Like most any pimp and smalltime dealer (at least those in the movies), DJay thinks he's got it down.
Hustle & Flow (2005)
Tomatometer
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Reviews Counted:149
Fresh:122
Rotten:27
Average Rating:7.3/10
Consensus: Hustle & Flow is gritty and redemptive, with a profound sense of place and exciting music.
Rated: R [See Full Rating] or sex and drug content, pervasive language and some violence.
Runtime: 1 hr 55 mins
Genre: Dramas
Theatrical Release:Jul 22, 2005 Wide
Box Office: $22,125,461
Synopsis: A gritty fairy tale of dreams deferred, HUSTLE & FLOW infuses the torpor of the Memphis ghetto with electric tension. Terrence Howard delivers the performance of a lifetime as DJay, a pimp and drug... A gritty fairy tale of dreams deferred, HUSTLE & FLOW infuses the torpor of the Memphis ghetto with electric tension. Terrence Howard delivers the performance of a lifetime as DJay, a pimp and drug dealer eking out an existence with his three whores, one of whom, Shug (Taraji P. Henson, HOLLA), is hugely pregnant. Nola (Taryn Manning, 8 MILE) turns tricks from the backseat of DJay's beater, while Lexus (Paula Jai Parker, LOVE CHRONICLES), the hustler's high-maintenance girlfriend, strips in a cellar-like club. DJay's dissatisfaction is increasing as he senses that life has nothing more in store for him, but a chance encounter with an old school friend, Key (Anthony Anderson, KING'S RANSOM), reignites his musical aspirations. Key is a small-time recording artist, and DJay, armed with a notebook full of lyrics, pays him a visit at home, much to the displeasure of Key's prim and proper wife (Elise Neal, PLAYA'S BALL). Initially dubious, Key agrees to partner with DJay after hearing his stuff, and the two build a makeshift recording studio in DJay's back room, enlisting the aid of a skinny white boy (DJ Qualls) with an unlikely talent on the drum machine. There unfolds the triumphant meat of the story, where, against all odds--and after a few bouts of infighting--everyone pitches in to cut DJay's crunk demo. Essentially a rags-to-riches story, director Craig Brewer avoids the saccharine through his achingly human portrayal of the characters. DJay is fraught with an undeniable misogyny that colors his otherwise sympathetic angst, and Howard portrays that complexity with grace and soul. With John Singleton in the producer's chair, HUSTLE & FLOW strikes an unprecedented balance between feel-good fare and unstinting urban drama, in what amounts to a powerful depiction of the pain and poignant struggle of those who populate this often-misinterpreted milieu. [More]
Starring: Terrence Howard, Ludacris, Anthony Anderson, DJ Qualls
Starring: Terrence Howard, Ludacris, Anthony Anderson, DJ Qualls, Taryn Manning, Paula Jai Parker, Taraji P. Henson, Elise Neal
Director: Craig Brewer
Director: Craig Brewer
Screenwriter: Craig Brewer
Producer: Stephanie Allain, John Singleton
Studio: Paramount Classics
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Reviews for Hustle & Flow
Brewer hasn't sugarcoated his pimp, and Howard's performance locates all the shadings of fury and desperation that drive him.
Dolemite and Super Fly weren’t exactly ennobling role models, but they were fighting a good fight against an oppressive system, whereas DJay is resisting what exactly? Getting a real job?
If you overlook the f-bombs and the drug deals, Hustle & Flow is peddling the same easy-path-to-riches-and-romance story Danielle Steel keeps cranking out.
Howard's been knocking on stardom's door for some time now, and Hustle & Flow should seal the deal.
One of those terrific out-of-the-blue movies that come along every so often.
A maudlin, broadly-appealing, race-baiting melodrama that traffics in cliché and misogyny with as much ease as its happy-go-lucky pimp/drug dealer hero.
Shot and scored with a raw, throwback feel, the film slips out of predictability by massaging a lingering feeling of dread and hopelessness into DJay's tale of rising hope.
But good soundtrack doesn't always equal good movie -- if it did, Prince's Graffiti Bridge would have been a huge success.
Brewer and Howard turn DJay into the most inspirational underdog champion since Rocky Balboa.
If the film wasn’t teetering enough on the edge of formula for the first two acts, it sinks like a stone into absurdity when tempers flare and guns are drawn for the finale.
We're drawn to the exotic inside portrait of a flyweight urban hustler who knows how to cast a spell.
A stark street savvy jockeys for screen time with an overwhelming aura of futility and funk.
There's something wrong with Hustle. A bad aftertaste, and not just the dry grit of Memphis dust, but something meaner. A feeling that Brewer's sensibility is way off.
It celebrates art, hope, and dreams, and you don't have to like hip-hop to appreciate the message or the way in which it is delivered.
Hustle & Flow may seem a fairy tale but there is still an edge to it in its finale.
The look of wonderment that spreads across [Taraji P. Henson's] face when she first hears her backing vocals played back is one of the great movie moments of 2005.
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