The Hours is shameless Academy-bait, unworthy of a nomination in any category outside of, 'Best Makeup.'
The Hours (2002)
Tomatometer
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Reviews Counted:185
Fresh:149
Rotten:36
Average Rating:7.4/10
Consensus: The movie may be a downer, but it packs an emotional wallop. Some fine acting on display here.
Rated: PG-13 [See Full Rating] for mature thematic elements, some disturbing images and brief language
Runtime: 1 hr 56 mins
Genre: Dramas
Theatrical Release:Jan 10, 2003 Wide
Box Office: $41,465,765
Synopsis: Based on the Pulitzer-prize winning novel by Michael Cunningham, THE HOURS employs Virginia Woolf's classic novel and central character, MRS. DALLOWAY, as its foundation and inspiration. Spanning... Based on the Pulitzer-prize winning novel by Michael Cunningham, THE HOURS employs Virginia Woolf's classic novel and central character, MRS. DALLOWAY, as its foundation and inspiration. Spanning three different eras, during one day, the film focuses on the parallel lives of three women joined in their depression, alienation, and search for love. Nicole Kidman, wearing a prosthetic nose, is virtually unrecognizable as the tortured writer Virginia Woolf whose ongoing battle with mental illness eventually led to her tragic suicide in 1941. The film begins with the moment of her suicide and flashes back on her life and work as she crafted her most memorable character, Clarissa Dalloway, in 1923. In 1950's California suburbia another woman, Laura Brown (Julianne Moore), struggles with alienation and depression. Trapped by her clinging young son and an adoring husband whom she does not love, the desperate woman tries to prepare for her husband's birthday but cannot stop reading MRS. DALLOWAY. Finally, in modern day Manhattan, Clarissa Vaughn (Meryl Streep), a lesbian who lives with her lover (Allison Janney) and her daughter (Claire Danes), struggles to prepare a party for her ex-husband (Ed Harris) who is dying of AIDS. Director Stephen Daltry uses beautiful overlapping editing to sew the women's interwoven stories seamlessly together. At the core of this profoundly moving film is the trio of award-winning actresses who grace the screen with their bold and awe-inspiring performances. [More]
Starring: Nicole Kidman, Meryl Streep, Julianne Moore, Toni Collette
Starring: Nicole Kidman, Meryl Streep, Julianne Moore, Toni Collette, Claire Danes, Ed Harris, Allison Janney, John C. Reilly, Eileen Atkins, Stephen Dillane
Director: Stephen Daldry
Director: Stephen Daldry
Screenwriter: David Hare
Producer: Robert Fox, Scott Rudin
Composer: Philip Glass
Studio: Paramount Pictures
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Reviews for The Hours
Watching this film is not easy, but it is rewarding and thought provoking.
This is my kind of film, it's about suicide, insanity, depression, terminal illness, Aids, and lesbianism.
'Imaginative, compelling and soundly perplexing, The Hours resonates with throbbing performances that cast a poignantly redemptive spell on the psyche of every woman looking to starve off that inescapable sensation of inadequacy.'
The Hours is at once a heavily textured, remarkably dense work and a model of simplicity (the story lines are actually deceptively straightforward); this is filmmaking at its best.
The movie cuts back and forth through time, letting these women finish each others sentences, encounters, and fill in the gaps of each others stories in a way that is amazing to see.
Lyrical and surprisingly uplifting -- if you're willing to invest full attention.
You’ll not likely come away from a viewing with a smile on your face, but you will almost certainly come away needing and wanting to talk about the experience.
A poignant meditation on regret, disappointment, getting on with life, and facing those hours.
There are wonderful performances here, but why watch them if by the end you want to slit your own throat.
...is there a deeper, more direct connection between these women, one that spans time and reveals meaning? You bet there is and it’s what makes this rather convoluted journey worth taking.
Food for thought for anyone who digs on existential narrative and adult, mannered, stylized, well-acted character pieces.
Daldry slices scenes from the three women’s lives and fuses them into one momentous thrust.
The Hours shows that film can surpass the sort of psedo-lyrical prose that tends to win Pulitzers and Pen-Faulkners.
Never as engrossing as it ought to be, because its stories never really connect. Great noses, though.
Generally well performed and shows many outstanding technical merits (direction and editing notwithstanding), but ultimately, it’s only memorable as a missed opportunity.
Latest News for The Hours
May 05, 2008:
Kidman tipped to play Dusty ![]()
Nicole Kidman has been tapped to play the bee-hived chanteuse, Dusty Springfield, in a biopic to be written by Michael Cunningham, who she worked with for The Hours. More...
June 21, 2006:
Natalie Portman Aboard "Boleyn" and "Kavalier"
The universally-adored and very cute Natalie Portman seems to have a pretty high profile pair of freshly-inked contracts. On one hand, she'll be starring in a historical drama... More...
| Tomatometer Percentage | Movie |
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