To watch Gabriele Salva-tores' I'm Not Scared is to be whisked into childhood.
I'm Not Scared (2004)
Tomatometer
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Reviews Counted:96
Fresh:87
Rotten:9
Average Rating:7.5/10
Consensus: A well-acted and thrilling coming-of-age tale that captures a child awakening to the frightening world of adults.
Theatrical Release:Apr 9, 2004 Limited
Box Office: $1,426,639
Synopsis: Italian director Gabriele Salvatores (MEDITERRANEO) masterfully directs this eerie and engrossing suspense thriller involving a 10-year-old boy who lives in rural southern Italy. It is summertime... Italian director Gabriele Salvatores (MEDITERRANEO) masterfully directs this eerie and engrossing suspense thriller involving a 10-year-old boy who lives in rural southern Italy. It is summertime and Michele (Guiseppe Cristiano) is free to spend the long sunny days riding his bike and running through the wheat fields. In fact, the wheat could be considered Michele's costar, as it often consumes the entire scope of the screen, showing how Michele plays, hides, and ponders life in the vast expanses of flowing yellow stalks. Because there are only a few other children in the village, Michele often plays alone, and one day he discovers a hole in the ground, obscured by wheat, where a boy his age is chained and imprisoned. The boy has clearly been starved and mistreated, yet Michele approaches him fearlessly and attempts to make friends with him. With the dreaminess that is a 10-year-old's truest treasure, Michele doesn't ask too many questions, nor does he draw conclusions about why the boy is in the hole, or who put him there. Through the expressions on young Michele's face, viewers can read his light questioning of human existence, human morality, and human rights. However, as the film draws on, subtly revealing shocking secrets about the adults in Michele's village, the beauty of this utterly simple yet deadly powerful plot come clear. I'M NOT SCARED is a moving film built on crystal-clear images of the Italian sun, sky, and wheat fields; strangely offset by its startling loss-of-innocence story. [More]
Starring: Giuseppe Cristiano, Aitana Sanchez-Gijon, Dino Abbrescia, Giorgio Careccia
Starring: Giuseppe Cristiano, Aitana Sanchez-Gijon, Dino Abbrescia, Giorgio Careccia, Mattia Di Pierro, Diego Abatantuono
Director: Gabriele Salvatores
Director: Gabriele Salvatores
Screenwriter: Francesa Marciano, Niccolo Ammaniti
Producer: Maurizio Totti, Riccardo Tozzi, Giovanni Stabilini, Marco Chimenz
Studio: Miramax Films
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Release:
Jul 3, 2005
Reviews for I'm Not Scared
The director reminds us that not all films require a breakneck pace or ridiculous twists to be effective.
This is a visually stunning film, an intelligently consummated marriage of genres resulting in a movie that is, if not unique, at least very special.
Rana's anxiety, stacked on top of that of the politically tense region, creates a pitched emotional drama made more gripping by its real-world setting.
By far the most gorgeous slice of sunlit sadism so far this summer, I'm Not Scared also manages to be oddly sweet: a boy’s life, with treachery.
Proves once again how accomplished Italian cinema is at seeing the world through a child's eyes.
Watching it is like being lost in somebody's richly moody campfire story.
Nature and animal imagery dominate Salvatores’ stark, moody film, which suffers from an overreliance on mutely beautiful imagery to express its themes.
Certainly a heartfelt film but it's also melodramatic and weighed down by heavy-handed direction and a sappy musical score.
A reminder of true childhood, of its fears and speculations, of the way a conversation can be overheard but not understood, of the way that the shape of the adult world forms slowly through the mist.
Delicado em seu retrato da infância, peca apenas pela conclusão frouxa, quando o próprio filme torna-se infantil.
...one of the purest movies you will see, unhindered by the conventions of cinema and built completely on the essence of feelings.
"I'm Not Scared" suffers from ill-conceived staging and sluggish pacing. The film's theme that altruism and ignorance are punished is a careless postulate drawn from a kidnapping spree in Italy during the late '70s.
This sounds like prime fodder for a fast-paced thriller, but the movie is actually something more special: a tender-hearted rumination on the loss of innocence among children.
Rivet[s] attention to its expertly woven storyline with appealing and believable characters about whose fate it is impossible not to care.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
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| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
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| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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