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Movies / Upcoming / The Holy Girl
The Holy Girl

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The Holy Girl (2005)

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Reviews Counted:56

Fresh:43

Rotten:13

Average Rating:6.9/10

Consensus: This provocative, lyrical drama mixes themes of forbidden sexuality and redemptive faith with a touch of humanism in a memorable, if disorienting, visual style.

Rated: R [See Full Rating] for some sexual content and brief nudity.

Runtime: 1 hr 46 mins

Genre: Foreign Films

Theatrical Release:Apr 29, 2005 Limited

Box Office: $234,013

Synopsis: With her award-winning feature-film debut, La Ciénaga (The Swamp) (2001), writer-director Lucrecia Martel emerged as one of the brightest figures of the new Argentinean cinema. In her follow up,... With her award-winning feature-film debut, La Ciénaga (The Swamp) (2001), writer-director Lucrecia Martel emerged as one of the brightest figures of the new Argentinean cinema. In her follow up, the 2004 Cannes Film Festival Competition entry, LA NIÑA SANTA (THE HOLY GIRL), Martel intimately explores the burgeoning sexuality and religious fervor of two teenage girls, Amalia (MARIA ALCHÉ) and her best friend, Josefina (JULIETA ZYLBERBERG). Artfully piecing together a mosaic of nuanced details, fragments of sounds, and small moments, Martel creates a potent and specific portrait of adolescent life. In the town of La Ciénaga, Amalia lives with her attractive, divorced mother, Helena (MERCEDES MORÁN), and her uncle, Freddy (ALEJANDRO URDAPILLETA), in the crumbling, run-down Hotel Termas, which her family owns and runs. After choir rehearsals the girls gather in the parish church for further instruction in faith and vocation. What does God want from me? How do I discern between the temptation of the Devil and the calling of God? In between the teachings, the girls gossip and whisper secretively. The lives of the girls and their families intersect with those of a group of visiting orhinolaryngologists (ear, nose and throat specialists) staying at the hotel for a medical convention, including the married, middle-aged Dr. Jano (CARLOS BELLOSO). One day, a crowd of people gather in the street to watch a man play an unusual, exotic instrument: a theremin. Amalia is in the crowd when a man standing behind her presses himself sexually against her. Later, in the hotel, she discovers that this man is Dr. Jano, one of the doctors attending the conference. Amalia finds herself drawn to the Doctor and for days she spies on him. Dr. Jano never notices her presence, but he does notice her mother, Helena. Helena greatly enjoys the attention from this man, but she has little hope as she knows he is married and has a family. Days afterward Amalia confides in Josefina what occurred in the street with Dr. Jano and of her secret mission: to save one man from sin. Dr. Jano becomes caught up in Amalia’s web of good intentions and the respected doctor finds his world is on the brink of collapse when her adolescent obsession sets off a chain reaction of social catastrophe. Understanding the temptation of good - and the evil it causes - LA NIÑA SANTA delicately explores themes of sin, frustration and desire. -- © Official Site [More]

Starring: Mercedes Moran, Carlos Belloso

Starring: Mercedes Moran, Carlos Belloso

Director: Lucrecia Martel

Director: Lucrecia Martel
Studio: Fine Line Features

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Reviews for The Holy Girl

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21 - 40 (sorted by date)
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Haunting, sensual, allusive.

Full Review Source: Oregonian | comment Comment
06/10/05
Shawn Levy
Shawn Levy
Oregonian

Martel has a wicked way with atmosphere.

Full Review Source: Toronto Star | comment Comment
06/03/05
Geoff Pevere
Geoff Pevere
Toronto Star
Top Critic Icon Top Critic

We're not sure why one is supposed to care.

Full Review Source: Jam! Movies | comment Comment
06/03/05
Liz Braun
Liz Braun
Jam! Movies

Young and bold and bristling with talent, Argentine director Lucrecia Martel has continued right where she left off in her feature debut.

Full Review Source: Globe and Mail | comment Comment
06/03/05
Rick Groen
Rick Groen
Globe and Mail

Keeping the viewers at a distance also makes it difficult to empathize with the characters, a situation worsened by disjointed plotting.

Full Review Source: Minneapolis Star Tribune | comment Comment
06/02/05
Jeff Strickler
Jeff Strickler
Minneapolis Star Tribune

Martel finds ways to make sure we know that, as much of life as she has managed to capture on-screen, it's just the tip of the iceberg for these fascinating, strange characters.

Full Review Source: St. Paul Pioneer Press | comment Comment
06/02/05
Chris Hewitt (St. Paul)
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

I'm tempted to write 'I say it's spinach and I say the hell with it,' except that I actually like spinach, and I could barely keep this half-baked dish down.

Full Review Source: Washington Post | comment Comment
05/27/05
Michael O'Sullivan
Michael O'Sullivan
Washington Post
Top Critic Icon Top Critic

It's a document that suggests that the road to hell is paved with bad communication skills.

Full Review Source: Washington Post | comment Comment
05/27/05
Stephen Hunter
Stephen Hunter
Washington Post
Top Critic Icon Top Critic

Martel is determined to make an impressionistic film out of miniscule moments, fragmented sounds, and fleeting images—so miniscule, fragmented, and fleeting they never cohere.

Full Review Source: AboutFilm.com | comment Comment
05/26/05
Carlo Cavagna
Carlo Cavagna
AboutFilm.com
N/R

Click to read the article

Full Review Source: Boston Phoenix | comment Comment
05/21/05
Boston Phoenix

A collection of beautifully acted encounters, conversations, symbols, and vignettes woven into an evocative and unforgettably surreal garment.

Full Review Source: Boston Globe | comment Comment
05/20/05
Wesley Morris
Wesley Morris
Boston Globe
Top Critic Icon Top Critic

See The Holy Girl, if only for Ms. Alche's satanic smile.

Full Review Source: New York Observer | comment Comment
05/19/05
Andrew Sarris
Andrew Sarris
New York Observer
Top Critic Icon Top Critic

A hauntingly lyrical study of sexual awakening.

Full Review Source: San Francisco Chronicle | comment Comment
05/13/05
Ruthe Stein
Ruthe Stein
San Francisco Chronicle
Top Critic Icon Top Critic

Martel achieves a distinctive marriage of realism and spirituality.

Full Review Source: Los Angeles Daily News | comment Comment
05/13/05
Bob Strauss
Bob Strauss
Los Angeles Daily News
Top Critic Icon Top Critic

There's a lot happening in writer-director Lucrecia Martel's provocative film: faith, sexuality, repression and messy family ties. But that's what makes this Argentinean import so delicious.

Full Review Source: E! Online | comment Comment
05/13/05
E! Online
N/R

Click to read the article

Full Review Source: Guardian [UK] | comment Comment
05/13/05
Guardian [UK]

It is possible to have films deeply rooted in Catholicism that still have some power for non-Catholics...but Martel fails on that level...

Full Review Source: Los Angeles CityBeat | comment Comment
05/13/05
Andy Klein
Andy Klein
Los Angeles CityBeat

A subtle artist and a sharp observer, Martel manages a large cast with an ease that matches her skill at storytelling, within which psychological insight and social comment flow easily and implicitly.

Full Review Source: Los Angeles Times | comment Comment
05/12/05
Kevin Thomas
Kevin Thomas
Los Angeles Times
Top Critic Icon Top Critic

Smart, subtle drama about an Argentine teenager who tries to reconcile her sincere religious questions with the temptations of worldly life.

Full Review Source: Christian Science Monitor | comment Comment
05/12/05
David Sterritt
David Sterritt
Christian Science Monitor

Martel is among the best of a new generation of Argentine filmmakers

Full Review Source: L.A. Weekly | comment Comment
05/12/05
Scott Foundas
Scott Foundas
L.A. Weekly
 
 
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