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My Father and I (2002)
Tomatometer
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Reviews Counted:44
Fresh:39
Rotten:5
Average Rating:7.2/10
Consensus: How I Killed My Father is a penetrating character study of father-son ties.
Theatrical Release:Aug 23, 2002 Limited
Synopsis: Forty year-old Jean-Luc is a successful gerontologist living in the wealthy Parisian suburb of Versailles with his beautiful wife Isa. On the surface, Jean-Luc appears to have everything one could... Forty year-old Jean-Luc is a successful gerontologist living in the wealthy Parisian suburb of Versailles with his beautiful wife Isa. On the surface, Jean-Luc appears to have everything one could want from life, however the unexpected arrival of his long estranged father (Maurice) promises to shatter Jean-Luc’s facade. A quiet yet lively man, Maurice abandoned his wife and two young sons years ago, without any apparent misgivings, to practice medicine in Africa. Upon his sudden return, Maurice is quick to view his older son’s life and world with a detachment that verges on cruelty, and it isn’t long before he profoundly disrupts the fragile and truly imperfect bourgeois lives of Jean-Luc and those around him. In the face of a father who charms, disgusts and rejects him, Jean-Luc can no longer avoid confronting his own past. Secrets are revealed, and the crisis triggered by his mysterious father will alter things forever... © 2002 New Yorker Films [More]
Starring: Michel Bouquet, Charles Berling, Natacha Regnier, Amira Casar
Starring: Michel Bouquet, Charles Berling, Natacha Regnier, Amira Casar, Hubert Kounde, Karole Rocher
Director: Anne Fontaine
Director: Anne Fontaine
Screenwriter: Jacques Fieschi, Anne Fontaine
Producer: Philippe Carcassonne
Composer: Jocelyn Pook
Studio: New Yorker Films
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Reviews for My Father and I
Rather less than the sum of its underventilated père-fils confrontations.
Viewing this underdramatized but overstated film is like watching a transcript of a therapy session brought to humdrum life by some Freudian puppet.
How I Killed My Father is one of those art house films that makes you feel like you're watching an iceberg melt -- only it never melts.
Rarely, indeed almost never, is such high-wattage brainpower coupled with pitch-perfect acting and an exquisite, unfakable sense of cinema.
Demonstrates why nowadays the best thing you can say about an American movie is that it plays like a French film.
Fontaine masterfully creates a portrait of two strong men in conflict, inextricably entwined through family history, each seeing himself in the other, neither liking what he sees.
Fontaine indulges her signature style, creating a carefully measured film -- the kind whose impact slowly sneaks up on its audience and haunts them long after leaving the theatre.
Brings a rare, clinically specific sense of moral complexity and humanistic sympathy to the usual regimen of finger-pointing and exposure.
Exquisitely nuanced in mood tics and dialogue, this chamber drama is superbly acted by the deeply appealing veteran Bouquet and the chilling but quite human Berling.
Whether writer-director Anne Fontaine's film is a ghost story, an account of a nervous breakdown, a trip down memory lane, all three or none of the above, it is as seductive as it is haunting.
Vet French actor Michel Bouquet renders such an astounding performance that he elevates Anne Fontaine's family melodrama way above its Freudian foundations and male menopause.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 58% 58% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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