The Hustler belongs to that school of screen realism that allows impressive performances but defeats the basic goal of pure entertainment.
The Hustler (1961)
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Reviews Counted:33
Fresh:32
Rotten:1
Average Rating:8.6/10
Consensus: Paul Newman and Jackie Gleason give iconic performances in this dark, morally complex tale of redemption.
Runtime: 2 hrs 15 mins
Genre: Dramas
Synopsis: An arrogant and amoral hustler haunts pool rooms to get a crack at bringing down Minnesota Fats. When he starts to have real feelings for a woman, he's faced with a dilemma. See THE COLOR OF MONEY,... An arrogant and amoral hustler haunts pool rooms to get a crack at bringing down Minnesota Fats. When he starts to have real feelings for a woman, he's faced with a dilemma. See THE COLOR OF MONEY, an excellent sequel made 25 years later, for which Newman won Best Actor. Academy Award Nominations: 9, including Best Picture; Best Director; Best Actor, Paul Newman; Best Adapted Screenplay. [More]
Starring: Paul Newman, Jackie Gleason, Piper Laurie, George C. Scott
Starring: Paul Newman, Jackie Gleason, Piper Laurie, George C. Scott, Myron McCormick, Murray Hamilton, Michael Constantine, Stefan Gierasch, Jake LaMotta
Director: Robert Rossen
Director: Robert Rossen
Screenwriter: Sidney Carroll, Robert Rossen
Producer: Robert Rossen
Composer: Kenyon Hopkins
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Reviews for The Hustler
Newman is better than usual; Gleason, as the slit-mouthed, beady-eyed Minnesota Fats, darts among the shabby little pool sharks like an improbably agile and natty whale; and Gambler Scott looks as though he could sell hot-air heat to the devil.
Director Rossen presses all the right buttons in this classic dark masterpiece, and the atmosphere of the pool halls is brilliantly conveyed by Shufton's black-and-white CinemaScope photography.
Under Robert Rossen's strong direction, its ruthless and odorous account of one young hustler's eventual emancipation is positive and alive.
Newman and Scott smolder through the moody black-and-white cinematography, delivering line after line of crackling dialogue.
A rich paean to the low-life pool players, dank pool halls and its pool sharks.
A wonderful hymn to the last true era when men of substance played pool with a vengeance.
An unusually coherent and accomplished pool drama with a top-notch turn from Paul Newman, as a jaded and disillusioned player, and an exemplary supporting cast headed by Piper Laurie, George C. Scott, and Jackie Gleason.
One of the most compelling character-based films to emerge from the decade of the 1960s.
Landmark Paul Newman vehicle--only took the Academy 25 years to recognize the greatness of his original "Fast Eddie" character
This picture is so much better than Martin Scorsese's belated sequel The Color of Money that they don't even belong in the same category.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
| 67% 67% | Public Enemies |
| 75% 75% | Julie & Julia |
| 95% 95% | The Cove |
| 85% 85% | World's Greatest Dad |
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