Straight From the Heart (Hum Dil De Chuke Sanam) Reviews
Otherwise, lovely story, great music and a good lighting around the duties conveyed by love. And Aishwarya is stunning as usual.
Oh, yeah, and the scene when Aishwarya Rai catches Salman Khan unaware farting loudly is just legendary... !
Where HDDCS really stumbles is in its dialogue. I've said it before and I'll say it again: Bollywood actors' tendency to overact and drown in melodrama can really bite their movie in the ass when the script isn't focused on the dance scenes. I'm not suggesting melodrama or passionate acting are inherently bad, rather, I'm simply saying that any missteps that occur when engaging in this type of acting are felt particularly hard by the audience.
As I hinted earlier, a common type of misstep is awkward dialogue. Overacting and melodrama, if not used appropriately, can absolutely kill dialogue and turn a movie into a painful mess. I thought Salaman Khan was incredibly annoying in this film because of this. Furthermore, Bollywood melodrama and overacting (as is perfectly exemplified by this film) has other problems that go behind the awkwardness that can ensue. A little bit goes a long way, and pacing can be affected. This is the cause for the dragging in this movie (other than the 3 hour+ run time). But I digress.
The second half of HDDCS is a lot stronger than its first, and most of the pacing and dialogue problems are handled more effectively. Ajay Devgan's more subdued performance also elevates the movie's latter half, and he is far more likable than Khan. I found the justice done to him at the end of the movie was great, and concluded the story well.
In the end, HDDCS's performances from Rai and Devgan and the mesmerizing dance/song scenes outshine its weaker points. HDDCS, in giving credit where credit is due, is a real treat for choreography, music, and costume design. Well worth your 3 hours and 7 minutes ;)
Nandini lends Aishwarya enough scope to draw the best out of her acting skills. It's beautiful to see a young, headstrong, Nandu evolve into a mature, sensible Nandini as the film spans her intense pyar for Sameer in the first half and her slow but eventual understanding of what pyar really is all about. Ajay too had his act in place as the honest, large-hearted Vanraj, a highlight in the second half.
With all due respect to Sallu fans, he may have entertained as the Chulbul Pandey of Dabangg or the Big Boss host, but someone tell him a little bit of acting won't hurt. (My bollyblogger friends are sure to come to blows with me on this one ;)
Rewinding back to the plot, Nandu (as he calls her) is besotted by Sameer and hasn't imagined life without him while her parents have other plans. Vanraj (Ajay Devgn), they believe is best suited for their daughter. The plot may seem another run-off-the-mill love triangle, but it's the treatment that won it all the appreciation and awards (31 to be more precise!) for the year.
Repeat value - Once, twice, thrice.......? You'll keep coming back to it!