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I, Anna (2012)


Average Rating: 5.6/10
Reviews Counted: 24
Fresh: 14
Rotten: 10

Critics Consensus: No consensus yet.

No Top Critics Tomatometer score yet...

Average Rating: N/A
Reviews Counted: 1
Fresh: 0
Rotten: 1


Average Rating: 3.3/5
User Ratings: 291



Movie Info

A must for all who love noirish thrillers, Southcombe's directorial debut features a stellar cast, headed by Charlotte Rampling and Gabriel Byrne. Rampling plays the titular character, who may hold the key to a murder investigation being conducted by Byrne's insomniac detective, as she was at the apartment of the victim on the night of his death. Anna's perspective on the crime makes us doubt the truth of what we see, which makes for a compelling psychological mystery.

Mystery & Suspense , Drama
Directed By:
Artificial Eye


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Critic Reviews for I, Anna

All Critics (25) | Top Critics (1) | Fresh (14) | Rotten (10)

The problem is the script, adapted from a novel and full of psychological gaps and dead-ends.

Full Review… | December 4, 2012
Time Out
Top Critic

It's atmospherically photographed by Ben Smithard. But the plot is too thin for the big screen; it may have suited TV more.

Full Review… | December 12, 2012
Times [UK]

Barnaby Southcombe makes a distinguished directorial debut with this stylish and atmospheric film noir.

Full Review… | December 10, 2012
Sunday Times (UK)

Barnaby Southcombe's very promising debut feature stars his mother, Charlotte Rampling, as a lonely woman in late middle age, reaching out for love.

Full Review… | December 10, 2012

Next time out, Southcombe should get someone else to write the screenplay ...

Full Review… | December 9, 2012
Observer [UK]

Even though this British mystery-drama is rather too creepy for its own good, it gives Rampling yet another superb character to sink her teeth into.

Full Review… | December 7, 2012

This may be the first film noir to revolve around a lonely granny.

Full Review… | December 7, 2012
This is London

Like the traditional femme fatale, Anna leaves you wanting to know more.

Full Review… | December 7, 2012
Radio Times

To have worked, this story needed a super-professional story-telling genius such as Alfred Hitchcock. Instead, it gets an arty novice who apparently wants to be the new Andrei Tarkovsky.

Full Review… | December 6, 2012
Daily Mail [UK]

With all that talent involved, this really should've been great.

Full Review… | December 6, 2012
Little White Lies

[A] gloss of edgy noirish elegance cannot disguise the fact that this is yet one more tiresome example of the thriller subgenre that posits that the most interesting thing that a woman can be is out of her mind.

Full Review… | December 6, 2012
Flick Filosopher

The drama is played with absolute conviction by Rampling and Byrne, and there is a nice supporting role for Eddie Marsan as Byrne's long-suffering Met colleague, but the story itself is unconvincing.

Full Review… | December 6, 2012

Slow but absorbing and finely performed.

Full Review… | December 6, 2012
Daily Express

There's some good location work around the Barbican, but the plot's a bit derelict and Rampling's performance gets increasingly loco.

Full Review… | December 6, 2012
Daily Telegraph

Do pass up I, Anna. Poor Charlotte Rampling.

Full Review… | December 6, 2012
Financial Times

The London locations are well-used but this has the dabs of a first attempt all over it.

Full Review… | December 5, 2012
Sky Movies

A classy, enigmatic thriller that shows off contemporary London at its cinematic best.

Full Review… | December 3, 2012
Empire Magazine

Both actors are superb. And the story, while perhaps a little too slight for the big screen, delivers more than enough surprises to keep its audience hooked.

Full Review… | December 3, 2012
Daily Star

You could say it's a film that would play just as comfortably on television. But the clever writing, understated performances and slick editing more than make up for it.

Full Review… | November 29, 2012

A slice of modern London noir is served up in writer/director Barnaby Southcombe's debut.

Full Review… | November 27, 2012
Total Film

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