A Tinseltown story without the tinsel, a whodunit that has little mystery.
Hollywoodland (2006)
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Reviews Counted:174
Fresh:119
Rotten:55
Average Rating:6.5/10
Consensus: More than a movie star murder mystery, Hollywoodland takes it slow in order to reveal the intriguing details of the rise and fall of superstar fame.
Rated: R [See Full Rating] for language, some violence and sexual content.
Runtime: 2 hrs 7 mins
Genre: Dramas
Theatrical Release:2006
Box Office: $14,271,459
Synopsis: Playing Superman on TV brought aspiring film actor George Reeves stardom, but it also held him back as far as more serious acting roles went. When a 45-year-old Reeves was found dead in his home in... Playing Superman on TV brought aspiring film actor George Reeves stardom, but it also held him back as far as more serious acting roles went. When a 45-year-old Reeves was found dead in his home in 1959, his death was ruled a suicide, and attributed to this B-level frustration. The result of a single bullet wound, Reeves's death caused controversy in and around Hollywood, where popular theories related his death to either his starlet fiancé, Leonore Lemmon (Robin Tunney), or his famously ongoing and unique relationship with Toni Mannix (a fabulous Diane Lane), the wife of mob-connected MGM head Eddie Mannix (Bob Hoskins). HOLLYWOODLAND explores Reeves's life and tragic end from the perspective of Louis Simo (Adrien Brody), a private investigator hired by Reeves's mother shortly after his death. Cutting back and forth between scenes of Reeves's life and Simo's detective work, the film draws parallels between two men kept from appreciating the present by dreams of future grandeur. Ben Affleck returns to form as Reeves, a man whose hindering celebrity status may have reminded the actor of his own: despite breaking onto the scene with an Academy Award for writing GOOD WILL HUNTING in 1997, Affleck's career was at one point overshadowed by a romance as familiar to the public as Superman's cape. With close attention to detail, first-time director Allen Coulter creates two distinct worlds specific to their time, Simo's noir-ish and seedy L.A. forming a bleak contrast to the glamorous, formal Tinseltown Reeves so longed to be embraced by. An accomplished act for a first time director, HOLLYWOODLAND offers viewers a believable look into Hollywood's most glamorous bygone era. Strong performances and stylish filmmaking help fuel a mystery without a solution. [More]
Starring: Adrien Brody, Ben Affleck, Diane Lane, Bob Hoskins
Starring: Adrien Brody, Ben Affleck, Diane Lane, Bob Hoskins, Robin Tunney, Molly Parker, Kathleen Robertson
Director: Allen Coulter
Director: Allen Coulter
Producer: Glenn Williamson
Screenwriter: Paul Bernbaum
Studio: Focus Features
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Reviews for Hollywoodland
A well made film with high quality production values and good acting that just needed tighter editing and a more satisfying ending.
A grinding, faithful homage to the classic crime procedural, about sultry love affairs that turn deadly in a sordid town of fame, fedoras, and femme fatales.
Stylish and stark, it is a cautionary tale told with a wealth of compassion for its players who reduce themselves to little more than commodities for one another, but with vitriol for what brought them to that state.
Lacks almost everything I want in a mystery: compelling characters, a motive, a few interesting detours, a satisfying conclusion.
The fatal flaw of Hollywoodland is as basic as the mystery genre gets: too much detective, not enough detecting.
We want to understand Reeves and his life; corny sentiment around his death feels awkward and unnecessary.
Unable to decide if it wants to be a mystery or biography, Hollywoodland settles for doing both, badly.
One of the nicest surprises of the late summer lull between blockbuster seasons, a smart period mystery-cum-character study-cum-bitter parable on the lures and liabilities of life in its titular locale.
In a Hollywood whodunit that flirts with conspiracy theories, Coulter courageously brings us down to Earth in the end. We are left to ponder Reeves as man, not as Superman.
The 126-minute film would have benefited from a slight trim, but I still found a lot of interest in the story's depiction of broken dreams and broken lives.
This is as close to a sequel to "LA Confidential" as we're going to get
A handsomely crafted story directed in the grand tradition of great mystery movies.
With its memorable performances and haunted film noir tone, Hollywoodland is among the early contenders for a place at next year's Oscar table.
Deadening, dull, sepia-drenched faux-noir period hokum of a suddenly popular variety.
Reeves had an easy but peppy presence that was very likable, and Affleck’s moroseness doesn't do him justice.
Bearing all the trappings of lazy cutting-room manipulation, it presents a puzzle hardly worth solving.
Affleck ably balances Reeves' eager-to-please ambition and ego-crushing disappointment. He also looks like he belongs in this era (maybe he can stay).
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