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Movies / On DVD / Honeydripper
Honeydripper

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Honeydripper (2007)

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Reviews Counted:79

Fresh:53

Rotten:26

Average Rating:6.5/10

Consensus: Honeydripper's electric musical numbers and sharp performances make for an exciting film, despite its slow pace.

Rated: PG-13 [See Full Rating] for brief violence and some suggestive material.

Runtime: 2 hrs 3 mins

Genre: Dramas

Theatrical Release:Dec 28, 2007 Limited

Synopsis: Iconoclastic filmmaker John Sayles, in his feature film, continues his extraordinary examination of the complexities and shifting identities of American sub-cultures in the new film... Iconoclastic filmmaker John Sayles, in his feature film, continues his extraordinary examination of the complexities and shifting identities of American sub-cultures in the new film Honeydripper.With his usual understated intelligence, Sayles uses the rhythms of the citizens of Harmony, Alabama to immerse the audience into the world of the Jim Crow south. It’s a fable about the birth of rock n’ roll—a quintessentially American subject, but with a fidelity to time and temperament that is unusual in an American director.

It’s 1950 and it’s a make or break weekend for Tyrone Purvis (Danny Glover), the proprietor of the Honeydripper Lounge. Deep in debt, Tyrone is desperate to bring back the crowds that used to come to his place. He decides to lay off his long-time blues singer Bertha Mae, and announces that he’s hired a famous guitar player, Guitar Sam, for a one night only gig in order to save the club.

Into town drifts Sonny Blake, a young man with nothing to his name but big dreams and the guitar case in his hand. Rejected by Tyrone when he applies to play at the Honeydripper, he is intercepted by the corrupt local Sheriff, arrested for vagrancy and rented out as an unpaid cotton picker to the highest bidder. But when Tyrone's ace-in-the-hole fails to materialize at the train station, his desperation leads him back to Sonny and the strange, wire-dangling object in his guitar case. The Honeydripper lounge is all set to play its part in rock n' roll history.

Honeydripper features an all-star cast including Danny Glover, Charles S. Dutton, Lisa Gay Hamilton, Stacy Keach, Mary Steenburgen,Yaya DaCosta and Sean Patrick Thomas; as well as such notable musicians as Keb’ Mo’ and Dr. Mable John. It also introduces a major new talent, Gary Clark Jr. who makes his electrifying film debut as Sonny. debut as Sonny. --© Emerging Films [More]

Starring: Danny Glover, Lisa Gay Hamilton, Charles S. Dutton, Mary Steenburgen

Starring: Danny Glover, Lisa Gay Hamilton, Charles S. Dutton, Mary Steenburgen, Gary Clark, Vondie Curtis Hall, Stacy Keach, Kel Mitchell, Keb' Mo', Ruben Santiago-Hudson, Sean Patrick Thomas

Director: John Sayles

Director: John Sayles
Screenwriter: John Sayles
Producer: Maggie Renzi
Composer: Mason Daring
Studio: Emerging Pictures

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Release:

Jun 24, 2008

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Reviews for Honeydripper

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1 - 20 (sorted by fresh rating)
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Full Review Source: Empire Magazine | comment Comment
05/09/08
Empire Magazine

It survives on its versatile leads, its smoky cinematography (courtesy of Dick Pope) and its seductive musical performances, which run from gospel to jazz to blues to the to the electrifying kick-start of early rock 'n' roll.

Full Review Source: Houston Chronicle | comment Comment
03/07/08
Amy Biancolli
Amy Biancolli
Houston Chronicle

like a rich and complex novel rendered as a visual experience that is equally rich and as unabashedly poetic in its images as Sayles is with his metaphors

Full Review Source: Killer Movie Reviews | comment Comment
03/04/08
Andrea Chase
Andrea Chase
Killer Movie Reviews

A leisurely, atmospheric production with lots of time to appreciate [Sayles'] largely African-American cast, along with rocking musical interludes and just the faintest wash of spirituality.

Full Review Source: Salon.com | comment Comment
01/03/08
Andrew O'Hehir
Andrew O'Hehir
Salon.com
Top Critic Icon Top Critic

It’s time to acknowledge John Sayles’ dependable good intentions. His latest film, Honeydripper, may have slipped through the cracks of December’s big-ticket releases, but it’s easily Sayles’ best film in a good while.

Full Review Source: New York Press | comment Comment
01/09/08
Armond White
Armond White
New York Press

With each turn of events being telegraphed well in advance, there are no surprises in Sayles' script. The cast, however, headed by Glover's complex portrait of a man plagued by his past, is fresh enough to cover the stale plot mechanics.

Full Review Source: Seattle Post-Intelligencer | comment Comment
02/22/08
Bill White
Bill White
Seattle Post-Intelligencer

John Sayles is a natural storyteller and national treasure, dedicated to spinning narratives of America, state by state, into a vibrant quilt of 20th-century American history.

Full Review Source: Philadelphia Inquirer | comment Comment
02/01/08
Carrie Rickey
Carrie Rickey
Philadelphia Inquirer
Top Critic Icon Top Critic

Gorgeous cinematography, fine acting, splendid music, good old-fashioned story -- what's not to like?

Full Review Source: St. Paul Pioneer Press | comment Comment
02/13/08
Chris Hewitt (St. Paul)
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

A musical period piece that manages to be lighthearted and socially conscious.

Full Review Source: Minneapolis Star Tribune | comment Comment
02/15/08
Colin Covert
Colin Covert
Minneapolis Star Tribune

It has all the reliable components of Sayles' films: a strong social conscience; well-drawn characters whose lives overlap convincingly; a languid pace that allows for the honest unfolding of their foibles and fears; a vivid evocation of a place and time.

Full Review Source: Miami Herald | comment Comment
02/08/08
Connie Ogle
Connie Ogle
Miami Herald

In this allegory, you understand, times change and troubles stay the same.

Full Review Source: PopMatters | comment Comment
03/21/08
Cynthia Fuchs
Cynthia Fuchs
PopMatters

Moviemaking seems to have become almost magically easy for this independent writer-director.

Full Review Source: New Yorker | comment Comment
01/04/08
David Denby
David Denby
New Yorker
Top Critic Icon Top Critic

It's awfully difficult not to be drawn into this refreshingly low-key and simple tale.

Full Review Source: Reel Film Reviews | comment Comment
10/30/07
David Nusair
David Nusair
Reel Film Reviews

It's a leisurely paced period musical drama set in the Jim Crow south of the 1950s that's steeped in the black southern mores ... .

Full Review Source: Ozus' World Movie Reviews | comment Comment
06/22/08
Dennis Schwartz
Dennis Schwartz
Ozus' World Movie Reviews

Examining the interaction of characters within the racially-tense, musically-rich South, circa 1950, John Sayles questions how much of our actions are determined by our environment, a consistent theme in his work.

Full Review Source: EmanuelLevy.Com | comment Comment
11/18/07
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com

The cumulative effect is very tasty indeed.

Full Review Source: One Guy's Opinion | comment Comment
03/10/08
Frank Swietek
Frank Swietek
One Guy's Opinion

Life in a black Alabama community in the 1950s and the frantic efforts of a juke joint manager to keep his club open.

Full Review Source: Spirituality and Practice | comment Comment
12/28/07
Frederic and Mary Ann Brussat
Frederic and Mary Ann Brussat
Spirituality and Practice

This is minor league Sayles, filled with strong performances and rich in evocative historical details, but lacking the freshness that would've made it something more.

Full Review Source: Metromix.com | comment Comment
01/10/08
Geoff Berkshire
Geoff Berkshire
Metromix.com

Sonny Blake turns out a literally electric performance on his electric guitar.

Full Review Source: Compuserve | comment Comment
12/30/07
Harvey S. Karten
Harvey S. Karten
Compuserve

Honeydripper takes forever to develop its characters, its period and its location. But once it's done all that, the payoffs are rich.

Full Review Source: New York Daily News | comment Comment
01/02/08
Jack Mathews
Jack Mathews
New York Daily News
Top Critic Icon Top Critic
 
 
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Latest News for Honeydripper

December 25, 2007: Set in the segregated South in the Fifties, this music-driven, costume drama is curiously less compelling than the picture's electrifying score and wince-inducing recreations of tableaus of a bygone era marked by subjugation and intolerance. Opens in new window
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