Superb film noir, brilliantly directed by the gifted Ray with Bogart as a talented but volatile Hollywood screenwriter.
In a Lonely Place (1950)
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Reviews Counted:27
Fresh:27
Rotten:0
Average Rating:8.6/10
Runtime: 1 hr 33 mins
Genre: Dramas
Synopsis: Just when hotheaded Hollywood screenwriter Dixon Steele (Humphrey Bogart) begins a romance with his neighbor Laurel (Gloria Graham), the police begin to suspect him of murdering a woman he only... Just when hotheaded Hollywood screenwriter Dixon Steele (Humphrey Bogart) begins a romance with his neighbor Laurel (Gloria Graham), the police begin to suspect him of murdering a woman he only briefly knew. Laurel believes in Dixon's innocence, but his alibi doesn't wash with the police. As the cops continue to pressure Dixon, the lovebirds' relationship begins to crumble--nor does Dixon's increasing hot-tempered behavior help matters. Soon, Laurel begins to suspect that the police may be right after all...Nicholas Ray's classic, brooding film noir showcases an uncharacteristically vulnerable Bogart and delivers a sharp surprise ending that is one of the most tragic in cinema history. [More]
Starring: Humphrey Bogart, Gloria Grahame, Frank Lovejoy, Robert Warwick
Starring: Humphrey Bogart, Gloria Grahame, Frank Lovejoy, Robert Warwick, Carl Benton Reid, Art Smith, Jeff Donnell, Martha Stewart, Morris Ankrum
Director: Nicholas Ray
Director: Nicholas Ray
Screenwriter: Andrew Solt
Producer: Robert Lord
Composer: George Antheil
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Reviews for In a Lonely Place
Ray wrings plenty of sweat from the Hitchcockian premise, and Bogart outdoes himself as a man mid-breakdown.
Nicholas Ray’s 1950 film deserves to be better known; it’s one of Hollywood’s finest examinations of masculinity.
It's a breathtaking work, and a key citation in the case for confession as suitable material for art.
A top-notch film noir about the loneliness and despair in Tinseltown...
Like Albert Camus' The Stranger, In a Lonely Place is the epitome of existentialist primers.
Grim and haunting, this quintessentially film noir boasts iconic performances from Bogart and Gloria Grahame and is one of the most personal, deeply felt works by Nicholas Ray.
The grayest, most morally ambiguous of film noirs -- and arguably the most self-reflexive.
The genre trappings of this noir masterpiece -- which details the short-lived relationship between live-wire screenwriter Dixon Steele (Bogart) and his goldilocked muse Laurel Gray (Grahame) -- don’t matter a whit.
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