Based-on-a-true-tale drama about an insane asylum on the frontlines in the Chechen conflict is tired, trite and dull.
House of Fools (2003)
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Reviews Counted:47
Fresh:18
Rotten:29
Average Rating:5/10
Rated: R [See Full Rating] for language, some violence and nudity
Runtime: 1 hr 48 mins
Genre: Foreign Films
Theatrical Release:Apr 25, 2003 Limited
Synopsis: In House Of Fools, a beautiful young Chechen woman, Janna (Julia Vysotsky) is one of several inmates living in a psychiatric hospital. Insulated from the world, the inmates are oblivious to the war... In House Of Fools, a beautiful young Chechen woman, Janna (Julia Vysotsky) is one of several inmates living in a psychiatric hospital. Insulated from the world, the inmates are oblivious to the war that rages around them. Janna spends her time playing her accordion. Her playing soothes the mischievous, and sometimes violent, behavior of her fellow patients. In her private dream world, Janna finds comfort and safety when "fiancé" Bryan Adams sings her love songs. One evening, the train that had nightly delighted the inmates, does not pass. In the morning, when the patients awaken to discover that the medical staff has vanished, the problems of the outside world begin to invade their refuge. As Russian troops near, the patients must fend for themselves. The insane, the fragile and the handicapped must now organize themselves as best they can. As some begin to think of leaving, the sound of nearby bombing sends them running back for cover. A group of Chechen soldiers invade the hospital and settle in with the patients. Janna becomes attracted to a soldier and plans to leave with him. But she is left behind when the Chechens leave. Disappointed and saddened, all she can do is play her accordion and revel in the love of her "fiancé," Bryan. Persona, Hachette Premiere et Cie, Bac Films and Paramount Classics present House Of Fools (Dom Durakov). Written and directed by Andrei Konchalovsky, the film stars Julia Vysotsky with a special appearance by Bryan Adams. The film is produced by Andrei Konchalovsky and Felix Kleiman. The creative behind-the-scenes team is led by cinematographer Sergei Kozlov, production designer Lubov Skornia, costume designer Svetlana Volter and editor Olga Grinshpun. Original music is composed by Edward Artemiev. -- © Paramount Classics [More]
Starring: Julia Vysotsky, A. Kalyagin, Sultan Islamov, Evgeni Mironov
Starring: Julia Vysotsky, A. Kalyagin, Sultan Islamov, Evgeni Mironov, Stanislav Varkki, Elena Fomina, Vladas Bagdonas, Ruslan Naurbiev, Cecilia Thomson
Director: Andrei Konchalovsky
Director: Andrei Konchalovsky
Screenwriter: Andrei Konchalovsky
Producer: Rene Cleitman, Jean Labadie
Composer: Edward Atemiev
Studio: Paramount Classics
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Reviews for House of Fools
With its cast of nauseatingly lovable lunatics, House of Fools may make you feel like you've been tricked into suffering through the Kevin Spacey flick K-Pax with subtitles.
The misery I suffered in the Russian horror House of Fools, directed by the ridiculously overrated Andrei Konchalovsky, does deserve special scorn, but I don't have the stomach to rehash it.
A kindly film with a generous heart beaming through the discordant rumblings of useless wars.
A film that succeeds not by arguing that the world is crazier than the asylum, but by arriving at the melancholy possibility that both are equally insane.
A humane and fantastic work, and it touches us precisely because Konchalovsky shows the reality of both the soldiers and the madhouse inmates.
House of Fools was Russia's official entry for this year's Academy Awards, and if this is the best they can do, their worst must be horrifyingly bad.
Very uneasily combines [Konchalovsky's] gritty sense of atmosphere with a more, shall we say, westernized sense of empowerment.
You know the song. It's the one with the chorus that goes: 'Have you ever really, really, really ever loved a woman?' I mean, really.
Perhaps, it's a labour of love; certainly, too often, it's a love that turns laboured.
I left the theater convinced that House of Fools is Konchalovsky's best work in almost 20 years (which it is) and that it might be something close to a masterpiece.
The more sharply realized a dramatic moment, the more painfully fake.
A sort of King of Hearts meets No Man’s Land. Gracefully told, but suffers from translation.
Once again pressed into the service of allegory, serious mental illness is relegated to harmless twitches and quirks borne by an entertaining cast of eccentrics endowed with a unique wisdom all their own.
A well-intentioned but agonizingly uneven exercise that finds director Andrei Konchalovsky more eager than ever to take risks, but somehow unable to make them pay off.
While this film offers engaging moments, the overall impact is too blurred and lost along the way.
Only adds to the sense that Mr. Konchalovsky has lost his artistic moorings. He has certainly lost his common sense.
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