In the noir tradition of Chandler and Hammett, little in Hollywoodland is what it appears.
Hollywoodland (2006)
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Reviews Counted:174
Fresh:119
Rotten:55
Average Rating:6.5/10
Consensus: More than a movie star murder mystery, Hollywoodland takes it slow in order to reveal the intriguing details of the rise and fall of superstar fame.
Rated: R [See Full Rating] for language, some violence and sexual content.
Runtime: 2 hrs 7 mins
Genre: Dramas
Theatrical Release:2006
Box Office: $14,271,459
Synopsis: Playing Superman on TV brought aspiring film actor George Reeves stardom, but it also held him back as far as more serious acting roles went. When a 45-year-old Reeves was found dead in his home in... Playing Superman on TV brought aspiring film actor George Reeves stardom, but it also held him back as far as more serious acting roles went. When a 45-year-old Reeves was found dead in his home in 1959, his death was ruled a suicide, and attributed to this B-level frustration. The result of a single bullet wound, Reeves's death caused controversy in and around Hollywood, where popular theories related his death to either his starlet fiancé, Leonore Lemmon (Robin Tunney), or his famously ongoing and unique relationship with Toni Mannix (a fabulous Diane Lane), the wife of mob-connected MGM head Eddie Mannix (Bob Hoskins). HOLLYWOODLAND explores Reeves's life and tragic end from the perspective of Louis Simo (Adrien Brody), a private investigator hired by Reeves's mother shortly after his death. Cutting back and forth between scenes of Reeves's life and Simo's detective work, the film draws parallels between two men kept from appreciating the present by dreams of future grandeur. Ben Affleck returns to form as Reeves, a man whose hindering celebrity status may have reminded the actor of his own: despite breaking onto the scene with an Academy Award for writing GOOD WILL HUNTING in 1997, Affleck's career was at one point overshadowed by a romance as familiar to the public as Superman's cape. With close attention to detail, first-time director Allen Coulter creates two distinct worlds specific to their time, Simo's noir-ish and seedy L.A. forming a bleak contrast to the glamorous, formal Tinseltown Reeves so longed to be embraced by. An accomplished act for a first time director, HOLLYWOODLAND offers viewers a believable look into Hollywood's most glamorous bygone era. Strong performances and stylish filmmaking help fuel a mystery without a solution. [More]
Starring: Adrien Brody, Ben Affleck, Diane Lane, Bob Hoskins
Starring: Adrien Brody, Ben Affleck, Diane Lane, Bob Hoskins, Robin Tunney, Molly Parker, Kathleen Robertson
Director: Allen Coulter
Director: Allen Coulter
Producer: Glenn Williamson
Screenwriter: Paul Bernbaum
Studio: Focus Features
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Reviews for Hollywoodland
Hollywoodland is filled with dazzling ingredients that never fully congeal. The sparks don't always connect. Nevertheless, they do sparkle.
The period details and performances are uniformly superb (Bob Hoskins is especially good as MGM executive Eddie Mannix), and the major characters are even more complex than those in Chinatown.
Hollywoodland works best -- as a cold look at the entertainment industry's obsession with youth and the fatality brought on by an errant wrinkle or gray hair, impressively encapsulated by Diane Lane’s strong showing as the past-her-prime.
Hollywoodland is gripping entertainment that teases answers and sparks conversations.
Director Allen Coulter’s vision does the real Hollywood of that time justice, bequeathing a gauche garishness to the landscape and a guttural voice to the interiors.
A kryptonite cocktail knocked back with a teary-eyed wink by Diane Lane, who emerges as the tarnished trophy wife to beat for this year's Best Supporting Actress Oscar.
Say all you want about Ben Affleck's bad movies. They at least give him the screen time he deserves. Here, his best performance in a long time is wasted in a well-acted, beautifully shot and wildly unfocused mystery-drama.
A stylish film noir about the death of TV's Superman that reveals the inevitable downward arc of disappointment resulting from high expectations and belief in the hype of success and fame.
A mishmash of fact, fiction and innuendo that sheds little light on Reeves' life or his death.
Intelligent, moving and handsomely realized ... as much a meditation on the death of Old Hollywood and the emergence of modern anxiety as the George Reeves bio-pic it's often described as being.
All the film's parts work together, making for an unflaggingly interesting whole.
Hollywoodland uses Simo to avoid many of the formulaic traps laid for bio-pics, but seeing how incredible Affleck is and how well Coulter stages the Superman wonder years, it's a shame they didn't go the obvious route.
In what may be the single most damaging performance in any film this year, Affleck puts on extra pounds, a fake honker, and a horrifyingly bad debonair act.
One half of the movie was easily more fascinating and entertaining than the other.
Half the film is brilliant, half disposable. If only cutting it down the middle were an acceptable solution.
Director Allen Coulter...fashions some memorable poetic images out of the seemingly mundane.
Ben Affleck is the Comeback Actor of the Year! ... Affleck has revived his career with a brilliant performance that should be counted among the best of the year.
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