Davies attains a narrative purity of shocking intimacy and emotional force.
The House of Mirth (2000)
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Reviews Counted:93
Fresh:75
Rotten:18
Average Rating:6.8/10
Consensus: Despite being a period piece, The House of Mirth's depiction of social cruelty still feels chilling and relevant for today.
Theatrical Release:Dec 22, 2000 Limited
Synopsis: Terence Davies (DISTANT VOICES, STILL LIVES) triumphs with his sumptuous, painterly adaptation of Edith Wharton's novel, which is set amid the vicious moneyed classes of 1905 New York and features... Terence Davies (DISTANT VOICES, STILL LIVES) triumphs with his sumptuous, painterly adaptation of Edith Wharton's novel, which is set amid the vicious moneyed classes of 1905 New York and features a heartrending, perfectly nuanced performance by Gillian Anderson as doomed heroine Lily Bart. Lily, though strikingly beautiful and socially prominent, remains unmarried at the late age of 29. She jokes that marriage is a woman's vocation, but she is conflicted between her desire to marry a wealthy man and her love for handsome, elegant Lawrence Selden (Eric Stoltz), who, unforgivably, must work for a living. Lily's options begin to narrow, however, when her backstabbing friend, Bertha Dorset (Laura Linney), informs potential suitors of her gambling debts. In a world where the slightest hint of impropriety equals social death, Lily's self-professed genius in doing the wrong thing at the right time leads to trouble. A potential solution to Lily's downward social spiral arrives when a useful secret falls into her lap. In order to save herself, Lily must struggle with her naïveté, pride, and ineptitude at playing the elite's deadly, coded game. Davies's beautifully composed, richly textured images and Anderson's skillful evocation of quiet desperation make for a visually stunning, emotionally resonant tale. [More]
Starring: Gillian Anderson, Eric Stoltz, Dan Aykroyd, Eleanor Bron
Starring: Gillian Anderson, Eric Stoltz, Dan Aykroyd, Eleanor Bron, Terry Kinney, Anthony LaPaglia, Laura Linney, Elizabeth McGovern, Jodhi May, Penny Downie, Pearce Quigley, Helen Coker, Mary Macloed
Director: Terence Davies
Director: Terence Davies
Screenwriter: Terence Davies
Producer: Olivia Stewart
Composer: Adrian Johnston
Studio: Sony Pictures Classics
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Reviews for The House of Mirth
Mr. Davies' stylish adaptation should certainly please Ms. Wharton's fans.
A beautiful, elegantly tasteful film about the utter and complete devastation of a human being.
A fine film that largely respects the literary classic it springs from -- and makes you want to read it, or re-read it.
A bit slow, but featuring good performances, a great overall look and all of that thick, underlying tension.
Anderson gives a tour de force as a woman who's at the end of her rope without knowing how she got there.
Anderson ... gives a performance as compelling and impressive as anything we've seen all year.
Those who know Anderson only from TV's X-Files will find this performance a revelation.
[Anderson's] performance is a study in the difference between hubris and pride, remarkable for how unshowy but profoundly devastating it is.
There's so much unmitigated misery to contend with that the story nearly turns comical.
A well-crafted, well-acted film that showcases a top performance from Gillian Anderson.
A somber experience that drags on and on at a ponderous pace that would be far too slow if you didn't need the time to construct your own plot in its apparent absence.
With so few films focusing on complex and intriguing female characters and with the visually compelling story that Davies creates, The House of Mirth is a qualified success.
The power of its story -- especially in the latter moments -- will leave many stunned and deeply affected.
A terrific evocation of the author's world and its pitiable main character.
Such an audacious and unexpected triumph as Anderson's enhances everything around it.
It's a skillful brand of difficult, one that will keep you absorbed, and Anderson gives the kind of performance that will make you forget about The X-Files forever.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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