So many questions are raised from both sides of the celebrity fence that the film could only have been made by someone as on-the-edge of stardom as [Goldberg].
| Original Score: 3/5
| Original Score: 7/10
I Love Your Work has its rewards for those up to the challenge of tackling its nonlinear structure and brooding nature.
| Original Score: 3.5/5
Goldberg's experiment is always interesting, even when it stumbles.
| Original Score: B-
The filmmaking is actually quite polished, and Ribisi is fascinating to watch -- his fluttery weirdness has never seemed more grounded and resonant, turning Gray's self-destructive egoism into near tragedy.
It's Joshua Jackson who's a powerhouse here...a very admirable film though, and for a first-time filmmaker, it's a great accomplishment.
| Original Score: 4/5
It's an intriguing mish-mash, a meta-textual stew that Goldberg, unfortunately, paints with a big, thick brush and then underlines with fat charcoal pencils.
| Original Score: 2.5/5
It's too busy trying to be clever that it forgets to give us anything that's actually interesting.
| Original Score: 2/5
a pointless stew
| Original Score: 2/4
What is so dreadful about unearned fame and undeserved riches that warrants this faux-Antonioni despair?
| Original Score: 1.5/4
At last, Adam Goldberg has given us his 8 1/2. It's an ambitious rumination on fame, reality, love, loss and regret that falls so far short, he should have called it 2 1/8.
| Original Score: .5/4
Working with a self-consciously urgent, neo-noir style, Goldberg seems intent on expressing a meaningful message of some kind. It's too bad, then, that he has chosen such a shallow subject.
Directed by the young actor Adam Goldberg, "I Love Your Work is an attempt to say something interesting about modern celebrity.
| Original Score: 2/5
I Love Your Work gets the dissonance of the celebrity lifestyle to a T. But the self-reflexive strategy of Goldberg and co-writer Adrian Butchart is too brainy by half.
| Original Score: 2.5/4
When Ricci's dreamgirl, finally fed up with Gray's insanity, chastises him with "You're obvious," it's a sentiment also applicable to the film itself.
An edgeless one man show by Ribisi that acts like being insane.
| Original Score: 6/10