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Importance of Being Earnest (2002)
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Reviews Counted:106
Fresh:62
Rotten:44
Average Rating:6/10
Consensus: Despite the great potential of the cast and Oscar Wilde’s script, director Oliver Parker put aside too many Wilde's witticisms and failed in an attempt to develop the visual appearance of the film. Nevertheless, the lines remaining from the original script still allow the work to be passable.
Rated: PG [See Full Rating] for mild sensuality
Genre: Comedies
Theatrical Release:May 22, 2002 Limited
Box Office: $8,281,437
Synopsis: In his second adaptation of an Oscar Wilde play, writer-director Oliver Parker (AN IDEAL HUSBAND) assembles a peerless cast to engage in this witty comedy of manners and mistaken identity. In 1890s... In his second adaptation of an Oscar Wilde play, writer-director Oliver Parker (AN IDEAL HUSBAND) assembles a peerless cast to engage in this witty comedy of manners and mistaken identity. In 1890s London, rakish Algernon Montcrieff (Rupert Everett, who also starred in HUSBAND) runs into his friend, Jack Worthing (Colin Firth), who is in town to propose marriage to Algy's wildly romantic cousin, Gwendolen (Frances O'Connor). When returning a cigarette case to Jack, Algy reads the inscription, and discovers his friend has two secrets. Jack has created a devilish younger brother/alter ego called "Ernest" to hide his own misdeeds, and has a beautiful young ward named Cecily (Reese Witherspoon), whom he wants to keep clear of the roguish Algy. While Jack deals with the large obstacle standing between him and Gwendolen--namely, her mother, the imposing Lady Bracknell (a wonderfully imperious Judi Dench)--Algy devises a way to meet Cecily. The confusion and hilarity come to a peak when Algy arrives at Jack's country manor posing as Ernest in order to woo Cecily, and Gwendolen runs away to the country to be with Jack--whom she knows as Ernest. The stellar cast and Wilde's clever words make for genuine entertainment. [More]
Starring: Rupert Everett, Colin Firth, Judi Dench, Frances O'Connor
Starring: Rupert Everett, Colin Firth, Judi Dench, Frances O'Connor, Reese Witherspoon, Tom Wilkinson, Anna Massey, Edward Fox
Director: Oliver Parker
Director: Oliver Parker
Screenwriter: Oliver Parker
Producer: Barnaby Thompson
Studio: Miramax Films
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Release:
Nov 12, 2002
Reviews for Importance of Being Earnest
Despite a few distracting cinematic touches, Oliver Parker's 'Earnest' effort is a joy to watch -- and to hear.
While the film doesn’t quite stake its claim as a definitive reimagination, it is nonetheless a fun, energetic treatment of an engaging story.
Parker keeps things light and lively, and the cast never trips over Wilde's eloquence.
I had a dream that a smart comedy would come along to rescue me from a summer of teen-driven, toilet-humor codswallop, and its name was Earnest.
On this esteemed list of players, Witherspoon may seem like the poor relation, but, like her rosy-cheeked, starry-eyed character, her beauty, poise and insouciance make her the center of attention in every scene she's in.
Those who prefer the play as a gleaming comedy of manners may object, but viewers who enjoy more physical humor are likely to revel in the film's deliciously barbed dialogue and frenetic chemistry.
"...something appears to have been lost in the translation this time. The Importance of Being Earnest movie seems to be missing a great deal of the acerbic repartee of the play."
…a dishonorably delicious tale of lover's labors nearly lost. I can't remember having so much fun watching such scoundrels at play in the fields of society and love.
It has neither the wit nor the timing of the play, though much of the charm has remained intact.
A witty screen adaptation of this classic comedy of manners with its generous supply of snappy one-liners.
Those pining for a 'classic' Miramax period piece won't likely be disappointed.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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