Opening

87% Star Trek Into Darkness May 16
22% Erased May 17
90% Frances Ha May 17
44% The English Teacher May 17
42% Black Rock May 17
77% Pieta May 17
—— Populaire May 17
21% 33 Postcards May 17

Top Box Office

78% Iron Man 3 $72.5M
50% The Great Gatsby $50.1M
47% Pain & Gain $5.0M
37% Peeples $4.6M
77% 42 $4.6M
56% Oblivion $4.1M
69% The Croods $3.6M
98% Mud $2.5M
8% The Big Wedding $2.5M
60% Oz the Great and Powerful $1.1M

Coming Soon

—— The Hangover Part III May 23
79% Fast & Furious 6 May 24
—— Epic May 24
94% Before Midnight May 24

Comment j'ai tué mon père (My Father and I) Reviews


Time Out
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January 26, 2006
Ty Burr
Boston Globe
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Hushed but scalpel-sharp drama, a movie that'll probably send men in the audience home much quieter than they arrived.

Full Review Source: Boston Globe | Original Score: 3.5/4

December 19, 2003
Marta Barber
Miami Herald
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Watching these two actors play against each other so intensely, but with restraint, is a treat.

Full Review Source: Miami Herald | Original Score: 3/4

February 27, 2003
Jane Sumner
Dallas Morning News
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Trés French, trés fascinating psychodrama.

Full Review Source: Dallas Morning News | Original Score: B

December 26, 2002
Joe Baltake
Sacramento Bee
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This is a fascinating film because there is no clear-cut hero and no all-out villain.

Full Review Source: Sacramento Bee | Original Score: 4/4

December 20, 2002
Roger Ebert
Chicago Sun-Times
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This is a harrowing movie about how parents know where all the buttons are, and how to push them.

Full Review Source: Chicago Sun-Times | Original Score: 3.5/4

November 22, 2002
Patrick Z. McGavin
Chicago Tribune
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Cold, nervy and memorable.

Full Review Source: Chicago Tribune | Original Score: 3/4

November 21, 2002
Richard Nilsen
Arizona Republic
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The film is about the relationships rather than about the outcome. And it sees those relationships, including that between the son and his wife, and the wife and the father, and between the two brothers, with incredible subtlety and acumen.

November 2, 2002
Stanley Kauffmann
The New Republic
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Fontaine's direction, especially her agreeably startling use of close-ups and her grace with a moving camera, creates sheerly cinematic appeal.

October 8, 2002
Jonathan Curiel
San Francisco Chronicle
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Bouquet gives a performance that is masterly.

Full Review Source: San Francisco Chronicle | Original Score: 4/4

September 20, 2002
Kenneth Turan
Los Angeles Times
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Penetrating and emotionally complex.

Full Review Source: Los Angeles Times | Original Score: 4/5

September 12, 2002
Lisa Schwarzbaum
Entertainment Weekly
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The murder is metaphorical in Anne Fontaine's exquisite French character study How I Killed My Father, but it's still shocking in the quietest, most well-mannered of ways.

Full Review Source: Entertainment Weekly | Original Score: A-

August 31, 2002
Andrew O'Hehir
Salon.com
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Rarely, indeed almost never, is such high-wattage brainpower coupled with pitch-perfect acting and an exquisite, unfakable sense of cinema.

Full Review Source: Salon.com

August 30, 2002
Jan Stuart
Newsday
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The simmering strengths of How I Killed My Father owe much to its two male leads.

Full Review Source: Newsday | Original Score: 3.5/4

August 23, 2002
V.A. Musetto
New York Post
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A top-notch study of family angst.

| Original Score: 3/4

August 23, 2002
Elvis Mitchell
New York Times
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Viewing this underdramatized but overstated film is like watching a transcript of a therapy session brought to humdrum life by some Freudian puppet.

Full Review Source: New York Times | Original Score: 2/5

August 22, 2002
Andrew Sarris
New York Observer
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Demonstrates why nowadays the best thing you can say about an American movie is that it plays like a French film.

Full Review Source: New York Observer

August 22, 2002
Dennis Lim
Village Voice
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Rather less than the sum of its underventilated père-fils confrontations.

Full Review Source: Village Voice

August 20, 2002
Richard James Havis
Hollywood Reporter
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A solid examination of the male midlife crisis.

August 15, 2002
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