Opening

87% Star Trek Into Darkness May 16
24% Erased May 17
91% Frances Ha May 17
44% The English Teacher May 17
41% Black Rock May 17
77% Pieta May 17
—— Populaire May 17
21% 33 Postcards May 17

Top Box Office

78% Iron Man 3 $72.5M
49% The Great Gatsby $50.1M
47% Pain & Gain $5.0M
37% Peeples $4.6M
77% 42 $4.6M
56% Oblivion $4.1M
69% The Croods $3.6M
98% Mud $2.5M
8% The Big Wedding $2.5M
60% Oz the Great and Powerful $1.1M

Coming Soon

—— The Hangover Part III May 23
78% Fast & Furious 6 May 24
—— Epic May 24
94% Before Midnight May 24

House at the End of the Street Reviews

Page 1 of 3
Steve Newton
Georgia Straight

A clunky, run-of-the-mill horror flick written by the same guy who penned last year's similarly themed disappointment, Dream House.

Full Review Source: Georgia Straight | Original Score: 1.5/5

February 15, 2013
Eric Melin
Scene-Stealers.com

It isn't very scary, but it does pile a bunch of really tasteless twists on towards the end that make no sense and it almost becomes a comedy. On one hand, is a failure as a horror film, but as an exercise in desperation, it's kind of a hoot

Full Review Source: Scene-Stealers.com | Original Score: 1.5/4

January 16, 2013
Kevin Carr
7M Pictures

exactly what you'd expect from a PG-13 horror movie dropped in September. There's really nothing particularly scary about it, and the story ranges from shaky to thin

Full Review Source: 7M Pictures | Original Score: 2/5

January 14, 2013
Jeremy Wheeler
TV Guide's Movie Guide

House at the End of the Street reveals itself to be merely another forgettable PG-13 thriller banking on the brain-dead mall crowd to tweet their unending love for a crummy feast such as this.

Full Review Source: TV Guide's Movie Guide | Original Score: 1.5/4

October 19, 2012
John Beifuss
Commercial Appeal (Memphis, TN)

The screenplay has a nice twist that could have supported a stylish giallo-style thriller; unfortunately, director Mark Tonderai delivers a mess -- an almost random tangle of choppy edits, handheld camera, 'shock' sound effects and other horror cliches.

Full Review Source: Commercial Appeal (Memphis, TN) | Original Score: 2.5/4

October 9, 2012
Bruce Bennett
Spectrum (St. George, Utah)

Formulaic, unoriginal suspense thriller aided by a plot twist and good leads, that might delight the less-gore-is-more teenage audience.

Full Review Source: Spectrum (St. George, Utah) | Original Score: C+

October 5, 2012
Jackie K. Cooper
jackiekcooper.com

A routine 'Don't go down to the basement' thriller, but watching Jennifer Lawrence go through her paces makes it enjoyable.

Full Review Source: jackiekcooper.com | Original Score: 6/10

September 29, 2012
Matt Brunson
Creative Loafing

The filmmakers elect to emphasize every plot point and telegraph every plot twist with the delicacy of a train blaring its horn as it approaches a crossing -- and yet that isn't even their greatest sin.

Full Review Source: Creative Loafing | Original Score: 1.5/4

September 29, 2012
Sandy Schaefer
ScreenRant

Borrows so liberally from other movies that it could have been fascinating, but due to confused direction and a mishmash of acting, it's ultimately bland and forgettable.

Full Review Source: ScreenRant | Original Score: 2/5

September 28, 2012
Marc Savlov
Austin Chronicle

Lawrence is fine as the solo-parented teen and Thieriot does a mean Tony Perkins (circa Pretty Poison, but on downers), but the sheer tedium of the storyline means you never really care about any of them.

Full Review Source: Austin Chronicle | Original Score: 0.5/5

September 28, 2012
MaryAnn Johanson
Flick Filosopher

[T]he scariest thing about [this] is that this sort of junk is considered a good career move for a young actress who's just come off a small film from a respected indie director...

Full Review Source: Flick Filosopher

September 27, 2012
Ken Hanke
Mountain Xpress (Asheville, NC)

Saying that House at the End of the Street is contrived is an insult to contrivances.

Full Review Source: Mountain Xpress (Asheville, NC) | Original Score: 2/5

September 27, 2012
A.A. Dowd
Time Out New York
Top Critic IconTop Critic

Shockingly uneventful, this horror film marks time until dropping its big, dumb reveal.

Full Review Source: Time Out New York | Original Score: 1/5

September 25, 2012
Greg Maki
Star-Democrat (Easton, MD)

... Typical of modern horror movies, jump-scares (which are startling, not scary--there is a difference) sprinkled throughout deflate the suspense before it builds much.

Full Review Source: Star-Democrat (Easton, MD) | Original Score: C+

September 25, 2012
Maitland McDonagh
Film Journal International

Clearly designed as a downbeat, character-driven psychological thriller, not a shock machine...but it never really pays off, in part because it relies too often on the very clichés it aspires to avoid.

Full Review Source: Film Journal International

September 24, 2012
Dafydd Goff
Guardian [UK]

Don't be tempted to put in an offer; this house is built on flimsy foundations.

Full Review Source: Guardian [UK] | Original Score: 2/5

September 24, 2012
Henry Northmore
The List

You've seen every twist and turn before and it's all played completely straight. A Scream-esque knowing wink would make it all far more palatable.

Full Review Source: The List | Original Score: 2/5

September 24, 2012
Neil Smith
Total Film

Its talented lead is reduced to being just another scantily clad babe getting stalked by a psycho.

Full Review Source: Total Film | Original Score: 2/5

September 23, 2012
Scott Weinberg
FEARnet

A "sleepover night" horror movie made for young people who haven't seen many good horror movies.

Full Review Source: FEARnet | Original Score: 2/5

September 23, 2012
Chris Sawin
Examiner.com

This is the type of run of the mill, cookie cutter, PG-13, piss poor excuse of a horror movie that horror fans always complain about over the internet.

Full Review Source: Examiner.com | Original Score: 2/10

September 22, 2012
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