Cue the blood-gushing finale, which has a few surprises up its sleeve. I wasn’t a fan of the original and, despite Hostel: Part II’s slicker look, I’m still not.
Hostel: Part II (2007)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:103
Fresh:45
Rotten:58
Average Rating:5/10
Consensus: Offering up more of the familiar sadism and gore, Hostel: Part II will surely thrill horror fans.
Rated: R [See Full Rating] for sadistic scenes of torture and bloody violence, terror, nudity, sexual content, language and some drug content.
Runtime: 1 hr 35 mins
Genre: Horror/Suspense
Theatrical Release:Jun 8, 2007 Wide
Box Office: $17,544,812
Synopsis: With only one film under his belt and the endorsement of Quentin Tarantino, Eli Roth became a virtual horror brand with HOSTEL (2005), a yarn about a group of thrill-seeking American college dudes... With only one film under his belt and the endorsement of Quentin Tarantino, Eli Roth became a virtual horror brand with HOSTEL (2005), a yarn about a group of thrill-seeking American college dudes backpacking through Europe, only to be seduced into a Slovakian money-for-torture ring where they become the prey. The sequel begins right where that film left off, filling us in on the whereabouts of lone survivor Paxton (Jay Hernandez)---but before long, we see that gender roles are reversed and we are traveling with sensible Beth (Lauren German), hedonistic Whitney (Bijou Phillips), and virginal Lorna (Heather Matarazzo). After tussling with a gaggle of shifty men on a train, they meet Axelle (Vera Jordanova), a gorgeous woman who persuades them to follow her to a rejuvenating spa in Slovakia. As the trio checks into the same infamous hostel, Roth shows us the inner workings of the previously mysterious torture club. Once the girls are put up on the auction block, online bidding begins among the club's members--who are revealed to be prominent international businesspeople. After Beth and Whitney are won by type-A American corporate jerk Todd (Richard Burgi), who believes that killing someone will give him power, and his reluctant associate, Stuart (Roger Bart), the film shifts to the preparations for their inaugural slayings within the bloody walls of the warehouse. For those who embraced HOSTEL's abrupt tonal shifts and very realistic gore, Roth serves up amplified doses of both in his follow-up. Astute horror fans will find a few amusing in-jokes among the carnage, but beware---things get incredibly strong, and Roth's charnelhouse chic intends to offend. In fact, HOSTEL II may stand as the most glaring example of the MPAA's bias in favor of violence over sexuality when it comes the boundary between R and NC-17. [More]
Starring: Jay Hernandez, Bijou Phillips, Roger Bart, Lauren German
Starring: Jay Hernandez, Bijou Phillips, Roger Bart, Lauren German, Heather Matarazzo, Milan Knazko, Richard Burgi
Director: Eli Roth
Director: Eli Roth
Screenwriter: Eli Roth
Producer: Mike Fleiss, Eli Roth, Chris Briggs
Composer: Nathan Barr
Studio: Lions Gate Films
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Reviews for Hostel: Part II
By spending so much time thinking up ever more innovative ways of killing people, he loses the bigger picture resulting in a much poorer film.
Any blood here is pumping straight to the brain. Hostel: Part II is astute and subversive, its wily sexual politics paving the way for a killer climax. Significantly raising his game, Eli Roth has crafted a sequel to die for.
Hostel 2 is feebleness itself, poorly constructed and deeply unterrifying, a let-down after the giddy shockfest of the first film last year.
Everything, save the bloody third act, is handled in a rudimentary fashion.
It pains me to admit that Hostel: Part II is a slicker package than the craven original. That doesn’t excuse the fact that it’s torture pornography for morons.
Roth’s slick shock-’em-up sequel is a dispiritingly traditional splat of gristly Grand Guignol. It’s tooled up to outrage, but ultimately numbs rather than grips.
This is a well-made sequel but the violence is extremely sickening and it's not nearly as much fun as the first film.
like the film's pair of conflicted snuff customers, you're only getting what you paid your money for.
Roth is covering his tracks from the typical accusations of slasher film misogyny, but his feminist angle just serves as jokey sexual fear.
The emphasis on the wealthy 'hunters' who run and patronize the death club suggests a gorehound revamp of 'The Most Dangerous Game'...
There is just too much that is repetitive in Hostel Part II to make it worth the effort.
Generally speaking, I hate horror films. What surprised me most about this is that it's more than just torture porn, it's actually a real movie with, like a story and some acting, and cinematography and stuff like that. Who knew?
Both nubile females and alpha-male douche bags are on the receiving end of pain (that’s supposed to nullify accusations of misogyny, is it?), but really, we’re all the victims here.
Neither as memorably creepy nor as painfully graphic as its predecessor.
For the first time, [Roth's] sense of humor doesn't undercut the unsettling nature of the material
Not to put too fine a point on it, Roth does fill the 50 minutes or so of pre-torture foreplay with thuddingly unsubtle imagery to spell things out.
Latest News for Hostel: Part II
June 30, 2008:
A Writer/Director for Hostel III? ![]()
It looks like Scott Spiegel will be taking over for Eli Roth where Hostel III is concerned -- and it also looks like the sequel will be heading straight to video. More...
June 24, 2008:
Eli Roth Won't Write, Direct Hostel III ![]()
Looks like a third Hostel movie is officially on the way -- and it'll arrive without Eli Roth writing or directing. More...
January 22, 2008:
I Know Who Killed Me, Norbit, Daddy Day Camp Lead Razzie Noms
No awards season -- even a strike-tainted one -- would be complete without the Razzies, right? Of course not. And that's why we've thoughtfully assembled all of this year's... More...
December 19, 2007:
MPAA Rejects Taxi to the Dark Side Poster
The poster submitted by ThinkFilm for Taxi to the Dark Side -- the Alex Gibney documentary opening January 11 -- has been rejected by the MPAA. More...
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