"Gigli.""Daredevil.""Surviving Christmas.""Pearl Harbor."Nothing like hitting Ben Affleck when he's down right? But that's my point: He's back up again, thanks to his fine work in "Hollywoodland," where he shows that he really does have what it takes to c
Hollywoodland (2006)
Tomatometer
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Reviews Counted:174
Fresh:119
Rotten:55
Average Rating:6.5/10
Consensus: More than a movie star murder mystery, Hollywoodland takes it slow in order to reveal the intriguing details of the rise and fall of superstar fame.
Rated: R [See Full Rating] for language, some violence and sexual content.
Runtime: 2 hrs 7 mins
Genre: Dramas
Theatrical Release:2006
Box Office: $14,271,459
Synopsis: Playing Superman on TV brought aspiring film actor George Reeves stardom, but it also held him back as far as more serious acting roles went. When a 45-year-old Reeves was found dead in his home in... Playing Superman on TV brought aspiring film actor George Reeves stardom, but it also held him back as far as more serious acting roles went. When a 45-year-old Reeves was found dead in his home in 1959, his death was ruled a suicide, and attributed to this B-level frustration. The result of a single bullet wound, Reeves's death caused controversy in and around Hollywood, where popular theories related his death to either his starlet fiancé, Leonore Lemmon (Robin Tunney), or his famously ongoing and unique relationship with Toni Mannix (a fabulous Diane Lane), the wife of mob-connected MGM head Eddie Mannix (Bob Hoskins). HOLLYWOODLAND explores Reeves's life and tragic end from the perspective of Louis Simo (Adrien Brody), a private investigator hired by Reeves's mother shortly after his death. Cutting back and forth between scenes of Reeves's life and Simo's detective work, the film draws parallels between two men kept from appreciating the present by dreams of future grandeur. Ben Affleck returns to form as Reeves, a man whose hindering celebrity status may have reminded the actor of his own: despite breaking onto the scene with an Academy Award for writing GOOD WILL HUNTING in 1997, Affleck's career was at one point overshadowed by a romance as familiar to the public as Superman's cape. With close attention to detail, first-time director Allen Coulter creates two distinct worlds specific to their time, Simo's noir-ish and seedy L.A. forming a bleak contrast to the glamorous, formal Tinseltown Reeves so longed to be embraced by. An accomplished act for a first time director, HOLLYWOODLAND offers viewers a believable look into Hollywood's most glamorous bygone era. Strong performances and stylish filmmaking help fuel a mystery without a solution. [More]
Starring: Adrien Brody, Ben Affleck, Diane Lane, Bob Hoskins
Starring: Adrien Brody, Ben Affleck, Diane Lane, Bob Hoskins, Robin Tunney, Molly Parker, Kathleen Robertson
Director: Allen Coulter
Director: Allen Coulter
Producer: Glenn Williamson
Screenwriter: Paul Bernbaum
Studio: Focus Features
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Reviews for Hollywoodland
The essence of the era is captured in everything, from the dresses worn by Diane Lane to all of the martinis consumed during the film.
The movie has a dexterous ebb and flow, thanks to director Allen Coulter and his editing crew, seamlessly shifting between past and present throughout the film.
Had they recognized that George Reeves was the real story--and that the dirty linen was only a small part of that story--they could have made a much better film.
It wants to be the next Chinatown -- a film that's about an exercise in futility, but was savvy enough not to be one.
Although the mystery surrounding Reeves' demise fades out somewhat anti-climactically, 'Hollywoodland' has plenty to recommend it.
...except for a middling performance from Adrien Brody, Hollywoodland is a top-notch mystery yarn that holds your interest from start to finish.
Hollywoodland is well made and boasts some strong performances. It just never reaches its full potential, but that's somehow appropriate in light of this sad story.
While the surface of 'Hollywoodland' promises nostalgia and noir, patience will reveal a subcurrent which, if rather too pat, ripples outwards.
... even though parts of the picture don't quite hold together, in the end, it sticks with you.
The meaty beef of the story covers the lasting effect of TV's 'Superman,' particularly for the Baby Boomer target audience, and George Reeves' far too early death.
Mixing past and present as though everything were taking place now is an interesting idea, but the picture is too sluggish to approach the qualities of, say, 'L.A. Confidental.'
...just a bunch of speculation that comes full circle. And that, it must be said, it does with a punch...Affleck's weary bravado is heart breaking.
Brody can't do much with his undeveloped character except chew-the-scenery like Dustin Hoffman usually does.
Hollywoodland may not live up to its ambitions, but thanks in no small part to a subdued and poignant performance by Affleck, it does achieve something significant by memorializing the actor and his lost dreams.
In this bland, ultimately dull reimagining, the question of who killed Superman turns out to be less of a mystery than a plodding attempt at what has been done so much better before.
Hollywoodland explores an intriguing bit of Hollywood history, and through the strength of its performances keeps us engaged and entertained.
Hollywoodland was clearly a labor of love, and it succeeds in making people not only remember who George Reeves was but to see him as something more than an actor in a cape.
In his generous spirit toward a forgotten icon, Affleck turns the death-obsessed Hollywoodland into, of all things, a film about resurrection.
Hollywoodland might be frustrating. But if you welcome the chance to make up your own mind, then you'll enjoy this stylish turn from novice director Allen Coulter.
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