Hook breaks the cardinal rule of J.M. Barrie's timeless fantasy -- it grows up.
Hook (1991)
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Reviews Counted:37
Fresh:8
Rotten:29
Average Rating:4.3/10
Runtime: 2 hrs 24 mins
Genre: Action/Adventure
Synopsis: Director Steven Spielberg brings J.M. Barrie's PETER PAN to the screen with a delightfully modernized twist. Forty-year-old Peter (Robin Williams) has grown up to be a workaholic lawyer with more... Director Steven Spielberg brings J.M. Barrie's PETER PAN to the screen with a delightfully modernized twist. Forty-year-old Peter (Robin Williams) has grown up to be a workaholic lawyer with more affection for his cell phone than his wife and two children. When the family travels to England to visit Granny Wendy (Maggie Smith), Peter's son and daughter are kidnapped by the villainous Captain Hook (Dustin Hoffman). Peter's faithful pal, Tinkerbell (Julia Roberts), helps him return to Neverland--"Second star to the right and straight on ‘til morning"--to the world Peter has forgotten. There the Lost Boys welcome Peter back and try to get him in shape for his fight with Captain Hook. Peter must somehow remember his long-forgotten boyhood in Neverland and learn how to fly again before he can rescue his children away from the evil clutches of Captain Hook. Bob Hoskins costars as Hook's right-hand man, Smee, and Gwyneth Paltrow, in her first film role, plays the young Wendy. The film received an Academy Award nomination for Best Song for John Williams's "When You're Alone." [More]
Starring: Robin Williams, Dustin Hoffman, Bob Hoskins, Julia Roberts
Starring: Robin Williams, Dustin Hoffman, Bob Hoskins, Julia Roberts, Maggie Smith, Charlie Korsmo
Director: Steven Spielberg
Director: Steven Spielberg
Screenwriter: James V. Hart, Nick Castle, Malia Scotch Marmo
Composer: John Williams
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Reviews for Hook
Hook is overwhelmed by a screenplay heavy with complicated exposition, by what are, in effect, big busy nonsinging, nondancing production numbers and some contemporary cant about rearing children and the high price paid for success.
Here we get the uncanny suspicion that Hook was written and directed according to the famous recipe of the country preacher who told the folks what he was going to tell them, told them, and then told them what he had told them.
This enormous wheeze comes over like the proverbial movie with a 40 million dollar set and a five cent script, which may hold its interest for under-fives but will leave most others cold.
Also-ran Spielberg at best, a would-be blockbuster that no one likes at worst.
Who wants to spend over two hours with a Peter Pan who screams, 'Don't mess with me, I'm a lawyer!'
The story's lack of depth and originality comes from the writers. But not to have the visual wonder and inventiveness, which a fantasy like this requires, from a Spielberg movie is harder to understand.
It's worth a look. But overall, Hook feels like an exercise in cynicism.
The movie is a strong reminder of the freedom of youth and the quest for pure adventure, one that looks to the stars and sees the possibilities are as bright as a child's own imagination.
With all the money and talent and hype that went into this film, it should have been a lot better, but it is entertaining enough to rate a passing grade, especially for Robin Williams fans.
The exposition is so underlined and re-underlined, you could teach yourself to fly waiting for something to happen.
No matter how much cash Hook earns, it will take more than pixie dust to fly this overstuffed package into our dreams.
All Spielberg achieved is an impressive production design; in every other department, he's profoundly wasted talent, material, and time.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
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| 47% 47% | The Girl From Monaco |
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