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Movies / On DVD / I Vitelloni
I Vitelloni

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I Vitelloni (1953)

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Reviews Counted:22

Fresh:22

Rotten:0

Average Rating:8.9/10

Runtime: 1 hr 45 mins

Genre: Foreign Films

Synopsis: Five adolescent loafers in the Adriatic city of Romini postpone adulthood by idling in their home town. Fellini's elegy to the passage of youth reveals true insights through the characters of the... Five adolescent loafers in the Adriatic city of Romini postpone adulthood by idling in their home town. Fellini's elegy to the passage of youth reveals true insights through the characters of the likeable boys, one of whom depends on his sister while another is a careless Lothario. [More]

Starring: Alberto Sordi, Franco Interlenghi, Franco Fabrizi, Leopoldo Trieste

Starring: Alberto Sordi, Franco Interlenghi, Franco Fabrizi, Leopoldo Trieste

Director: Federico Fellini

Director: Federico Fellini

[See More Credits]

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Release:

Aug 24, 2004

No Details Exist
 
 

Reviews for I Vitelloni

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1 - 20 (sorted by critic A-Z)
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If you have warm memories of American Graffiti, Diner, Mean Streets or even TV's Seinfeld, you owe it to yourself to see the masterpiece that inspired them all.

Full Review Source: Minneapolis Star Tribune | comment Comment
02/12/04
Colin Covert
Colin Covert
Minneapolis Star Tribune
Top Critic Icon Top Critic

Although the plot moves between set pieces, its dramatic structure is centered on the characters, individuals caught between terminal stasis and illegitimate dreams.

Full Review Source: Filmjourney | comment Comment
12/02/04
Doug Cummings
Doug Cummings
Filmjourney

Though still realist in approach, its aura of bitter nostalgia places it squarely among Fellini's most personal and atmospheric works.

Full Review Source: Chicago Reader | comment Comment
11/11/03
Don Druker
Don Druker
Chicago Reader
Top Critic Icon Top Critic

Offers us the rare chance to witness a filmmaker becoming a master filmmaker, as well as the birth of an important relationship with composer Nino Rota.

Full Review Source: Atlanta Journal-Constitution | comment Comment
06/10/04
Eleanor Ringel Gillespie
Eleanor Ringel Gillespie
Atlanta Journal-Constitution
Top Critic Icon Top Critic

Moving from cafés to poolrooms to movie theaters, it's the prototypical male ensemble film.

Full Review Source: Village Voice | comment Comment
11/11/03
J. Hoberman
J. Hoberman
Village Voice
Top Critic Icon Top Critic

What stays fresh (and enhanced by the beautifully restored black- and-white print) is how so many of Fellini's gifts and obsessions are already apparent in this early work.

Full Review Source: Denver Post | comment Comment
04/23/04
Lisa Kennedy
Lisa Kennedy
Denver Post
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A must-see for Fellini enthusiasts and a worthwhile investment for everyone else.

Full Review Source: San Francisco Chronicle | comment Comment
12/12/03
Mick LaSalle
Mick LaSalle
San Francisco Chronicle
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One of Fellini's greatest films (and first international hit) is a poignant, bitter-sweet satire about a clique of male friends who refuse or can't grow up into adulthood. The movie had influence on Scorsese, Levinson Lucas and other American directors.

Full Review Source: EmanuelLevy.Com | comment Comment
06/26/09
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com

Besides being the film that most influenced Martin Scorsese's breakthrough Mean Streets, this 1953 release remains the last word on friendship and disillusionment.

Full Review Source: San Jose Mercury News | comment Comment
12/11/03
Glenn Lovell
Glenn Lovell
San Jose Mercury News
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stands alongside Amarcord as an earlier reminiscence of Fellini's life in Rimini

Full Review Source: Old School Reviews | comment Comment
12/08/03
John A. Nesbit
John A. Nesbit
Old School Reviews

It's as wistful and sad as it is funny and charming, with the first of Nino Rota's great scores to keep it burbling along.

Full Review Source: Empire Magazine | comment Comment
08/07/04
Kim Newman
Kim Newman
Empire Magazine

Proof of Fellini's early genius as a storyteller.

Full Review Source: BBC | comment Comment
08/03/04
Jamie Russell
Jamie Russell
BBC

It's my favorite Fellini film, possibly his most personal effort and by far his funniest.

Full Review Source: New York Observer | comment Comment
11/25/03
Andrew Sarris
Andrew Sarris
New York Observer
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This is one of Fellini's best character studies and films.

Full Review Source: Ozus' World Movie Reviews | comment Comment
05/24/07
Dennis Schwartz
Dennis Schwartz
Ozus' World Movie Reviews

It shows all of Fellini's unrivaled virtues -- his lyrical sense of place, his abiding affection for even the most hapless of his characters, his effortless knack for limpid, bustling composition -- and very few of his putative vices.

Full Review Source: New York Times | comment Comment
11/13/03
A.O. Scott
A.O. Scott
New York Times
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This dilemma between the desire not to mature and the infallibility of age is best summated in Nino Rota’s score. It highlights the film’s beautiful final shots and lends the final exit an air of playful hope.

Full Review Source: Not Coming to a Theater Near You | comment Comment
09/21/04
Rumsey Taylor
Rumsey Taylor
Not Coming to a Theater Near You

This most poetic of films is suffused by a depiction of emotional ties that Fellini respects profoundly while revealing how they can entrap an individual as surely as a ball and chain.

Full Review Source: Los Angeles Times | comment Comment
03/25/04
Kevin Thomas
Kevin Thomas
Los Angeles Times
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It was this ineffably poignant semiautobiographical reverie that unleashed fully Fellini's shimmering, flowing poetic style.

Full Review Source: Los Angeles Times | comment Comment
03/25/04
Kevin Thomas
Kevin Thomas
Los Angeles Times
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One of the screen's great portrayals of the hell-raising and malaise of young men in their 20s.

Full Review Source: Chicago Tribune | comment Comment
02/19/04
Michael Wilmington
Michael Wilmington
Chicago Tribune
Top Critic Icon Top Critic

This semiautobiographical work by Federico Fellini was the first film to bring him a measure of world attention.

Full Review Source: TV Guide's Movie Guide | comment Comment
08/29/06
TV Guide's Movie Guide
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