If there's a way to do justice to the story of American troops coming home from Iraq, Home of the Brave hasn't found it.
Home of the Brave (2006)
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Reviews Counted:53
Fresh:12
Rotten:41
Average Rating:4.2/10
Consensus: The ensemble cast works hard, but hammy direction and a script lacking in nuance ruins this movie’s noble intentions.
Rated: R [See Full Rating] for war violence and language.
Runtime: 1 hr 45 mins
Genre: Action/Adventure
Theatrical Release:Dec 15, 2006 Limited
Synopsis: The Vietnam War provided plenty of cinematic ruminations on the futility of battle and the struggle of returning soldiers to adjust to normal life. With HOME OF THE BRAVE director Irwin Winkler... The Vietnam War provided plenty of cinematic ruminations on the futility of battle and the struggle of returning soldiers to adjust to normal life. With HOME OF THE BRAVE director Irwin Winkler (THE NET) applies similar concepts to the Iraq War of the early 21st century, positing actors Samuel L. Jackson, Jessica Biel, Brian Presley, and 50 Cent (credited here under his real name, Curtis Jackson) in the roles of army recruits who tussle with the mundanity of life after war. The action begins during the heat of battle, with an ambush that leaves many of its victims either dead or wounded. Winkler subsequently transports the action to the struggles his characters endure once safely back home, with alcoholism, prosthetic limbs, parental abuse, and a hostage crisis all causing innumerable problems, none of which are helped by a military that remains uninterested in their frantic pleas for help and guidance. Winkler infuses his film with an equal mixture of anger and grief, and while he may not reach the heights of Oliver Stone's BORN ON THE FOURTH OF JULY or Michael Cimino's THE DEER HUNTER, he draws on similar frustrations felt by the characters in those movies. HOME OF THE BRAVE was shot while the violence still raged in Iraq, which will doubtless make it a fascinating curio in years to come, especially as this denied Winkler a distance from his subject that many of the filmmakers who masterfully dissected the Vietnam War undoubtedly benefited from. [More]
Starring: Samuel L. Jackson, Curtis Jackson, Jessica Biel, Christina Ricci
Starring: Samuel L. Jackson, Curtis Jackson, Jessica Biel, Christina Ricci, Chad Michael Murray
Director: Irwin Winkler
Director: Irwin Winkler
Producer: Rob Cowan, Randall Emmett, George Furla
Composer: Stephen Endelman
Studio: MGM
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Reviews for Home of the Brave
After the action shifts from the deserts of the Middle East to the relative calm of the home front (specifically, Spokane, Washington), it devolves into a morass of melodramatic clichés.
Just because there's nothing new to see here doesn't necessarily mean there's nothing worth seeing.
The good scenes hit home, but the bad ones tilt towards melodrama and sentimentality.
A motion picture that isn't just bad, it's abysmal. One of the worst films of the year, and nothing but a disservice to everyone fighting in Iraq (and to everyone sitting through the movie).
For all its relevance to the state of the nation, Home of the Brave is convinced it's saying something urgent but offers no fresh insight to postwar survival.
Another ill-conceived war drama that doesn't do justice to the men and women serving in Iraq.
This is Hollywood's first big-screen attempt at portraying the plight of the tens of thousands of Americans returning from Iraq. They deserve a deeper, more substantive portrait of their transition back to the homefront, and some day, they'll get it.
There was more reality, dramatic conflict, emotional texture, and even humor in The Best Years of Our Lives and The Men (Brando's debut), which were made half a century ago, than in this well intentioned but formulaic drama about vets of the Iraq War.
Timeliness is all very well, but the significant subject matter cries out for a defter directorial touch and a deeper complexity in regard to the characters and performances (save for a valiant effort by Samuel L. Jackson).
Except for the Iraqi action prologue, it's a stretch to say this is any more than a run-of-the-mill TV movie. Worthy assignment; poor execution.
Mr. Winkler and Mr. Friedman deserve credit for achieving their objectives without undue bombast or bravado, but rather with a clear-eyed view of an uneasy time in our national life.
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