It's not a crisp as L.A. Confidential, but it does its job simultaneously glorifying the silver age of Hollywood and exposing its dirty little secrets.
Hollywoodland (2006)
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Reviews Counted:174
Fresh:119
Rotten:55
Average Rating:6.5/10
Consensus: More than a movie star murder mystery, Hollywoodland takes it slow in order to reveal the intriguing details of the rise and fall of superstar fame.
Rated: R [See Full Rating] for language, some violence and sexual content.
Runtime: 2 hrs 7 mins
Genre: Dramas
Theatrical Release:2006
Box Office: $14,271,459
Synopsis: Playing Superman on TV brought aspiring film actor George Reeves stardom, but it also held him back as far as more serious acting roles went. When a 45-year-old Reeves was found dead in his home in... Playing Superman on TV brought aspiring film actor George Reeves stardom, but it also held him back as far as more serious acting roles went. When a 45-year-old Reeves was found dead in his home in 1959, his death was ruled a suicide, and attributed to this B-level frustration. The result of a single bullet wound, Reeves's death caused controversy in and around Hollywood, where popular theories related his death to either his starlet fiancé, Leonore Lemmon (Robin Tunney), or his famously ongoing and unique relationship with Toni Mannix (a fabulous Diane Lane), the wife of mob-connected MGM head Eddie Mannix (Bob Hoskins). HOLLYWOODLAND explores Reeves's life and tragic end from the perspective of Louis Simo (Adrien Brody), a private investigator hired by Reeves's mother shortly after his death. Cutting back and forth between scenes of Reeves's life and Simo's detective work, the film draws parallels between two men kept from appreciating the present by dreams of future grandeur. Ben Affleck returns to form as Reeves, a man whose hindering celebrity status may have reminded the actor of his own: despite breaking onto the scene with an Academy Award for writing GOOD WILL HUNTING in 1997, Affleck's career was at one point overshadowed by a romance as familiar to the public as Superman's cape. With close attention to detail, first-time director Allen Coulter creates two distinct worlds specific to their time, Simo's noir-ish and seedy L.A. forming a bleak contrast to the glamorous, formal Tinseltown Reeves so longed to be embraced by. An accomplished act for a first time director, HOLLYWOODLAND offers viewers a believable look into Hollywood's most glamorous bygone era. Strong performances and stylish filmmaking help fuel a mystery without a solution. [More]
Starring: Adrien Brody, Ben Affleck, Diane Lane, Bob Hoskins
Starring: Adrien Brody, Ben Affleck, Diane Lane, Bob Hoskins, Robin Tunney, Molly Parker, Kathleen Robertson
Director: Allen Coulter
Director: Allen Coulter
Producer: Glenn Williamson
Screenwriter: Paul Bernbaum
Studio: Focus Features
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Reviews for Hollywoodland
Hollywoodland is worth seeing for anyone who appreciates actors at their apex, plus flawless period music, costumes, and cinematography.
Hollywoodland is gripping entertainment that teases answers and sparks conversations.
With its memorable performances and haunted film noir tone, Hollywoodland is among the early contenders for a place at next year's Oscar table.
The 126-minute film would have benefited from a slight trim, but I still found a lot of interest in the story's depiction of broken dreams and broken lives.
The movie plays as an engaging jaunt into the past, which not only re-creates old Hollywood but comments on the superficial and fleeting nature of fame.
Intelligent, moving and handsomely realized ... as much a meditation on the death of Old Hollywood and the emergence of modern anxiety as the George Reeves bio-pic it's often described as being.
We could say, Forget it, Jake. It's Chinatown. But that just conjures up memories of the kind of mystery movie Hollywoodland only wishes it could be.
... the film never digs far enough below the surface of this male pinup ...
A Tinseltown story without the tinsel, a whodunit that has little mystery.
Like Affleck's performance, Hollywoodland has its affecting moments. But generally, it feels like an HBO original movie, where respectable but uninspired execution mars a fascinating subject and a great cast.
But dreams of fame evolve. And where once it would have just been enough to be recognized, it becomes apparent only later that this is not quite enough.
Watching "Hollywoodland" unwind, it becomes clear that this is the movie Coulter and Bernbaum should have made in the twilight of their careers, after Hollywood had had its way with them.
It's almost as if the whole point of the film is to simply ask some challenging questions, but cower out of the answers.
Worthwhile for the amusement of the escape to a bygone era alone. But when you factor in an absorbing pulp fiction plotline, you've got all you can ask of a cinematic experience.
In a Hollywood whodunit that flirts with conspiracy theories, Coulter courageously brings us down to Earth in the end. We are left to ponder Reeves as man, not as Superman.
Hollywoodland works best -- as a cold look at the entertainment industry's obsession with youth and the fatality brought on by an errant wrinkle or gray hair, impressively encapsulated by Diane Lane’s strong showing as the past-her-prime.
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