Feels like an overly deliberate meta-Bressonian prank.
Humanité (1999)
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Reviews Counted:22
Fresh:15
Rotten:7
Average Rating:6.4/10
Runtime: 2 hrs 28 mins
Genre: Foreign Films
Synopsis: Bruno Dumont's profound, haunting motion picture is equivalent to a cinematic painting, which combines the bizarre mood of David Lynch's BLUE VELVET with the slow pacing of Robert Bresson's films.... Bruno Dumont's profound, haunting motion picture is equivalent to a cinematic painting, which combines the bizarre mood of David Lynch's BLUE VELVET with the slow pacing of Robert Bresson's films. The story concerns Pharaon De Winter (Emmanuel Schotte), a gentle, kindhearted police detective living in a small town in Northern France, who is assigned to investigate the rape and murder of an 11-year-old girl. On his off-hours, he lusts after his neighbor Domino (Severine Caneele), who in turn spends her days sleeping with her insensitive boyfriend Philippe (Philippe Tullier). As the investigation unfolds and Pharaon slowly becomes overwhelmed by the sorrow that fills his body, he struggles to make sense of the world's evil ways. Dumont spent months searching for real individuals who best embodied the characters he'd envisioned when he wrote the script. Schotte and Caneele's naturalistic performances ring true in a way that adds a heightened reality to the proceedings, especially when combined with the hyper-realistic visual style that Dumont has chosen to employ. By the time the film reaches its climax, the deliberate, seemingly understated build-up has an even greater emotional impact that is at once stunning and breathtaking. [More]
Starring: Emmanuel Schotte, Severine Caneele, Philippe Tullier, Ghislain Ghesquiere
Starring: Emmanuel Schotte, Severine Caneele, Philippe Tullier, Ghislain Ghesquiere, Ginette Allegre
Director: Bruno Dumont
Director: Bruno Dumont
Screenwriter: Bruno Dumont
Producer: Jean Brehat, Rachid Bouchareb
Composer: Richard Cuvillier
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Reviews for Humanité
When viewed as an unusual film with not the usual things to say about its main character, it starts to look a lot better.
It's loaded with pretension, and it comes dangerously close to being little more than an exasperating stunt--and in the end that's what's so great about it.
Ought to be seen, because it's a work of moral and spiritual mystery as stubbornly challenging as Gone in 60 Seconds is morally anesthetizing.
Though nicely photographed with an able cast, L'Humanité never clearly solves the case of Schotté's sexual repression or lost relationships, and it inches along, eventually slowing the value of its stark visuals to a sleepy halt.
Dumont's filmic vision is so fresh and his story so rich in perception and so laden with artful ambiguity that it isn't dull for a moment.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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