The Immaculate Conception of Little Dizzle - Movie Reviews - Rotten Tomatoes

The Immaculate Conception of Little Dizzle Reviews

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Sean Axmaker
Parallax View
December 21, 2010
[Director David] Russo hasn't quite mastered narrative but his compassion for the characters is genuine ...
Perri Nemiroff
August 13, 2010
Caters to those with short attention spans looking for a quick laugh and the film's immediate payoff is just that, but the underlying message still holds some degree of truth.
Full Review | Original Score: 4/5
Top Critic
Stephen Cole
Globe and Mail
August 13, 2010
In the cookie-cutter world of movies, it's a pleasure to come across a story you've never encountered before. Or ever will again. A film for which there can be no sequel.
Full Review | Original Score: 3/4
Top Critic
Michael Upchurch
Seattle Times
August 13, 2010
A wildly imaginative if erratically executed urban fable.
Full Review | Original Score: 3/4
Jim Slotek
Jam! Movies
August 6, 2010
A 90-minute exercise in heightened reality.
Full Review | Original Score: 3/5
Top Critic
Jason Anderson
Toronto Star
August 6, 2010
Russo deserves some respect for trying to spin a whole movie out of an idea as strange, inspired and possibly repulsive as the one that fuels his feature debut.
Full Review | Original Score: 2.5/4
Top Critic
Michael Ordoña
Los Angeles Times
June 24, 2010
The rough-edged film gets major points for originality. But its ending utterly flames out, as if the filmmakers suddenly found they had nowhere to land, so hit the self-destruct button.
Full Review | Original Score: 2.5/5
Jeffrey M. Anderson
Combustible Celluloid
May 13, 2010
Moves in an entirely unique direction. I love it, in all its sick, twisted glory.
Full Review | Original Score: 3.5/4
Top Critic
Jeannette Catsoulis
New York Times
May 12, 2010
Looking as if it were devised on acid and executed on mushrooms, this imaginative debut feature from the Seattle artist and filmmaker David Russo finds meaning in cleaning and life in dead ends.
Full Review | Original Score: 3.5/5
Top Critic
Dennis Harvey
February 23, 2012
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