Rock's version is funnier, blacker, hipper, and sexier, but Rohmer's shows a little more skin.
I Think I Love My Wife (2007)
Tomatometer
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Reviews Counted:34
Fresh:10
Rotten:24
Average Rating:5.2/10
Consensus: Chris Rock's comedic instincts are muted and the female characters are unsatisfactorily drawn in this uneven sex farce/domestic drama mashup.
Rated: R [See Full Rating] for pervasive language and some sexual content
Runtime: 1 hr 34 mins
Genre: Comedies
Theatrical Release:Mar 16, 2007 Wide
Box Office: $12,441,752
Synopsis: SATURDAY NIGHT LIVE alum Chris Rock writes, directs, and stars in I THINK I LOVE MY WIFE. Rock's film is a remake of the 1972 Eric Rohmer film, CHLOE IN THE AFTERNOON, which explores a married... SATURDAY NIGHT LIVE alum Chris Rock writes, directs, and stars in I THINK I LOVE MY WIFE. Rock's film is a remake of the 1972 Eric Rohmer film, CHLOE IN THE AFTERNOON, which explores a married man's common struggle with extramarital temptations. Richard Cooper (Rock) has it all: a beautiful wife, Brenda (Gina Torres); adorable kids; a successful investment banking career--and complete boredom! He has become obsessed with other women, and a visit from an old friend's former flame, sexy and flirtatious Nikki (Kerry Washington), has him staring the possibility of infidelity in the face. Nikki pursues a friendship that provides Richard some much-needed excitement, but also lands him in all kinds of trouble. He jeopardizes his reputation at work, causes fights at home, and rapidly loses sight of what he has built his life around. At some point he must choose between his affair-fantasy and remaining the faithful husband and father he's always been. I THINK I LOVE MY WIFE provides an entertaining and at times thought-provoking modern version of a classic tale, injecting lighthearted humor into a sensitive and all-too-familiar subject that plagues the marriage culture. Rock perfectly channels the suburban, career-climbing family man, while Torres and Washington are convincing as the angel versus devil on his shoulders. [More]
Starring: Kerry Washington, Gina Torres, Chris Rock, Edward Herrman
Starring: Kerry Washington, Gina Torres, Chris Rock, Edward Herrman, Steve Buscemi, Eliza Coupe, Cassandra Freeman, Samantha Ivers, Adam Scher
Director: Chris Rock
Director: Chris Rock
Screenwriter: Chris Rock, Louis C.K.
Producer: Lisa Stewart, Adam Brightman
Composer: Marcus Miller
Studio: Fox Searchlight Pictures
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Reviews for I Think I Love My Wife
I Think I Love My Wife is first and foremost a sex comedy. But Rock is sharp enough to set it in a world where people of all races share the same dreams and desires -- if not the same real estate.
Saddled with the weight of an unfocused, cliché-ridden script, a tiresome voice-over narration that drones on and on, and acting by Rock that's as wooden as Pinocchio, I Think I Love My Wife staggers in predictable circles for 94 long minutes.
As uneven as I Think I Love My Wife often is, it still has an emotional resonance lacking in most films about relationships. By dealing with temptation in even a quasi-realistic way, it affirms that, like comedy, monogamy is hard.
Rock fails to develop the characters caught in their conjugal and singleton traps. As usual, his observational humor zings (and stings) -- but this is a movie, not stand-up.
Rock is so fixed on crude jokes, he neglects to create realistic characters and a story that's compelling to follow.
Chris Rock, who famously mocked Jude Law's movie career at the Oscars, ought to watch out for his own after his second dud in a row as an actor-director, the screamingly unfunny romantic comedy I Think I Love My Wife.
For each joke that is fresh, there are at least three that fall thuddingly flat.
Rock's defining comic characteristic is his no-nonsense honesty, tackling awkward issues head-on with bold, hostile, uproarious insights. Playing a milquetoast, he's tossed away his best weapon.
I Think I Love My Wife slogs through drama and comedy as though both were a duty as onerous as a sexless marriage. Rarely do characters display anything approaching logic, unless their 180-degree turnarounds are part of a geometry proof.
All good stuff. Rock delivers some laugh-out-loud lines, Washington is sexy and dangerous, Torres makes her character something more than a frigid harpy, and the workplace scenes are well-played.
This film has no more insight, and less originality, than [Rock's] completely gag-driven comedy.
The off-color humor and R-rated language seems an attempt to reach out to his fan base, but in all, this attempt at "realistic" comedy never seems funny or emotionally insightful enough to matter.
Directed and written by the talented comic, the movie suffers from the overblown notes of a punch-line-driven routine.
The movie never breaks the surface of its characters or their situation. And Mr. Rock's paint-by-numbers approach as director only compounds the movie's flat, formulaic feel.
Rock finally provides hope he will develop into a genuine force on the big screen. The script is sharp and quick, and Rock's direction is sure-handed and occasionally inspired. He gives us a workday New York that feels real.
There are some raucous set pieces and a lot of frank, jokey talk about sex, but I Think I Love My Wife is not after crude or easy hilarity, and Mr. Rock works hard to hold his aggressive, irrepressible comic personality in check.
One of the best things about I Think I Love My Wife is that the film takes the time to develop the three principals beyond the stereotypes that underlie the characters.
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