House of 1000 Corpses (2002)

For me at least, I find it hard for me to go into any form of detail about this film without first talking about the director. I am something of a mediocre fan of Rob Zombie. I mean, I like his music well enough and as an artist, I have respect for him. With my first two Zombie films I saw were his Halloween films, I got it that he loves paying tribute to the horror films that inspired him like he did with the lyrics to his music. What makes this film different from the Halloween films is how he handles the material he was given. Now, this is by no means a great film. In fact, as a film itself it is mediocre. Yeah, it has a great cult following, but as someone that knows what Zombie was going for, and what this film tried to do, I will not say it is great. But it is BEYOND fun to watch. With Zombie, if you have seen his music videos, the direction is not any way, shape, or form better than what you have already seen. But what makes this film great is how he has the film laid out. Taking ideas from directors, he never tries to improve the horror genre. In fact, he seems to want to create a hour and a half love letter to the obscure, low, disgusting horror films that you only hear about via horror geeks. The purpose is simple: wipe out the way horror films have been created as (soft core porn) and return them to the grotesque, evil, and just plain sadistic way horror (mainly slasher films) was meant to be. But what makes me love this film to watch is how funny the dialogue is. From the get go, it is shown that if you are looking for sophisticated characters, those that you can attach yourself to and see different angles to, then you have the wrong film. This movie gives each character one personality and it is either annoying or fun. As to which one is which, well, just look at who lives and dies. With this, the acting is not all that great, and should not have been great. In this type of film, great acting would kind of kill the overall feel that it was trying to achieve. This is Zombieâ(TM)s directorial debut, and as such, he does have one main problem: LOTS of dropped ideas. Part of the plot of this film is to have a character known as Dr. Satan and his exploits. You only see him once in the entire film and his appearance is something of a buzz kill. Then you have the murderous family parts, the cops parts, and all of this that is later replaced with attention being focused on the gore shots. Okay Zombie, as a film critic, here is some advice: only keep the subplots that will work and develop them. I know I said that this was just a fun film and one to not take seriously, but with huge plot holes that donâ(TM)t go anywhere, plot devices that really serve no purpose, it kills the film for me. But the best thing, and the part that redeems this film, is just the dialogue. I know I kind of already touched on this topic, but I just canâ(TM)t love the words in this film enough. Mainly with the Firefly family, the dialogue just goes and destroys every stereotype imaginable for a backwashed family in the middle of no where. Now, why I love this is due to how natural it flows from the actors. Mainly with Bill Moseley (known for The Texas Chainsaw Massacre 2, Repo! The Genetic Opera, and The Devilâ(TM)s Carnival) and how he allows his character to take over. It is truly hysterical. In the end, this is how a typical debut for a director should be: try everything you want, just be prepared to have the film hated. However, given the giant cult fan base this film has, that is not really the case. But for me, I am kind of in the middle with this film. The cinema snob in me wants to bash this film, calling it trash. The film geek in me wants to love this film for how funny it is, how much it pays tribute to films I love, and just the chance to see the great Rob Zombie make a movie. With this film, I am going with my film geek side. Now, am I saying go out and watch this film? Only if you can handle a LOT of gore and weird images. If you can handle it, make sure you have some fried chicken ready and sit back for one interesting and loving film.