...casting Anthony Hopkins, a man as Anglo-Saxon as can be, as an old African-American just doesn’t cut it
The Human Stain (2003)
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Reviews Counted:144
Fresh:59
Rotten:85
Average Rating:5.4/10
Consensus: Though the acting is fine, the leads are miscast, and the story is less powerful on screen than on the page.
Theatrical Release:Oct 31, 2003 Limited
Box Office: $5,311,526
Synopsis: Director Robert Benton brings Philip Roth's 2000 novel THE HUMAN STAIN to the screen in this lavish production, with expert cinematography from Jean-Yves Escoffier. Coleman Silk (Anthony Hopkins)... Director Robert Benton brings Philip Roth's 2000 novel THE HUMAN STAIN to the screen in this lavish production, with expert cinematography from Jean-Yves Escoffier. Coleman Silk (Anthony Hopkins) is a light-skinned African-American college professor who has kept his true racial identity secret for the majority of his life. His career comes to a sudden halt when he makes a comment that is misinterpreted as a racial slur. Soon after he is fired, Silk hooks up with young Faunia Farely (Nicole Kidman), a local janitor. The affair with Farely, who is almost half Silk's age, becomes small-town gossip, and attracts the attention of Farely's psychotic ex-husband, Lester (Ed Harris). As Lester seeks vengeance, still angry at his ex-wife, Silk must make some tough decisions about his affair with Farely, leading to the film's nail-biting conclusion. Benton draws incredibly convincing performances from his two lead actors. Hopkins ably transcends his Caucasian ethnicity to play an African American. And Kidman fully embraces her character as a downtrodden janitor who is determined to rise beyond her humble beginnings. The two actors conquer the difficult subject matter, offering fascinating commentary on racial mores and relationship issues. [More]
Starring: Nicole Kidman, Anthony Hopkins, Gary Sinese, Ed Harris
Starring: Nicole Kidman, Anthony Hopkins, Gary Sinese, Ed Harris, Wentworth Miller, Jacinda Barrett
Director: Robert Benton
Director: Robert Benton
Screenwriter: Nick Meyers
Producer: Tom Rosenberg, Gary Lucchesi, Scott Steindorff
Composer: Rachel Portman
Studio: Miramax Films
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Release:
Jul 20, 2004
Reviews for The Human Stain
The performances save the day in The Human Stain, bringing humanity to a worthwhile film that could have ultimately been much better.
A better film would have made us tear up, instead of laugh, when Kidman spills her life story to her crow confidant.
A fascinating and deeply compelling movie, one that resonates not just with personal drama but as a scathing examination of much larger issues.
Philip Roth's novel about race, shame and politics turns into a smug cipher with high-gloss sleepwalkers Anthony Hopkins and Nicole Kidman.
Though not quite as dramatically compelling as one might have hoped, The Human Stain remains a challenging, thought-provoking film, buoyed with finely crafted performances.
The execution by Kramer vs. Kramer director Robert Benton, combined with the casting, makes the film feel false and stagnant.
Any film that makes two references to Greek tragedy within the first 20 minutes should set off your pretension detector.
The overall feeling that “The Human Stain” leaves behind is disappointment.
The ineffectiveness of the premise & other elements that distract from the working story line make this a failure in my eyes, despite its finely crafted aspects.
The title really says it all: The Human Stain is only an imprint rather than a cohesive film. Read the novel instead to get the whole picture.
A bloodless, clumsily told drama that stubbornly refuses to come alive.
Kidman and Hopkins are not on top of their games here; he looks bored and she tries too hard.
The story is not readily accessible to audiences, and the final product leaves you feeling empty.
Though the film was slightly miscast, I still found myself drawn to the story, the characters, and their lives.
Perhaps it was only a matter of time before Hollywood made a serious drama in which Viagra plays a principal role.
One of those films that makes you say, 'That was powerful. Now what the hell was it about?'
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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