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Movies / On DVD / I Capture the Castle
I Capture the Castle

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I Capture the Castle (2003)

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Reviews Counted:80

Fresh:64

Rotten:16

Average Rating:6.6/10

Consensus: A handsome and charming adaptation of the novel.

Rated: R [See Full Rating] for brief nudity

Runtime: 1 hr 53 mins

Genre: Dramas

Theatrical Release:Jul 11, 2003 Limited

Box Office: $967,506

Synopsis: 1934. Seventeen-year-old Cassandra (ROMOLA GARAI) lives in a dilapidated castle in Suffolk with her eccentric family. Her father, Mortmain (BILL NIGHY), is a reclusive writer who has been suffering... 1934. Seventeen-year-old Cassandra (ROMOLA GARAI) lives in a dilapidated castle in Suffolk with her eccentric family. Her father, Mortmain (BILL NIGHY), is a reclusive writer who has been suffering from writer's block ever since the publication of his highly-acclaimed debut novel twenty years previously. His wife died some years ago and Mortmain is now married to Topaz, a beautiful and bohemian former artists' model several years younger than him. Cassandra has a younger brother, Thomas (JOE SOWERBUTTS), and an older sister, Rose (ROSE BYRNE), the beauty of the family who is desperate to escape their impoverished circumstances. Lastly there is Stephen (HENRY CAVILL), who works for the family (now unpaid) but is more like a sibling. Stephen adores Cassandra but, despite his good looks, she is not in love with him.

The family is thrown into crisis when Mortmain's royalty statement - their financial lifeline - arrives with no payment due. Another letter informs them that their benevolent landlord, Sir William Cotton, has died and that the two year rent arrears are now due. Mortmain hides from the crisis, idling in his study. Unlike her father, Cassandra takes refuge in writing. She starts a diary, wittily re-interpreting the events that follow in an attempt to capture the life she wishes she could lead.

When Sir William's heir to the estate and castle arrive from America with his family, it is as if Rose's prayers have been answered - he could be her ticket out of poverty. The indomitable Mrs Cotton (SINEAD CUSACK) has two sons - Simon (HENRY THOMAS), the eldest, is more academic than his tougher younger brother, Neil (MARC BLUCAS). For Cassandra and Rose, socialising with the Cottons is a heady taste of another world and even Mortmain is flattered by Mrs Cotton's interest in him.

One evening while the two families are dining together at the castle, Cassandra takes Neil swimming in the castle moat in order to allow Simon the perfect opportunity to propose to Rose. Everyone is delighted at the engagement, apart from Neil. Rose is whisked to London in preparation for her wedding.

On Midsummer's day, Simon visits the castle alone. He and Cassandra spend a magical evening together and as they dance, Simon impulsively kisses her. He means nothing by it, but she is mortified - she is in love with her sister's fiancé. On her birthday a few days later, Stephen and Cassandra share a passionate embrace but Cassandra refuses to give in to her burgeoning desires because she knows she does not love him. Confused by her emotions, Cassandra rushes to London to confront Rose who tearfully admits she is not in love with Simon. However, she insists that she will go through with the wedding for all of their sakes.

Cassandra refuses to stay with Rose and spends a lonely night waiting in a café for the first train home. She turns to Stephen, but admits to him that she is in love with Simon. She is no longer the child who tries to hold off the pain of growing up by re-writing life in her diary. On her return to the castle, Cassandra rows with Mortmain about his creative block and emotional reserve which has distanced everyone he has loved - his first wife, Topaz, now living in London, and his children. He lashes out at her but is then filled with remorse. They reconcile. Cassandra unknowingly takes on the role of her mother as she quietly sits beside Mortmain until he finally begins to write.

But their solitude is broken when Simon storms into the house with some devastating news - Rose has left him. A telegram alerts them to Rose's whereabouts and Simon and Cassandra set off find her at the seaside hotel. But what awaits them shocks both Cassandra and Simon - she is there with Neil.

It is Stephen who brought them together for, as he reveals to Cassandra on Rose and Neil's wedding day, he saw them secretly kiss soon after their first meeting and, after his last conversation with Cassandra, decided to tell Neil everything. Blissfully married, Rose and Neil leave for America. Simon hints to Cassandra that they could have a future together but she is now honest enough to know that she shouldn't take him up on it. She intends to love and be loved in her own right, without reservation. -- © Samuel Goldwyn Films/IDP Films [More]

Starring: Romola Garai, Rose Byrne, Henry Thomas, Marc Blucas

Starring: Romola Garai, Rose Byrne, Henry Thomas, Marc Blucas, Bill Nighy, Tara Fitzgerald, Henry Cavill, Sinead Cusack

Director: Tim Fywell

Director: Tim Fywell
Screenwriter: Heidi Thomas
Producer: David Parfitt
Composer: Dario Marianelli
Studio: IDP Distribution

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Release:

Dec 23, 2003

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Reviews for I Capture the Castle

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61 - 80 (sorted by date)
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Warm and bittersweet and funny and a little bit heartbreaking.

Full Review Source: Flick Filosopher | comment Comment
07/18/03
MaryAnn Johanson
MaryAnn Johanson
Flick Filosopher

Smith's book is a charmer, but the keys to this Castle have been misplaced.

Full Review Source: Entertainment Weekly | comment Comment
07/17/03
Lisa Schwarzbaum
Lisa Schwarzbaum
Entertainment Weekly
Top Critic Icon Top Critic

One of the season's most captivating surprises.

Full Review Source: Christian Science Monitor | comment Comment
07/17/03
David Sterritt
David Sterritt
Christian Science Monitor

A classy English film that lovingly re-creates a teenage girl's coming of age in the 1930s.

Full Review Source: Chicago Tribune | comment Comment
07/17/03
Michael Wilmington
Michael Wilmington
Chicago Tribune
Top Critic Icon Top Critic

A newcomer who exudes confidence, Romola Garai steadily guides us through the story’s early comedy and the surprising betrayals that follow.

Full Review Source: Northwest Herald (Crystal Lake, IL) | comment Comment
07/17/03
Jeffrey Westhoff
Jeffrey Westhoff
Northwest Herald (Crystal Lake, IL)

Its chief selling point is, damning with faint praise, its complete inoffensiveness.

Full Review Source: Film Freak Central | comment Comment
07/17/03
Walter Chaw
Walter Chaw
Film Freak Central
N/R

Click to read the article

Full Review Source: Premiere Magazine | comment Comment
07/16/03
Premiere Magazine
N/R

Click to read the article

Full Review Source: Sydney Morning Herald | comment Comment
07/16/03
Sydney Morning Herald

Click to read the article

Full Review Source: Sunday Times (Australia) | comment Comment
07/16/03
Sunday Times (Australia)

An absorbing enough period piece, which creates a special, enclosed world of its own.

Full Review Source: Film Journal International | comment Comment
07/16/03
David Noh
David Noh
Film Journal International

A quiet, charming picture (if not a dazzling one) that's true in spirit to its source material.

Full Review Source: Salon.com | comment Comment
07/16/03
Stephanie Zacharek
Stephanie Zacharek
Salon.com
Top Critic Icon Top Critic

... it's just a soap opera, and not a very good one.

Full Review Source: Ebert & Roeper | comment Comment
07/14/03
Richard Roeper
Richard Roeper
Ebert & Roeper
Top Critic Icon Top Critic

Despite the period setting, the Mortmains' tribulations will be familiar to anyone who ever felt a stranger in his/her own family or despaired of finding a place in the world.

Full Review Source: TV Guide's Movie Guide | comment Comment
07/11/03
Maitland McDonagh
Maitland McDonagh
TV Guide's Movie Guide

It never talks down to its teenage characters, or exploits them for easy jokes; it never panders to them, either.

Full Review Source: Newark Star-Ledger | comment Comment
07/11/03
Stephen Whitty
Stephen Whitty
Newark Star-Ledger
Top Critic Icon Top Critic

Overly mannered and schmaltzy.

Full Review Source: New York Post | comment Comment
07/11/03
Megan Lehmann
Megan Lehmann
New York Post

A sweet, lovely, if perhaps overlong movie.

Full Review Source: New York Daily News | comment Comment
07/11/03
Jami Bernard
Jami Bernard
New York Daily News
Top Critic Icon Top Critic

The versatile Garai holds the movie together ... making even the more ridiculous passages of voiceover work into something heartfelt and believable.

Full Review Source: Los Angeles Daily News | comment Comment
07/11/03
Glenn Whipp
Glenn Whipp
Los Angeles Daily News

All of the performances are engaging -- especially from Romola Garai -- and translate the book's appeal warmly.

Full Review Source: E! Online | comment Comment
07/11/03
E! Online

This coming-of-age drama, based on the Dodie Smith novel, has the feel of a proper BBC production, but it lacks the energy to compel on the big screen.

Full Review Source: Citysearch | comment Comment
07/11/03
Erich Scholz
Erich Scholz
Citysearch

Garai provides the film's heart; every key action or decision of her family or the fellows seems to seep through her and become imprinted on her soul.

Full Review Source: Boxoffice Magazine | comment Comment
07/11/03
Kim Williamson
Kim Williamson
Boxoffice Magazine
 
 
61 - 80 (sorted by date)
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