We may not know the man, but we know the dance, as seen in the highly diverting and hugely controversial Il Divo, a biopic as wly as its subject.
Il Divo (2009)
Tomatometer
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Reviews Counted: 41
Fresh: 37
Rotten:4
Average Rating: 7.5/10
Consensus: While the web of corruption in this Italian political thriller can be hard for a non-native to follow, the visuals and the intrigue are compelling and thrilling in equal measure.
Theatrical Release:Apr 24, 2009 Limited
Synopsis: Director Paolo Sorrentino's audacious and inventive biopic of Italian parliamentarian (and "Senator for Life") Giulio Andreotti doesn't make the Byzantine world of modern Italian politics any less... Director Paolo Sorrentino's audacious and inventive biopic of Italian parliamentarian (and "Senator for Life") Giulio Andreotti doesn't make the Byzantine world of modern Italian politics any less confusing (non-Italian viewers may want to brush up on the topic beforehand), but the film illuminates, in great emotional detail, important events surrounding an early-1990s investigation in which the perpetual statesman was accused of having Mafia ties. The case was appealed and overturned several times, and Andreotti never served prison time, but it effectively marked the end of his centrist Christian Democratic party and forever changed the age-old relationship between the Mafia and the Italian government. Sorrentino's fanciful use of titles, quick edits, multiple-perspective flashbacks, slow motion, extreme close-ups, and sublime musical accents--as well as star Toni Servillo's brilliantly stylized acting--convert this airless and sinister piece of world history into a dynamic tale of moral ambiguity and seemingly invulnerable political power. Servillo plays Andreotti as an arrogant, deadpan Puck--an Italian Richard Nixon replete with easily mimicable physical tics and the conviction of his own rightness. In the film's most memorable scene, Servillo allows his ironic veneer to crack just once, in a molten monologue where, spit flying, he justifies "perpetrating evil to guarantee good." Another chilling sequence intercuts a crucial Mafia hit with shots of a particularly tense and triumphant horse race, while a punky blues number roars in the background. Sorrentino's controlled and masterly storytelling won the 2008 Prix du Jury at Cannes. [More]
Starring: Toni Servillo, Anna Bonaiuto, Giulio Bosetti, Flavio Bucci
Starring: Toni Servillo, Anna Bonaiuto, Giulio Bosetti, Flavio Bucci, Carlo Buccirosso, Giorgio Colangeli, Alberto Cracco, Piera Degli Esposti, Lorenzo Gionelli, Paolo Graziosi
Director: Paolo Sorrentino
Director: Paolo Sorrentino
Screenwriter: Paolo Sorrentino
Producer: Nicola Giuliano, Francesca Cima, Andrea Occhipinti, Maurizio Coppolecchia
Composer: Teho Teardo
Studio: Music Box Films
Reviews for Il Divo
A stunning piece of work that feels both familiar and completely unique at the same time.
Servillo does such a good job of suggesting the drive and intelligence of the man that he automatically becomes one of the great recent cinematic symbols of absolute political power and the questionable means utilized in order to achieve it.
After I saw Il Divo, I suppose I should have felt indignation. I suppose I should also have felt that way after "The Godfather." But such films present such mesmerizing figures that I simply regard them, astonished.
Even with no knowledge of Italian government, you can enjoy this hip, un-stodgy, grimly entertaining dissection of it.
The enigmatic Andreotti is the perfect subject for a biopic in the European tradition.
You may not leave the theater with a firmer grasp of Italian politics, but you will leave with an appreciation of some outstanding filmmaking.
There is sufficient power in the imagery and performances to make Il Divo worth hacking through.
All in all, this phenomenal film illustrates Alexis de Tocqueville's observation that "The people get the government they deserve." In both meanings of the word, Il Divo is sensational.
Il Divo joins Matteo Garrone's more expansive, more extraordinary Gomorrah -- which contains an even better performance from Servillo -- as a grim portrait of the trouble with modern Italy.
...we get a in depth look into Italian politics. But, you don't need to be familiar with that country's volatile recent years to enjoy a fine piece of filmmaking.
Should you go into this movie with no knowledge of this slice of history, you'll not only learn something, but you'll be so entertained you may find yourself laughing out loud (when you're not shaking your head).
Il Divo is best appreciated as the bizarre character study of an essentially unlovable man who somehow became one of his country's most successful leaders.
Simultaneously exhilarating and confounding, dazzling and confusing, this is filmmaking of such verve and style that you likely won't care that you can't follow it completely.
You need know nothing about Italian politics to completely enjoy the fantastical, Fellini-fied, tragi-comic, biographical fun-for-all Il Divo.
You could dismiss Servillo’s portrayal as a cartoon, but the great actors know that beneath the dark surface of caricature lies a heightened and vivifying truth, as potent as fortified wine. Consume with great caution, and with joy.
The switchblade style of snappy scenes and quick cuts delivers juicy, visual delight.
boasts a bravura performance by Toni Servillo, stylish cinematography and a provocative premise, but it often feels convoluted and leaves you emotionally detached from the events onscreen. It's often compelling as a political thriller, but lacks insight a
So much half-digested information is expelled, so many key incidents skate by, that the effect is like being force-fed a history lesson you never wanted to sit through in the first place.
Latest News for Il Divo
April 23, 2009:
Critics Consensus: Fighting Is Down For The Count
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April 19, 2009:
Trailer & Poster review ![]()
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