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The Holy Land (2003)
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Reviews Counted:53
Fresh:28
Rotten:25
Average Rating:5.8/10
Consensus: This messy coming-of-age tale is of interest only because of where the story takes place.
Theatrical Release:Jul 11, 2003 Limited
Synopsis: Mendy (Oren Rehany) is a young man living in Bnei Brak, Israel, struggling to keep his mind focused on rabbinical school. His family is supportive of him, and they realize that adolescence involves... Mendy (Oren Rehany) is a young man living in Bnei Brak, Israel, struggling to keep his mind focused on rabbinical school. His family is supportive of him, and they realize that adolescence involves soul-searching and discontent. But his teacher sees that deep down Mendy is full of lust, and he tells Mendy to rid himself of these desires by visiting a prostitute in Tel Aviv. At a whorehouse called The Love Boat, Mendy falls head over heels in love with a Russian harlot named Sasha (Tchelet Semel)--a baby-faced rebel who secretly longs for an escape from her difficult life. Next Mendy meets Sasha's boyfriend, Mike (Saul Stein)--a gruff American who runs his own bar, a den where drunken Arabs and Jews mix merrily. Soon Mendy is working at the bar, living with Mike, and courting Sasha. Little does he know, a dark political and criminal current runs through Mike's Bar, and just behind it follows big trouble. Meanwhile, Mendy is asking himself important questions about God and life, but he's not finding any answers. Director Eitan Gorlin has crafted a multidimensional film with THE HOLY LAND. Under its coming-of-age veneer lies a darker story about sin, religion, faith, loyalty, and the fear of terrorism. Serene moments overlooking the prayer wall and the city of Jerusalem are contrasted with perturbing sexual sequences in the Love Boat. As Mendy, Rehany doesn't miss a beat, while it is Stein in the role of Mike who steals the show as the unpredictable father figure who is at times nurturing and at other times just plain scary. [More]
Starring: Saul Stein, Tchelet Semel, Albert Illuz, Arie Moskuna
Starring: Saul Stein, Tchelet Semel, Albert Illuz, Arie Moskuna, Oren Rehany
Director: Eitan Gorlin
Director: Eitan Gorlin
Screenwriter: Eitan Gorlin
Producer: Udi Yerushalmi, Ran Bogin
Studio: Cavu Releasing
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Reviews for The Holy Land
It's a fascinating -- and at times moving -- account of a seldom-seen slice of Jerusalem life.
The things these characters say to one another, the fakery in their interactions, deflates scene after scene.
The Holy Land seems to embody a lot of desperate yearning and searching, but achieves only some answers. Still, a modestly successful screen debut for filmmaker and young actor alike.
Interesting and depressing look into life in Israel - where your next bus ride could be your last and sin is available in all forms if you know where to look.
Gorlin has a keen sense of the country's geography, and this sense of place goes a long way toward making up for rather thin characterizations.
The acting and directing are uneven, but many scenes have strong emotional and political power.
Gave me a better understanding of what it's like to live in modern Israel.
The Holy Land's plot has too much going on, with no threads satisfactorily developed or resolved.
The Holy Land espouses love and sex and in the wrong, or right places, and doesn't flinch, even if the story wanders off into an occasional dramatic desert.
The film, like the beleaguered country it depicts, has a raw, neurotic, brawling yet tender vitality.
This film is truly fresh and exciting. For those of you looking for something new, you’d be wise to check this one out.
[Gorlin] spares no one in his powerful, scathing and somewhat-undisciplined take on contemporary life in Israel.
While director-screenwriter Gorlin occasionally allows the story to meander with little dramatic effect, he also provides a richly detailed sense of both place and character that infuses the film with a subtle truthfulness.
A film which, while intriguing, is also more than a little frustrating.
This iconoclast's interpretation of Israeli society will shock only the most naive of observers.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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