Home of the Brave isn't exactly a subtle or a delicate picture -- it's an old-fashioned Hollywood movie, at least in tone, that's being released like an indie -- but it has some terrific acting and comes straight from the heart.
Home of the Brave (2006)
Tomatometer
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Reviews Counted:53
Fresh:12
Rotten:41
Average Rating:4.2/10
Consensus: The ensemble cast works hard, but hammy direction and a script lacking in nuance ruins this movie’s noble intentions.
Rated: R [See Full Rating] for war violence and language.
Runtime: 1 hr 45 mins
Genre: Action/Adventure
Theatrical Release:Dec 15, 2006 Limited
Synopsis: The Vietnam War provided plenty of cinematic ruminations on the futility of battle and the struggle of returning soldiers to adjust to normal life. With HOME OF THE BRAVE director Irwin Winkler... The Vietnam War provided plenty of cinematic ruminations on the futility of battle and the struggle of returning soldiers to adjust to normal life. With HOME OF THE BRAVE director Irwin Winkler (THE NET) applies similar concepts to the Iraq War of the early 21st century, positing actors Samuel L. Jackson, Jessica Biel, Brian Presley, and 50 Cent (credited here under his real name, Curtis Jackson) in the roles of army recruits who tussle with the mundanity of life after war. The action begins during the heat of battle, with an ambush that leaves many of its victims either dead or wounded. Winkler subsequently transports the action to the struggles his characters endure once safely back home, with alcoholism, prosthetic limbs, parental abuse, and a hostage crisis all causing innumerable problems, none of which are helped by a military that remains uninterested in their frantic pleas for help and guidance. Winkler infuses his film with an equal mixture of anger and grief, and while he may not reach the heights of Oliver Stone's BORN ON THE FOURTH OF JULY or Michael Cimino's THE DEER HUNTER, he draws on similar frustrations felt by the characters in those movies. HOME OF THE BRAVE was shot while the violence still raged in Iraq, which will doubtless make it a fascinating curio in years to come, especially as this denied Winkler a distance from his subject that many of the filmmakers who masterfully dissected the Vietnam War undoubtedly benefited from. [More]
Starring: Samuel L. Jackson, Curtis Jackson, Jessica Biel, Christina Ricci
Starring: Samuel L. Jackson, Curtis Jackson, Jessica Biel, Christina Ricci, Chad Michael Murray
Director: Irwin Winkler
Director: Irwin Winkler
Producer: Rob Cowan, Randall Emmett, George Furla
Composer: Stephen Endelman
Studio: MGM
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Reviews for Home of the Brave
Mr. Winkler and Mr. Friedman deserve credit for achieving their objectives without undue bombast or bravado, but rather with a clear-eyed view of an uneasy time in our national life.
The first major feature film about the Iraq War, Home of the Brave deserves a pass because it ain't half bad and, well, it's the first feature about the Iraq War.
While Mark Friedman's script is as unsubtle as Winkler's direction, their sincerity and the subject's sharp immediacy lend the film a certain power.
Just because there's nothing new to see here doesn't necessarily mean there's nothing worth seeing.
Without question, an important, thought- and emotion-provoking film, certain to be controversial, and to be remembered.
[Director] Winkler clearly loves these characters, and if he sometimes pushes too hard in his effort to make the audience share his affection it's forgivable under the circumstances.
Sure, it's earnest -- sure, it's melodramatic. Yup, it's just barely this side of being a made-for-Lifetime TV soaper. But there's a mesmerizing power to this little film that comes from its sheer un-told-ness, from its right-now immediacy.
This is morose, head-shaking stuff, and director Irwin Winkler (Life as a House, De-Lovely) isn't one to ease up on the 'ol emotional manipulation button.
This is a solid and timely piece of work from Hollywood veteran Irwin Winkler.
I must say the best thing about the movie is that it's interested in the soldiers, not the self-serving popinjays who seem to think the war is a big fat career-enhancing photo opportunity. The people who got shot at deserve most of the attention.
Brave reduces everything to riotously loathsome television movie standards, bleeding the potency of what should be a very significant and disturbing story dry.
Shows some significant strengths but ultimately misses the mark due to incompletely developed characters and hesitation to hit home as hard as the subject matter justifies.
There is less truth in this entire work than in a few minutes of such recent documentaries as The War Tapes or The Ground Truth.
The war in Iraq gets a lathery soft soap treatment in producer-cum-director Irwin Winkler's distortion of emotions and realities associated with a group of returning soldiers.
Jamal is a peculiar figure, part fantastic and part fearsome, a gangster trained and used up by the military, then left without any recourse.
This is Hollywood's first big-screen attempt at portraying the plight of the tens of thousands of Americans returning from Iraq. They deserve a deeper, more substantive portrait of their transition back to the homefront, and some day, they'll get it.
...there's certainly no denying the effectiveness of one unintentionally hilarious moment in which Biel's spurned boyfriend exclaims, "I guess it only takes one hand to push people away!"
A motion picture that isn't just bad, it's abysmal. One of the worst films of the year, and nothing but a disservice to everyone fighting in Iraq (and to everyone sitting through the movie).
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