Takes its chances on the viewer just 'getting it,' through the visual and musical cues threaded together - Hitler, war and death camp images intertwined with cheery chorus lines and ecstatic celeb crooners.
Hitler's Hit Parade (2005)
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Reviews Counted: 13
Fresh: 11
Rotten:2
Average Rating: 6.8/10
Theatrical Release:Jan 5, 2005 Limited
Synopsis: Oliver Axer presents a collection of German popular songs from the Nazi era, and makes blackly ironic commentary on the lyrics and jovial mood with a stream-of-consciousness montage of German film... Oliver Axer presents a collection of German popular songs from the Nazi era, and makes blackly ironic commentary on the lyrics and jovial mood with a stream-of-consciousness montage of German film clips, cartoons, home movies, and newsreel footage from the 1930s and early '40s . The regime's obsession with good health and fitness is explored, as is a fascination with new technology, and vilification of the Jews. Hitler is represented as a comical guy who loves dogs and children. Zeppelins fill the sky, the trains are on time, the soldiers marching off to war will be home soon to their sweethearts; the Jews are safely identified by stars on their shirts; the whole society is marching loyally in step to its certain, horrific destruction. What emerges from the colorful wreckage is a portrait of how the same tools of popular culture currently used in the US or other free countries can also be used to promote fascist ideologies, via stressing group movement rather than individual thought. What is also startling is how much the fads and obsessions of the Germans in the '30s resemble those of the United States in the '50s. This is a truly worthwhile film, both as a cautionary historical document and a fascinating study of the seductive power of the media. [More]
Director: Oliver Axer, Suzanne Benze
Director: Oliver Axer, Suzanne Benze
Producer: C. Cay Wesnigk
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Reviews for Hitler's Hit Parade
While never fully fleshing out its thesis linking the mythology of popular culture with the false ideals propagated by the regime, it does offer an evocative portrait of a country fiddling while it, and much of the world, burns.
It's a neverending springtime for Hitler and Germany in this ironic and mesmerizing 76-minute distillation of the self-delusion of an entire nation.
Ordinary Germans whiled away their leisure hours with sentimentalism and nostalgia even as their government committed one atrocity after another.
Worth a look despite its lack of instructive chronology or authorship.
Rare film-clips of what passed for Nazi normality do not materialize every day, and pic is decidedly worth a look-see.
This German documentary gathers some of the products of the German culture industry from the 1930's and 40's into a monstrous and fascinating collage.
If not as informative as it could be, Hitler's Hit Parade remains truly disturbing, as we see an entire cultured population led astray by bread and circuses and popular nonsense.
With no intertitles, narration or timeline, Hitler's Hit Parade is more art film than documentary; it's a mistaken strategy.
The flow of images has a terrible inexorability. Watching this movie is like watching people pirouette gaily off a cliff.
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