Pascal Bonitzer and Christine Laurent, ushers us slyly toward an ending that surprises and provokes, yet offers the possibility of love reborn.
Rivette's glacial film creates a unique world of dulled Parisian blues and grays, exemplified by the fabulous production design and art direction.
Although slow-moving and slightly muted in its emotional pay-off, the film is distinguished by a carefully layered performance from the impressive Béart, who subtly conveys Marie's other-worldly detachment and her human vulnerability.
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