Comes together very nicely as smart, sweet, but mainly fluffy fun.
Importance of Being Earnest (2002)
Tomatometer
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Reviews Counted:106
Fresh:62
Rotten:44
Average Rating:6/10
Consensus: Despite the great potential of the cast and Oscar Wilde’s script, director Oliver Parker put aside too many Wilde's witticisms and failed in an attempt to develop the visual appearance of the film. Nevertheless, the lines remaining from the original script still allow the work to be passable.
Rated: PG [See Full Rating] for mild sensuality
Genre: Comedies
Theatrical Release:May 22, 2002 Limited
Box Office: $8,281,437
Synopsis: In his second adaptation of an Oscar Wilde play, writer-director Oliver Parker (AN IDEAL HUSBAND) assembles a peerless cast to engage in this witty comedy of manners and mistaken identity. In 1890s... In his second adaptation of an Oscar Wilde play, writer-director Oliver Parker (AN IDEAL HUSBAND) assembles a peerless cast to engage in this witty comedy of manners and mistaken identity. In 1890s London, rakish Algernon Montcrieff (Rupert Everett, who also starred in HUSBAND) runs into his friend, Jack Worthing (Colin Firth), who is in town to propose marriage to Algy's wildly romantic cousin, Gwendolen (Frances O'Connor). When returning a cigarette case to Jack, Algy reads the inscription, and discovers his friend has two secrets. Jack has created a devilish younger brother/alter ego called "Ernest" to hide his own misdeeds, and has a beautiful young ward named Cecily (Reese Witherspoon), whom he wants to keep clear of the roguish Algy. While Jack deals with the large obstacle standing between him and Gwendolen--namely, her mother, the imposing Lady Bracknell (a wonderfully imperious Judi Dench)--Algy devises a way to meet Cecily. The confusion and hilarity come to a peak when Algy arrives at Jack's country manor posing as Ernest in order to woo Cecily, and Gwendolen runs away to the country to be with Jack--whom she knows as Ernest. The stellar cast and Wilde's clever words make for genuine entertainment. [More]
Starring: Rupert Everett, Colin Firth, Judi Dench, Frances O'Connor
Starring: Rupert Everett, Colin Firth, Judi Dench, Frances O'Connor, Reese Witherspoon, Tom Wilkinson, Anna Massey, Edward Fox
Director: Oliver Parker
Director: Oliver Parker
Screenwriter: Oliver Parker
Producer: Barnaby Thompson
Studio: Miramax Films
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Release:
Nov 12, 2002
Reviews for Importance of Being Earnest
...a curiously unambitious film, content to fill up a couple of hours with sugar talk and pretty pictures
Handled correctly, Wilde's play is a masterpiece of elegant wit and artifice. Here, alas, it collapses like an overcooked soufflé.
...sharp performances and a literate script that never has to resort to cheap humor to be sidesplittingly funny.
On this esteemed list of players, Witherspoon may seem like the poor relation, but, like her rosy-cheeked, starry-eyed character, her beauty, poise and insouciance make her the center of attention in every scene she's in.
The Importance of Being Earnest, so thick with wit it plays like a reading from Bartlett's Familiar Quotations
The Importance of Being Earnest resonates and inspires rapid-fire bouts of laughter, perhaps even a few giggles from the author himself, whom posterity has rewarded the last laugh.
Could it be better cast? NO! It?s a frothy delight, true to the spirit of the original, but flavored with the permissiveness of the present.
Witherspoon puts to rest her valley-girl image, but it's Dench who really steals the show.
The movie stumbles along awkwardly rather than tripping by wittily from beginning to end. The fault lies in Parker's needless embellishments.
'In this poor remake of such a well loved classic, Parker exposes the limitations of his skill and the basic flaws in his vision.'
This Earnest misses the play's biggest joke: There's nothing the least bit earnest about any of it.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
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| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
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| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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