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Movies / On DVD / Igby Goes Down
Igby Goes Down

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Igby Goes Down (2002)

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Reviews Counted:126

Fresh:96

Rotten:30

Average Rating:6.9/10

Consensus: In the vein of The Catcher in the Rye, Igby Goes Down is scathingly witty and sharply observant.

Rated: R [See Full Rating] for language, sexuality and drug content

Runtime: 1 hr 38 mins

Genre: Dramas

Theatrical Release:Sep 13, 2002 Limited

Box Office: $4,624,014

Synopsis: Meet IGBY SLOCUMB (Kieran Culkin), an iconoclastic young teenager and hapless product of a deplorable upbringing. Igby is the youngest member of the Slocumb family which, in reality, is four... Meet IGBY SLOCUMB (Kieran Culkin), an iconoclastic young teenager and hapless product of a deplorable upbringing. Igby is the youngest member of the Slocumb family which, in reality, is four individuals reluctantly sharing familial blood ties, existing under one roof. The father, JASON SLOCUMB (Bill Pullman), is in the midst of a sojourn not just from work but from life in general. Igby's mother, MIMI SLOCUMB (Susan Sarandon), is a battle-hardened, icy-cold matriarch with a long-term dependency on friendly sedatives-her "little peppies." Igby's older brother, OLIVER SLOCUMB (Ryan Phillippe), has set his cruise control for Columbia University and is eager to embrace young Republicanism. Oliver personifies everything that Igby is not; and, though the two brothers are separated by three years, Igby has struggled since day one to emerge from Oliver's persistent shadow.

The Slocumb family's self-destructive curse is cemented when Igby's father's bewildering eccentricity evolves into a nervous breakdown. Igby refuses to follow the well-worn path of the brood, particularly Oliver's path. Since Igby was robbed of his childhood, he will certainly not give them the opportunity to suck the remaining years from him. He needs to escape…somehow. Mimi, ever crafty, counters Igby's rebelliousness with institutionalized academia as he bounces from posh East Coast prep schools, to a fascist military academy, finally landing in a leafy suburban drug camp. Igby's options are indeed dwindling.

Following a hotel spending spree made possible by the fraudulent use of his mother's credit card, Mimi hands Igby off to his godfather, D.H. BANES (Jeff Goldblum), until the next school semester. A pompous tycoon with deep pockets, D.H. sees the world as part of his 'plan,' a philosophy to which he credits his success. With pleasure, he takes Igby under his wing, bringing the lad to New York City for some "guidance."

Manhattan dreams initially fade for Igby as he finds himself on the low end of a construction crew. But hope is renewed when, while renovating a loft/dance studio space, Igby is introduced to the sultry RACHEL (Amanda Peet), the loft's fresh occupant. A dancer/choreographer, Rachel also happens to be D.H.'s mistress, offering a sexual respite from his frequently inebriated wife. The wonderful world of D.H.'s empire expands out to the Hamptons, where Igby first meets SOOKIE SAPPERSTEIN (Claire Danes), an earnest Bennington undergrad/existentialist who shares Igby's outsider status but initially rebuffs him.

Nonetheless, with life suddenly full of interesting and delicious possibility, who needs school? Who needs family…especially Oliver? Not Igby. He goes on the lam in New York and succeeds for awhile in falling off his family radar. After brokering a clandestine arrangement to live in Rachel's loft, Igby begins to enjoy all the delights that Manhattan has to offer-most notably Sookie-whom he encounters by chance on the street where he is attempting to pawn his Tiffany brushes for some fast cash. A mere three years older, Sookie ultimately offers the precocious Igby two critical things: first love, and the realization that maybe he's not all alone in the world.

However, Igby soon discovers life's one absolute: you can never permanently escape your family. Oliver oozes into his life, with orders of retrieval, as his family needs Igby-one last time. Igby will soon understand that painful dark truths cannot lie dormant forever, despite best efforts to bury them. Only by confronting the complexity of his past can Igby face his future unencumbered-a future bright with promise, hope, and delicious possibility. -- © 2001 MGM/UA [More]

Starring: Kieran Culkin, Claire Danes, Susan Sarandon, Bill Pullman

Starring: Kieran Culkin, Claire Danes, Susan Sarandon, Bill Pullman, Ryan Phillippe, Jeff Goldblum, Amanda Peet, Jared Harris

Director: Burr Steers

Director: Burr Steers
Screenwriter: Burr Steers
Producer: Marco Weber, Lisa Tornell
Studio: MGM/UA

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Release:

Feb 4, 2003

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Reviews for Igby Goes Down

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61 - 80 (sorted by date)
Text View | |< << 1 2 3 4 5 6 7 8 >> >|
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As uneven as the first act is, the third act is just as remarkable...the picture slyly sneaks up on you.

Full Review Source: DustinPutman.com | comment Comment
09/23/02
Dustin Putman
Dustin Putman
DustinPutman.com
N/R

Click to read the article

Full Review Source: St. Louis Post-Dispatch | comment Comment
09/23/02
St. Louis Post-Dispatch

I enjoyed the film for its performances.

Full Review Source: ReelTalk Movie Reviews | comment Comment
09/22/02
Diana Saenger
Diana Saenger
ReelTalk Movie Reviews

...the film generates a decent flair for angst-ridden tendencies and the misguided rebellion this youthful protagonist agonizes over with complete ambivalence.

Full Review Source: TheWorldJournal.com | comment Comment
09/22/02
Frank Ochieng
Frank Ochieng
TheWorldJournal.com

Salinger meets the heroine chick with the heroin chic

Full Review Source: Rediff.com | comment Comment
09/21/02
Jeet Thayil
Jeet Thayil
Rediff.com
N/R

Click to read the article

Full Review Source: Boston Phoenix | comment Comment
09/21/02
Boston Phoenix

Wickedly funny, jarringly transgressive, obdurately unpigeonholeable and startlingly moving.

Full Review Source: Washington Post | comment Comment
09/20/02
Michael O'Sullivan
Michael O'Sullivan
Washington Post
Top Critic Icon Top Critic

Although I hate Igby -- he's snotty, rich, emotionally brutal, cynical, treacherous, vindictive, manipulative -- I also love him. You can, truly, feel his pain.

Full Review Source: Washington Post | comment Comment
09/20/02
Stephen Hunter
Stephen Hunter
Washington Post
Top Critic Icon Top Critic

Like its hero, the film seems unformed and rambling, more like a rough draft than a finished product.

Full Review Source: Seattle Times | comment Comment
09/20/02
Moira MacDonald
Moira MacDonald
Seattle Times

One of the more entertaining and intriguing looks at dysfunctional people to come down the pike in quite a while.

Full Review Source: Screen It! | comment Comment
09/20/02
Jim Judy
Jim Judy
Screen It!

Mean-spirited and not remotely clever, though it strives for archness at every turn.

Full Review Source: San Francisco Chronicle | comment Comment
09/20/02
Mick LaSalle
Mick LaSalle
San Francisco Chronicle
Top Critic Icon Top Critic

Saved from being merely way-cool by a basic, credible compassion.

Full Review Source: San Diego Union-Tribune | comment Comment
09/20/02
David Elliott
David Elliott
San Diego Union-Tribune

You'll gasp appalled and laugh outraged and possibly, watching the spectacle of a promising young lad treading desperately in a nasty sea, shed an errant tear.

Full Review Source: Oregonian | comment Comment
09/20/02
Shawn Levy
Shawn Levy
Oregonian

A deliciously cold, brutal and unsentimental gem about growing up in an environment that knows no mercy.

Full Review Source: Houston Chronicle | comment Comment
09/20/02
Eric Harrison
Eric Harrison
Houston Chronicle
Top Critic Icon Top Critic

Steers shows mastery of a truly tricky point of view. He's immensely aided in the cause by an A-list cast.

Full Review Source: Detroit News | comment Comment
09/20/02
Susan Stark
Susan Stark
Detroit News
Top Critic Icon Top Critic

This 'dark comedy' has an amazing amount of heart to go with its darkness.

Full Review Source: Denver Post | comment Comment
09/20/02
Steven Rosen
Steven Rosen
Denver Post
Top Critic Icon Top Critic

Blisteringly rude, scarily funny, sorrowfully sympathetic to the damage it surveys, the film has in Kieran Culkin a pitch-perfect Holden.

Full Review Source: Boston Globe | comment Comment
09/20/02
Ty Burr
Ty Burr
Boston Globe

Steers turns in a snappy screenplay that curls at the edges; it's so clever you want to hate it. But he somehow pulls it off.

Full Review Source: Combustible Celluloid | comment Comment
09/20/02
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

It tends to remind one of a really solid Woody Allen film, with its excellent use of New York locales and sharp writing

Full Review Source: Matinee Magazine | comment Comment
09/20/02
Jason Clark
Jason Clark
Matinee Magazine
N/R

Click to read the article

Full Review Source: Arizona Republic | comment Comment
09/20/02
Arizona Republic
 
 
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