Identity Thief Reviews
Super Reviewer
Super Reviewer
Super Reviewer
This is one of those films that just didn't sit well with me, the whole idea made me feel uncomfortable right from the start. This bloke has a nice happy family life which is brought to ruins by some fat binge drinking female who you just wanna smack in the face. Now I realise the director probably wants you to hate this thief character but it doesn't work, at no point in the film did I like her or feel for her, even when you're clearly suppose to with the sappy friendship that builds during the film and the obvious fluffy ending.
The whole time I'm watching all I could think of was what I'd do in that situation, if this happened to me, I sure as hell wouldn't team up with the woman and do what Bateman's character does, screw that!. The film is kinda annoying and just gave me constant nasty thoughts for McCarthy's thief character and how I'd kill her if it was me. On top of that she isn't in the least bit funny, neither is Bateman, the whole road trip pairing is really laboured and doesn't gel and nothing much happens throughout the film which is funny either.
The whole film is just about screwing people over with the added obligatory car chase and obligatory nasty criminals trying to kill the main duo, there isn't even much point in that sub plot. What's so stupid about this is the fact that at the start of the film Bateman's character discovers what's happened to him and eventually gets backed up by the police, yet his boss still says he gonna fire him for shit that's been proved wasn't him!! huh?.
Even the police detective doesn't fully believe he's innocent for gods sake! despite the fact its pretty clear identity fraud has been committed. That's like your bank calling you saying you've had suspicious activity on your account, you confirm the activity wasn't you but the bank doesn't believe you!. So no one at the start of the film basically believes Bateman's character is innocent, clearly he's done everything and no one believes in fraud. So to clear himself he goes off on this ridiculous road trip to find the culprit and bring her to justice! yeah like you'd do that, makes no sense whatsoever.
Literately nothing to recommend here, nothing funny about any of it, over worked, overly stretched, forced, awkward to watch with no redeeming qualities. Its like a wannabe 'Planes Trains and Automobiles' type vehicle but fails badly on every front. End of the day what is funny about something like identity fraud?!.
Super Reviewer
Super Reviewer
If McCarthy had been allowed to direct herself, I'm sure "Identity Thief" would have been vastly better.
Super Reviewer
Super Reviewer
Super Reviewer
Super Reviewer
Super Reviewer
Super Reviewer
Super Reviewer
Super Reviewer
The Plot: This movie lays out the improbable (even for a comedy) set-up of a man in Colorado named Sandy Patterson (funny name to give a man, huh? Well, I guess it's funny the first few times this joke is told) played by the very much underrated Jason Bateman, who gets his identity stolen by a woman in Florida, played by Melissa McCarthy. After the police outright refuse to help him, Sandy sets out on a quest of sorts to Florida in order to bring McCarthy's character back to Colorado himself (basically doing the police's job for them) so that she may stand trial for her crimes. Hilarious!
Now, when Bateman and McCarthy find themselves in a road trip situation (about 30 minutes in) it is only then that Gordon seems to let these two very funny comedic actors run wild and "Identity Thief" begins to see comedic moments that actually work. In saying that, as I stated before, aside from all of the funny scenes that the trailers had to offer, and one laugh out loud sex scene (that of which occurs in the unevenly entertaining middle portion of this film) "Identity Thief" is bookended and sporadically injected with more unfunny and contrived moments, which consistently work to drag this movie back down into the still waters of mediocrity time and time again. Furthermore, while the beginning is slow and shockingly sigh inducing, the ending's ineffectiveness clearly notifies audiences about how flawed Gordon's visual storytelling abilities are in this instance. OK, so to avoid ruining this very predictable ending, I'll simply put it like this: There was not one moment throughout this film where I did NOT want to see McCarthy's character end up in prison. Call me heartless if you must.
The Acting: OK, while Gordon does attempt to mask how weak this plot is by allowing Bateman to make some funny faces and come through with some snide monotone zingers, as well as allow McCarthy to pursue an Olympic trial's worth of physical comedy, in all actuality the rest of this supporting cast is absolutely worthless. In fact, let's (for a second) run down the list of notable actors who are wasted in this movie: Jon Favreau is only in one scene; wasted, Robert Patrick plays a forgettable bounty hunter; wasted, John Cho is given half of a funny line to say in a 90 minute movie; wasted, T.I. gives one of the more worthless cameos in recent years; wasted, Amanda Peet is such a non-character here that I almost forgot that she was in this movie; hence, she's wasted, Genesis Rodriquez has nice eyebrows, but all in all she's wasted, and Eric Stonestreet...well, he's actually pretty funny in his one scene with McCarthy.
Final Thought: While "Identity Thief" does contain pockets of funny, not even Bateman or McCarthy flailing about can help this film fully recover from its own flimsy premise, implausible actions and a failed ploy by the director to display any sort of sympathy for Melissa McCarthy's character. So, at the end of the day, it is not the two leads that let this movie down, it is the material itself, which unfortunately causes "Identity Thief" to be a rental recommendation at best. That said, "Identity Thief" is still funnier than "Bridesmaids".
Written by Markus Robinson, Edited by Nicole I. Ashland
Follow me on Twitter @moviesmarkus
Super Reviewer
The hard-to-swallow premise expects us to believe that the police are of no help in a situation like this, other than to expect our hero to do his own extraditing. I suspect a well-placed call to the FBI could have saved the audience 107 minutes of watching Sandy and Diana bicker in a car that ever-so-slowly makes its way west. I guess you have to roll with that setup or else you'll have a tough time watching the rest. I suppose writer Craig Mazin (who up through now has written some aggressively shitty movies) didn't trust that our stars could carry such a stillborn plot, so he's tacked on not one, but two "B" storylines involving different bounty hunters out to kill Diana. There is nothing of interest in either, and yet much screen time is spent watching one stupid shootout after another.
There's even a pointless and overly extended sequence involving Eric Stonestreet (MODERN FAMILY) as a rich cowboy who seduces Diana. It seems to exist to show that even a pathetic creature like Diana is someone people can love, but that point is made, and should have only been made, by Bateman's character. It drags the movie down and grotesquely proves to the world that Stonestreet can play a straight character. Whoo hoo to that!
I also felt terrible for Amanda Peet, who is saddled with the thankless role of Bateman's wife. Given nothing to do except literally phone in scene after scene of her, yes, being on the phone with Bateman, this extremely talented actor is merely collecting a paycheck in a big studio movie so she can hopefully get her iconic indie performance some day. Another pretty, typecast actor who finally proved herself with her indelible performance in MONSTER, Charleze Theron, comes to mind.
Yet...this movie's saving grace is McCarthy, who despite the script's shortcomings, the lackluster direction, the terribly TV score, and the bland cinematography, remains fully invested in her character. It's a blast to watch her throw punches, get drunk, and suddenly wake up from unconsciousness with a sharp gulp of air. She's like Honey Boo Boo all grow'd up, prancing from spending spree to bar binges. McCarthy also manages to dig deeper in a handful of scenes where her devastating loneliness comes to the surface. It's all extremely in the name of broad, schticky comedy but she has the chops, the comic timing, and the balls-to-the-wall bravery to shine even in this sub-par effort. I look forward to McCarthy getting the platform to show off some of that pain and depth in future films, much like she did in the little-seen THE NINES. She's clearly a major talent.
Super Reviewer
In this R-rated comedy, corporate accountant Sandy Bigelow Patterson (Bateman) has a week to hunt down and bring back the female con artist who's stolen his identity (McCarthy) before her spending spree ruins his life.
Jason Bateman might play one character, but it's a damn humorous one at that. From the small screen's Arrested Development to the big screen's Horrible Bosses, his drolly sarcastic and put-upon Everyman wrings laughs out of uncommonly dire circumstances. Likewise, on the small screen's Mike and Molly and big screen's Bridesmaids, Melissa McCarthy gives consistently funny lip service as an abrasive and colorful loud mouth. Here, they ably perform the same tasks under the very capable direction of Seth Gordon. The connect-the-dots material, however (someway somehow, screenwriter Craig Mazin works tired jokes involving inner city hoods AND campfire shenanigans into the same story), mostly leads to Dullsville-population: You. Just like their audience, these comedians deserve better.
Bottom line: The Wince of Thieves.
Super Reviewer
Super Reviewer
