Perhaps a little too slow and not much of a payoff, but this latest from the infrequent Mike Hodges will do until he's ready for another.
I'll Sleep When I'm Dead (2004)
Tomatometer
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Reviews Counted:85
Fresh:36
Rotten:49
Average Rating:5.5/10
Rated: R [See Full Rating] for language, a rape scene, violent images and brief drug use
Runtime: 1 hr 43 mins
Genre: Dramas
Theatrical Release:Jun 16, 2004 Limited
Box Office: $212,359
Synopsis: Cars full of fast-talking British hoods and rain-soaked city streets in the dead of night--that's the stuff of which Mike Hodges's (CROUPIER) impossibly cool neo-noir gangster thriller is made.... Cars full of fast-talking British hoods and rain-soaked city streets in the dead of night--that's the stuff of which Mike Hodges's (CROUPIER) impossibly cool neo-noir gangster thriller is made. Clive Owen plays Graham, a former top mobster who has since retired to a nomadic life in the woods. His little brother Davey (John Rhys-Davies) meanwhile swaggers through posh parties back in the city, dealing drugs and engaging in freewheeling sex and petty thefts until he's violently sodomized by a white-haired car dealer (Malcolm McDowell). His subsequent suicide brings Graham back into the seedy underworld he left behind on a mission of revenge. Before he can find his brother's rapist though, he has to tangle with the new head bad boy in town (Frank Stott), who thinks Graham's come to take his old spot back. Much like Simon Fisher Turner's dissonant, avante-jazz score, the film dodges a straight-ahead story and instead breaks out in moody variations in the key of noir. Fatalistic dialogue, extreme masculine anxiety, a cast teeming with eccentrics, desolate streets, gray beaches, darkened elevators, and foreboding alleyways all blend into an atonal crime-jazz poem. The inestimable Charlotte Rampling plays Graham's concerned, and much older, ex-girlfriend. Fans of the more classic gangster entries may rest assured Graham eventually does rain violence down upon the deserving. [More]
Starring: Clive Owen, Jonathan Rhys-Myers, Malcolm McDowell, Charlotte Rampling
Starring: Clive Owen, Jonathan Rhys-Myers, Malcolm McDowell, Charlotte Rampling, Frank Stott
Director: Mike Hodges
Director: Mike Hodges
Screenwriter: Trevor Preston
Producer: Michael Corrente, Michael Kaplan
Composer: Simon Fisher Turner
Studio: Paramount Classics
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Reviews for I'll Sleep When I'm Dead
Hodges may have hit the jackpot with Croupier but here he comes up snake eyes in the worst way.
Precisely the kind of film that should be seen by insomniacs at some ungodly hour of the night. (The title itself supports this theory.)
Hodges is clearly attempting a restrained, art-film ellipticism by letting us know very little about his characters, but because everyone's working hard at being underworld-movie cool, we come away utterly empty-handed.
Hodges cuts the film like a diamond, but it's just an exercise in cut glass, an impressive surface that only looks tough.
This sad, dark movie moves across the screen like a sleepwalker, aloof and belonging neither to this world nor the next.
A film whose pacing gives new meaning to the term 'sluggish,' and actually makes the charismatic Owen seem boring.
Though the film is your basic revenge tale, it moves at such a snail's pace that the visceral excitement of the genre is nowhere to be found.
I'll Sleep When I'm Dead may take its place with Get Carter as a classic British gangster film.
This is a movie that will put ADD sufferers to sleep, while simultaneously rewarding those who have the patience to see it through.
Feels undernourished in plot, characterization, and dialogue, and what should play with minimalist high tension is allowed to sag lower and lower until it simply grounds out.
Stylish filmmaking and philosophical musings can only disguise a lack of movement for so long. The trouble with I'll Sleep When I'm Dead is that it's already dead...
A scarred-up, bare-knuckled fighter in Palookaville, pretty in its pug-ugly grace, and dangerous, too.
Hodges builds a quiet and atmospheric sense of foreboding. But it never takes off.
... Hodges is the kind of director who can breathe new life into old material with an offhand, deceptively minimalist approach.
Even Clive Owen can't bring the level of this movie up from an average revenge flick.
Unless you fancy movies constructed of pure style, this one could put you to sleep.
Hodges (Get Carter, Croupier) delivers another splendidly stylish thriller that's full of dark atmosphere and discordant notes.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 58% 58% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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