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How to Kill Your Neighbor's Dog (2002)
Tomatometer
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Reviews Counted: 30
Fresh: 17
Rotten:13
Average Rating: 6.1/10
Theatrical Release:Feb 22, 2002 Limited
Synopsis:
As L.A's most, if not only, successful playwright, Peter McGowan (Kenneth Branagh) has hit a creative dry spell. After a string of box office flops, his new play is set to open, but the script...
As L.A's most, if not only, successful playwright, Peter McGowan (Kenneth Branagh) has hit a creative dry spell. After a string of box office flops, his new play is set to open, but the script isn't finished. McGowan decides to workshop the production, and in the process has to navigate a minefield of egos, feuding actors, and showbiz politics, ever cynical of the schmooze and cruise scene his producer insists on dragging him into. With his producer and cast insisting the ten-year-old character in the play doesn't ring true, he is challenged to develop a "real" child and finds himself blocked.
At home, his wife Melanie (Robin Wright Penn), a children’s dance instructor, would like a child of her own, but Peter isn't ready; he has his play to complete and his art itself to resurrect. Besides, his perpetually confused mother-in-law (Lynn Redgrave) has moved in and dealing with her is yet another challenge. On a good day she recognizes Peter as someone who resembles her son-in-law; at other times she chats with him about her imminent death. Peter also realizes he is being stalked – by a fan who thinks he’s the real Peter. He reaches the brink of insanity when the neighbor’s new dog starts barking in the night, exacerbating his insomnia.
When a recently separated woman and her young daughter Amy (Suzi Hofrichter) move next door, Melanie recognizes an opportunity to assuage her husband’s awkwardness with children. Peter sees an opportunity to use the little girl in order to craft "real" child for the play. Peter is eventually won over by Amy’s charm and his initial selfish intentions turn into genuine affection. But a falling out between Peter and Amy's overprotective mom, Trina, puts an end to their friendship.
How to Kill Your Neighbor’s Dog veers from cynicism to affection and back again on issues such as creativity, fame, impotence, homelessness and physical handicaps. At its core, Neighbor’s Dog is about the power of words — how they are used creatively, deceptively and, at times, dangerously; and how seemingly innocuous statements can have dire consequences, as words often censured are harmless in the end when weighed against those used in haste and anger. And it is how words can be manipulated, bent and shaped to serve the purpose of the narrator employing them to tell a story. -- © Artistic License Films
Starring: Kenneth Branagh, Robin Wright Penn, Suzi Hofrichter, Lynn Redgrave
Starring: Kenneth Branagh, Robin Wright Penn, Suzi Hofrichter, Lynn Redgrave, Jared Harris, Peter Riegert, Johnathon Schaech, Kaitlin Hopkins
Director: Michael Kalesniko
Director: Michael Kalesniko
Screenwriter: Michael Kalesniko
Producer: Michael Nozik, Nancy M. Ruff, Brad Westin
Composer: David Robbins
Studio: Artistic License
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Reviews for How to Kill Your Neighbor's Dog
...a good film that must have baffled the folks in the marketing department.
Kalesniko manages to keep all this stuff entertainingly cynical and doesn't let the ever-present sentimental goop overcome his story.
An offbeat, nimble and surprisingly winning little 'life comedy' [that] captures with entertaining aplomb the spry whimsy of a writer’s brain in action.
A succinct effort to explore how our relationships force us to re-evaluate what we want out of life at the most inopportune and unexpected of times.
A film that will likely not "wow" anyone over...but entertaining from a character point of view
Run, don't walk, to see this barbed and bracing comedy on the big screen.
Falsehoods pile up, undermining the movie's reality and stifling its creator's comic voice.
A surprising drama about the emptiness of cynicism when stacked up against the bounties of compassion.
Kenneth Branagh's energetic sweet-and-sour performance as a curmudgeonly British playwright grounds this overstuffed, erratic dramedy in which he and his improbably forbearing wife contend with craziness and child-rearing in Los Angeles.
Despite the top-quality talent and some occasionally witty shots on the vanity of Hollywood, this Dog simply isn't best in show.
This slight slice of L.A. life is distinguished by two fine, subtle performances.
Audiences conditioned to getting weepy over saucer-eyed, downy-cheeked moppets and their empathetic caretakers will probably feel emotionally cheated by the film's tart, sugar-free wit.
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