First-time filmmaker Jeffrey M. Togman's documentary examines a complex issue -- the apparent intractability of poverty -- through the revealingly narrow perspective of one woman's efforts to improve her family's lot through homeownership.
Home (2006)
Tomatometer
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Reviews Counted: 7
Fresh: 7
Rotten:0
Average Rating: 7.8/10
Theatrical Release:Sep 20, 2006 Limited
Synopsis: On a gang-controlled deadend street, Sheree Farmer is raising her six children alone. With the help of Mary Abernathy, a former fashion industry executive turned community activist, Sheree... On a gang-controlled deadend street, Sheree Farmer is raising her six children alone. With the help of Mary Abernathy, a former fashion industry executive turned community activist, Sheree struggles to buy her first home and escape her violent and drug-infested Newark neighborhood. In Home, director Jeffrey Togman follows these two exceptional women in an intimate story that speaks to the future of Americašs cities. While working to qualify for a mortgage, Sheree has a fight with one of her daughters, Jalishah, and loses custody to her ex-husband Larry, an ex-con and former drug abuser who beat Sheree brutally during their 15-year marriage. Sheree wants the house and, more importantly, she wants Jalishah back. But Sheree is scared and overwhelmed. What will happen if she goes to jail for hitting Jalishah? What if she can't handle being a homeowner? Throughout the film, and up until the very end, it is never clear whether Sheree will get the house or whether she will get her daughter back. Unflinching and surprisingly humorous, Home challenges how we think about race, class, and the American dream of homeownership. -- Š Home Official Site [More]
Director: Jeffrey Togman
Director: Jeffrey Togman
Producer: Jeffrey Togman
Studio: Kikker Arts
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Reviews for Home
Jeffrey Togman earns high marks here for his directorial debut, a socially-significant documentary which discusses an array of taboos concerning color, class and the ever-elusive American Dream.
Two women reach out to each other from opposite sides of the socioeconomic divide in Jeffrey M. Togman's marvelously revealing documentary about the psychology of poverty.
[Home] reveals the fragility of hope in survivalist mentalities pre-programmed to expect the worst.
With minimal hysteria, the film illuminates both the emotional deprivation ghetto life can perpetuate and the legit forces of good out to ease that pain.
Warmhearted but never sentimental or condescending, Home finally proves most affecting as an unsparing glimpse into the psychology of poverty.
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