At its most acridly useful when comparing the former first lady's recollections with others' less sanguine memories.
Imelda (2004)
Tomatometer
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Reviews Counted:34
Fresh:32
Rotten:2
Average Rating:7.3/10
Runtime: 1 hr 43 mins
Genre: Education/General Interest
Synopsis: The infamous widow of Philippine dictator Ferdinand Marcos stars in her own documentary, blithely shrugging off criminal allegations and defending her ostentatious spending habits as "giving the... The infamous widow of Philippine dictator Ferdinand Marcos stars in her own documentary, blithely shrugging off criminal allegations and defending her ostentatious spending habits as "giving the poor people someone to live through." Filmmaker Ramona S. Diaz follows Imelda's progression from local beauty queen to Jackie Onassis-style icon, to money-mad diva who collected jewels and over 40,000 pairs of shoes while her people starved. Through it all Imelda never loses her sense of detached humor. Even when discussing the attempt made on her life, she can only lament the ugliness of the bola knife her attacker used to stab her. In crosscutting footage of Filipino slums, riots, and jailhouses with scenes of Imelda opening opera houses or receiving honored guests like Ronald and Nancy Reagan--along with interviews with friends, family, and Imelda herself--a portrait is revealed of a complicated, interesting lady who manages to live in a state of blissful denial even after being tried for her crimes against the people of her country. In providing such a witty look at a corrupt political figure, IMELDA gives its subject a podium tall enough to enable her ascension to the camp ranks of Joan Crawford, Leona Helmsley, Tammy Fae Baker, and Zsa Zsa Gabor. The film features great music by Grace Nono and Bob Aves. [More]
Starring: Imelda Marcos
Starring: Imelda Marcos
Director: Ramona S. Diaz
Director: Ramona S. Diaz
Producer: Jam Bonoan, Anne Del Castillo, Joji Ravina
Composer: Bob Aves, Grace Nono
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Reviews for Imelda
Instead of enabling Marcos to tell the world how caring she is, the movie gives her enough rope to hang herself, and she does, again and again.
The sole conclusion you can make at the end of Diaz's repetitive film is that Madam Marcos is as mad as a hatter.
When a filmmaker can get Imelda Marcos, once one of the 10 richest women in the world, to pull out a Sharpie and draw a Pac-Man, she's alright by me.
She emerges as an energetic, narcissistic, and totally self-deluded woman.
With the help of Marcos herself, the director gives us a picture of pride and power that might be called a vanity project if not for her gift at leavening Marcos' remembrances with more biting material.
In addition to being a shrewd character study, Diaz's sharply assembled film reminds us that charm can be as toxic as anything else when it comes to acquiring, holding and abusing power.
Eminently successful at portraying the former first lady's flaws because it allows her to describe them herself.
A frequently funny documentary, it is a mesmerizing and encyclopedic look at a weird but likeable historical figure.
Where with another person you'd want to stop and argue with the patently fictitious assertions, there is something mesmerizing about Imelda's complete conviction
Diaz's portrait of Imelda Marcos attempts to get beyond the shoe thing, into the gothic heart of 40 years of Philippine politics.
If the shoe fits, go for it, Cinderella might advise. But how about 3,000 pairs of them.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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