The story is not readily accessible to audiences, and the final product leaves you feeling empty.
The Human Stain (2003)
Tomatometer
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Reviews Counted:144
Fresh:59
Rotten:85
Average Rating:5.4/10
Consensus: Though the acting is fine, the leads are miscast, and the story is less powerful on screen than on the page.
Theatrical Release:Oct 31, 2003 Limited
Box Office: $5,311,526
Synopsis: Director Robert Benton brings Philip Roth's 2000 novel THE HUMAN STAIN to the screen in this lavish production, with expert cinematography from Jean-Yves Escoffier. Coleman Silk (Anthony Hopkins)... Director Robert Benton brings Philip Roth's 2000 novel THE HUMAN STAIN to the screen in this lavish production, with expert cinematography from Jean-Yves Escoffier. Coleman Silk (Anthony Hopkins) is a light-skinned African-American college professor who has kept his true racial identity secret for the majority of his life. His career comes to a sudden halt when he makes a comment that is misinterpreted as a racial slur. Soon after he is fired, Silk hooks up with young Faunia Farely (Nicole Kidman), a local janitor. The affair with Farely, who is almost half Silk's age, becomes small-town gossip, and attracts the attention of Farely's psychotic ex-husband, Lester (Ed Harris). As Lester seeks vengeance, still angry at his ex-wife, Silk must make some tough decisions about his affair with Farely, leading to the film's nail-biting conclusion. Benton draws incredibly convincing performances from his two lead actors. Hopkins ably transcends his Caucasian ethnicity to play an African American. And Kidman fully embraces her character as a downtrodden janitor who is determined to rise beyond her humble beginnings. The two actors conquer the difficult subject matter, offering fascinating commentary on racial mores and relationship issues. [More]
Starring: Nicole Kidman, Anthony Hopkins, Gary Sinese, Ed Harris
Starring: Nicole Kidman, Anthony Hopkins, Gary Sinese, Ed Harris, Wentworth Miller, Jacinda Barrett
Director: Robert Benton
Director: Robert Benton
Screenwriter: Nick Meyers
Producer: Tom Rosenberg, Gary Lucchesi, Scott Steindorff
Composer: Rachel Portman
Studio: Miramax Films
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Release:
Jul 20, 2004
Reviews for The Human Stain
Despite its flaws, this adaptation is excellent. Gary Sinise steals the show.
A better film would have made us tear up, instead of laugh, when Kidman spills her life story to her crow confidant.
Roth may be a brilliant writer -- he's got the prizes to prove it -- but he doesn't create brilliant characters (especially female ones), and his plots work better on the page than on the screen.
With all the legs flailing, earnest speechifying, hot-headed outbursts, and mild abuse of crockery, Robert Benton's adaptation feels more like a fat Greek wedding than an Ancient Greek tragedy.
Benton, miraculously, has achieved the worst of both worlds. He has laid bare a great author's creaky plotting only to deliver a melodrama with bookish pretensions.
Watching Kidman mop floors impressed me with same effect as seeing George W. Bush fly a fighter jet.
The overall feeling that “The Human Stain” leaves behind is disappointment.
Here are complex, troubled, flawed people, brave enough to breathe deeply and take one more risk with their lives.
The Human Stain has those qualities we often want but rarely see in our films: intelligence and ambition, decency and humanity, poetry and pity, fire and ice.
The movie is a disappointment -- not a stain on Benton's career as a serious and literate director, but only half the powerful drama it might have been.
Além das péssimas escalações de Hopkins e Kidman, que simplesmente não convencem em seus papéis, o filme ainda sofre em função do roteiro sem foco de Meyer.
The movie's nature and content brings together a team of actors that's about as good as it gets and the ravishing Nicole Kidman has a few moments of sufficient artistry to give the members of the Academy some pause when they consider this year's nomina
| Tomatometer Percentage | Movie |
|---|---|
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| 83% 83% | Harry Potter and the H… |
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| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
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| 47% 47% | The Girl From Monaco |
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