If you have warm memories of American Graffiti, Diner, Mean Streets or even TV's Seinfeld, you owe it to yourself to see the masterpiece that inspired them all.
I Vitelloni (1953)
Tomatometer
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Reviews Counted:22
Fresh:22
Rotten:0
Average Rating:8.9/10
Runtime: 1 hr 45 mins
Genre: Foreign Films
Synopsis: Five adolescent loafers in the Adriatic city of Romini postpone adulthood by idling in their home town. Fellini's elegy to the passage of youth reveals true insights through the characters of the... Five adolescent loafers in the Adriatic city of Romini postpone adulthood by idling in their home town. Fellini's elegy to the passage of youth reveals true insights through the characters of the likeable boys, one of whom depends on his sister while another is a careless Lothario. [More]
Starring: Alberto Sordi, Franco Interlenghi, Franco Fabrizi, Leopoldo Trieste
Starring: Alberto Sordi, Franco Interlenghi, Franco Fabrizi, Leopoldo Trieste
Director: Federico Fellini
Director: Federico Fellini
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Reviews for I Vitelloni
Although the plot moves between set pieces, its dramatic structure is centered on the characters, individuals caught between terminal stasis and illegitimate dreams.
Though still realist in approach, its aura of bitter nostalgia places it squarely among Fellini's most personal and atmospheric works.
Offers us the rare chance to witness a filmmaker becoming a master filmmaker, as well as the birth of an important relationship with composer Nino Rota.
Moving from cafés to poolrooms to movie theaters, it's the prototypical male ensemble film.
What stays fresh (and enhanced by the beautifully restored black- and-white print) is how so many of Fellini's gifts and obsessions are already apparent in this early work.
A must-see for Fellini enthusiasts and a worthwhile investment for everyone else.
One of Fellini's greatest films (and first international hit) is a poignant, bitter-sweet satire about a clique of male friends who refuse or can't grow up into adulthood. The movie had influence on Scorsese, Levinson Lucas and other American directors.
Besides being the film that most influenced Martin Scorsese's breakthrough Mean Streets, this 1953 release remains the last word on friendship and disillusionment.
stands alongside Amarcord as an earlier reminiscence of Fellini's life in Rimini
It's as wistful and sad as it is funny and charming, with the first of Nino Rota's great scores to keep it burbling along.
It's my favorite Fellini film, possibly his most personal effort and by far his funniest.
It shows all of Fellini's unrivaled virtues -- his lyrical sense of place, his abiding affection for even the most hapless of his characters, his effortless knack for limpid, bustling composition -- and very few of his putative vices.
This dilemma between the desire not to mature and the infallibility of age is best summated in Nino Rota’s score. It highlights the film’s beautiful final shots and lends the final exit an air of playful hope.
This most poetic of films is suffused by a depiction of emotional ties that Fellini respects profoundly while revealing how they can entrap an individual as surely as a ball and chain.
It was this ineffably poignant semiautobiographical reverie that unleashed fully Fellini's shimmering, flowing poetic style.
One of the screen's great portrayals of the hell-raising and malaise of young men in their 20s.
This semiautobiographical work by Federico Fellini was the first film to bring him a measure of world attention.
| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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