Before sunrise on August 29, 2005, Nolan Hayes (PAUL WALKER) arrives at a New Orleans hospital with his pregnant wife, Abigail (GENESIS RODRIGUEZ), who has gone into early labor. What should be one of the happiest days of Nolan's life quickly spirals out of control when the birth goes tragically wrong and Hurricane Katrina ravages the hospital, forcing an evacuation. Told to stay with his child, who is on a ventilator, and await transfer by ambulance, Nolan and his newborn are soon cut off from the world by power outages and rising floodwaters. When no one returns to help, Nolan faces one life-and-death decision after another, fighting to keep his daughter alive, as minute-by-agonizing minute passes...becoming unimaginable hours. (c) Pantalion … More
as Nolan Hayes
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Critic Reviews for Hours
Walker's performance - along with the film - gets more and more engrossing.
Could've marked a turning point in Paul Walker's career to more interesting and demanding projects post-age-40.
A lean, palpably tense thriller. Paul Walker gives the best performance of his career.
As one of the last completed roles by [Paul Walker]...it feels nice to be able to luxuriate in the actor's presence. In another set of circumstances, Hours could have proved to other filmmakers what the actor was capable of
The chemistry Walker shares with Rodriguez is terrific as the two played off of each other perfectly.
While uneven, the film is uniquely involving - right down to a final shot that will break your heart into a million pieces.
Called upon to carry almost the entire movie by himself, Walker has a tough time mustering genuine emotion, although he does better in the few legitimately tense scenes.
[Paul Walker's] need to show off, which marred his turn in the 2005 whatzit 'Running Scared,' usually disappears, he relaxes and suddenly he seems like an actor who could only have gotten better.
For those who wish to see [Walker] at his best, "Hours" is worth the time.
Walker's working hard here, and he has to carry the entire show, but many of the interactions he has with the other characters are melodramatic, the dialogue often feels flimsy, and the script stretches to give him more problems to take on.
Hurricane Katrina has already been pretty thoroughly mined for documentaries and fictional stories, but "Hours" holds your interest nonetheless.
Represents a change of pace for the performer, who delivers some of his best work in this odd thriller, which somehow transfers the bomb-on-a-bus concept of "Speed" to an infant-on-a-incubator ride of suspense and heartbreaking stakes.
Most of the movie elicits tense empathy, which builds to a genuinely nerve-wracking sense of dread.
Even when the movie and some ill-advised lighter moments let him down, Walker holds his own.
Take away the on-the-nose title and some half-hearted stabs at symbolism, and what's left is a B-thriller of the "they don't make 'em like they used to" variety.
Hours has a great B-movie premise, but at 97 minutes, the strain of keeping the story going, and throwing more obstacles in Nolan's way, starts to show.
To the extent the film has an idea, it's that people can be at their worst (or best) in extremis, but the situations it devises (such as an armed looter who wanders in to steal some of Nolan's junk food) are blandly realized.
From the evidence here, Walker's forte may have been not action but stillness-a knack for embodying ordinary Joes without any fussiness.
There's something vexing about the use of a baby as narrative device, and the movie leans too heavily on her inborn potential for heart-tuggery.
Audience Reviews for Hours
One of the last films with Paul Walker is this suspenseful thriller that can be quite tense in a welcome minimalist way when not being contrived or melodramatic, yet it could have been set in any city hit by a fictional hurricane without the need to use a real tragedy as a plot device.More
In one of Paul Walker's best performances to date, "Hours" follows a man after the loss of his wife during childbirth and he must keep his baby breathing in the incubator with no power during the events of Hurricane Katrina. The premise of this film sold me right from the start and it was just the film that he needed to boost his performance stature. Taking place mainly in one building for the entire film, this low-budget film is a true marvel and really something to strive to be able to pull off. While this film has a few script issues and there are a few predictable moments, Paul Walker's performance vibrates off the screen and the emotion in this film is handled beautifully. Almost every scene made me tear up, because they knew how to handle it. Aside from it's few faults, "Hours" is a great film!More
Every second counts.
Great final Film to an Excellent Actor!!! This film amazed me as I am not normally into this genre. I went in not expecting anything really but by the end I was captivated and really cheering Paul Walker on. Paul Walker does an amazing job and he made the film for me, his emotion and grit shone through. By the end I found myself emotionally attached to the story and really immersed in the story. This is a survival story above all and I applaud Paul Walker in his role. May he Rest in Peace!
A father struggles to keep his infant daughter alive in the wake of Hurricane Katrina.
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