But tongue-in-cheek preposterousness has always been part of For the most part Wilde's droll whimsy helps "Being Earnest" overcome its weaknesses and Parker's creative interference...
Importance of Being Earnest (2002)
Tomatometer
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Reviews Counted:106
Fresh:62
Rotten:44
Average Rating:6/10
Consensus: Despite the great potential of the cast and Oscar Wilde’s script, director Oliver Parker put aside too many Wilde's witticisms and failed in an attempt to develop the visual appearance of the film. Nevertheless, the lines remaining from the original script still allow the work to be passable.
Rated: PG [See Full Rating] for mild sensuality
Genre: Comedies
Theatrical Release:May 22, 2002 Limited
Box Office: $8,281,437
Synopsis: In his second adaptation of an Oscar Wilde play, writer-director Oliver Parker (AN IDEAL HUSBAND) assembles a peerless cast to engage in this witty comedy of manners and mistaken identity. In 1890s... In his second adaptation of an Oscar Wilde play, writer-director Oliver Parker (AN IDEAL HUSBAND) assembles a peerless cast to engage in this witty comedy of manners and mistaken identity. In 1890s London, rakish Algernon Montcrieff (Rupert Everett, who also starred in HUSBAND) runs into his friend, Jack Worthing (Colin Firth), who is in town to propose marriage to Algy's wildly romantic cousin, Gwendolen (Frances O'Connor). When returning a cigarette case to Jack, Algy reads the inscription, and discovers his friend has two secrets. Jack has created a devilish younger brother/alter ego called "Ernest" to hide his own misdeeds, and has a beautiful young ward named Cecily (Reese Witherspoon), whom he wants to keep clear of the roguish Algy. While Jack deals with the large obstacle standing between him and Gwendolen--namely, her mother, the imposing Lady Bracknell (a wonderfully imperious Judi Dench)--Algy devises a way to meet Cecily. The confusion and hilarity come to a peak when Algy arrives at Jack's country manor posing as Ernest in order to woo Cecily, and Gwendolen runs away to the country to be with Jack--whom she knows as Ernest. The stellar cast and Wilde's clever words make for genuine entertainment. [More]
Starring: Rupert Everett, Colin Firth, Judi Dench, Frances O'Connor
Starring: Rupert Everett, Colin Firth, Judi Dench, Frances O'Connor, Reese Witherspoon, Tom Wilkinson, Anna Massey, Edward Fox
Director: Oliver Parker
Director: Oliver Parker
Screenwriter: Oliver Parker
Producer: Barnaby Thompson
Studio: Miramax Films
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Release:
Nov 12, 2002
Reviews for Importance of Being Earnest
While The Importance of Being Earnest offers opportunities for occasional smiles and chuckles, it doesn't give us a reason to be in the theater beyond Wilde's wit and the actors' performances.
The actors appear to be having a grand time. And when Parker isn't driving them at full gallop, their merriment is highly contagious.
The result is a generally amusing diversion that retains enough of its pedigree to work, but one that lacks the punch and/or pizzazz to come off as outstanding.
To take a big fat wrecking ball to one of the surefire delights of world theater -- well, that requires energy and invention ... Oliver Parker does that here, and the result is a frustrating, boring mess.
Despite the sparkling source material ... this romp through Victorian parlors frequently falls flat on its rump.
It's all such wonderful silly tomfoolery, unfortunately actor-turned director Oliver Parker doesn't quite pull it off.
Parker dams the flow of Wilde's brilliant comic revelations and reversals with contrived visuals.
The Importance of Being Earnest, so thick with wit it plays like a reading from Bartlett's Familiar Quotations
...sharp performances and a literate script that never has to resort to cheap humor to be sidesplittingly funny.
A sharp, humorous look at the duality of romance and the fear of commitment.
More evidence that well-written words in the mouths of capable actors can pay off.
Parker keeps things light and lively, and the cast never trips over Wilde's eloquence.
Oscar Wilde knew better than anyone how to tickle the funny bones of London audiences, and time has not dulled the luster of his one-liners or flawless comic timing. Well, until director Oliver Parker got a hold of his work.
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