... there is really only one surprise: It's funny. Dumb, yes, but funny.
The House Bunny (2008)
Tomatometer
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Reviews Counted:120
Fresh:47
Rotten:73
Average Rating:5.1/10
Consensus: Anna Faris is game, but she can't salvage this middling, formulaic comedy.
Rated: PG-13 [See Full Rating] for sex-related humor, partial nudity and brief strong language.
Runtime: 1 hr 37 mins
Genre: Comedies
Theatrical Release:Aug 22, 2008 Wide
Box Office: $48,237,389
Synopsis: Comic actress Anna Faris (LOST IN TRANSLATION, SCARY MOVIE) shines in her starring turn in THE HOUSE BUNNY, a hilarious and heartfelt tale of female empowerment. As the film opens, Shelly... Comic actress Anna Faris (LOST IN TRANSLATION, SCARY MOVIE) shines in her starring turn in THE HOUSE BUNNY, a hilarious and heartfelt tale of female empowerment. As the film opens, Shelly Darlingson (Farris) is Big Bunny on Campus at Hugh Hefner's Playboy Mansion. With her 27th birthday approaching, Shelly eagerly anticipates fulfilling her dream: to be centerfold of the month. But when she learns that she's being booted from Bunnyland, Shelly finds herself with no family or place to call home. Desperate for both, she lucks across the socially inept sisters of the Zeta Alpha Zeta sorority. With no hope of attracting new pledges and the consequent threat of losing their sorority, the girls of Zeta take in the bubbly Shelly as their new "house mother." Shelly immediately sets to work helping the Zetas bring out their inner glamazons, luring in boys while drawing the ire of rival sorority Phi Iota Mu. Shelly also catches the eye of Oliver (Colin Hanks), who forces her to realize that it will take more her Playboy Mansion ways to win over a good man. Plus, Shelly discovers that her social insights have transformed the Zetas into the very superficial types they once railed against. And when Hugh Hefner calls to offer Shelly her dream centerfold shoot, she must choose between returning to the family that loved her best and saving the family that needs her most. Faris (who co-produced the film) is a comic delight as Shelly, with a perfect blend of sexy charm and sweet-natured cluelessness. Supported by an excellent cast of fresh faces and seasoned veterans, THE HOUSE BUNNY is an irresistible tale of inner beauty and "sisters" sticking together. [More]
Starring: Anna Faris, Colin Hanks, Emma Stone, Katharine McPhee
Starring: Anna Faris, Colin Hanks, Emma Stone, Katharine McPhee, Rumer Willis, Beverly D'Angelo
Director: Fred Wolf
Director: Fred Wolf
Screenwriter: Karen McCullah Lutz, Kirsten Smith
Producer: Adam Sandler, Jack Giarraputo, Allen Covert, Heather Parry
Composer: Waddy Wachtel
Studio: Sony Pictures Entertainment
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Release:
Dec 19, 2008
Reviews for The House Bunny
Offers more actual empowerment and inspiration to young women than the phony Sex and the City or Mamma Mia!, and it's a lot funnier to boot.
The screenplay inflicts a little more injury on Faris than it intends to by committing the very sins it half-heartedly attempts to parody.
Her [Faris'] charisma and comic timing, coupled with the schizophrenic script by Karen McCullah Lutz and Kirsten Smith, makes The House Bunny a recommendable comedy.
Like a modern-day Lucille Ball, Anna Faris is a pure and utter natural, brilliant at getting a laugh and just as adept at finding the pathos in the unexpected. This is the brightest comedy so far this year.
Faris is rarity in the industry: a legitimately hilarious performer with a virtuoso sense of timing and screwball articulation.
As much as the word 'vapid' is thrown around in the movie, it's also the perfect adjective to describe it. There are much better comedies out there right now to waste time on this one.
It's a movie that wastes the talents of up-and-comers (Emma Stone from Superbad), rising stars (the sublimely funny -- in other movies -- Anna Faris) and talented vets (Beverly D'Angelo, looking like she wishes she were anywhere else) alike.
Despite a winning performance by Anna Faris, the film falls on its keister so many times that before long the perky pinkness turns bruising black-and-blue.
If another dumb-blonde joke is something you've hoped never to suffer again, make every effort to avoid the protracted punch line that constitutes the bulk of The House Bunny.
The purpose of this comedy is to serve as a showcase for Anna Faris, whose sunny disposition and solid comic timing make The House Bunny more enjoyable than it ought to be.
[An] on-and-off comedy...as airheaded as its ditzy heroine. But it has a goofily good-natured quality.
The House Bunny is a blissfully broad comedy that should catapult Anna Faris into a singular kind of stardom.
Anna Faris has taken a lot of hits for Hollywood, most of them literal.
Anna Faris has been shaping up as the most inventive screen comedienne of her generation.
Anna Faris is one of the funniest actresses in movies today, but you wouldn't know it from the wretched The House Bunny.
Approaches the idea of telling a compelling story pretty casually. The House Bunny knows from the outset its plot isn't very interesting.
What else can you say about a movie when Christopher McDonald counting to 30 is the funniest thing that happens in it?
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