Average Rating: 7.2/10
Reviews Counted: 30
Fresh: 26 | Rotten: 4
In Between Days is a moving, artistic slice-of-life indie film.
Average Rating: 7.3/10
Critic Reviews: 10
Fresh: 9 | Rotten: 1
In Between Days is a moving, artistic slice-of-life indie film.
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Average Rating: 3.3/5
User Ratings: 1,141
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Upon learning that the object of her affections only has eyes for an Americanized Korean girl, a recently arrived teenage Korean immigrant is forced to journey inward to ponder her outsider status in director So Yong Kim's melancholy tale of acceptance and isolation. Aimie is a stranger in a strange land, and her only connection to the new world that surrounds her is her best friend, Tran. Eager to take their relationship to the next level but frightened at the prospect of losing her only
Jun 27, 2007 Limited
Nov 20, 2007
Kino International
All Critics (32) | Top Critics (10) | Fresh (26) | Rotten (5) | DVD (1)
This artfully muted film pays off with a desperate act of eloquence.
Kim keeps dialogue to a minimum and provides the barest of story arcs, using a handheld camera to probe subtle shifts of emotion in her nonprofessional actors.
A quiet specimen of personal storytelling at its most exciting.
While Kim is unable to keep us riveted on her near-silent performance, the script and direction have a gentle sensitivity, subtly addressing cultural divisions while reminding us that angst, at least, is universal.
In Between Days is instantly compelling.
Its theatrical release today is an encouraging sign that there is still room, even in the midst of the summer glut, for a small, serious, unpretentious film.
Centering on a young immigrant Korean girl in Toronto, this Sundance indie marks the feature debut of a gifted female director.
There's an authenticity about this work that gives it a chilling flavor.
Too minimalist for its own good when it comes to story details and even essential basic factual information, In Between Days can best be described as a skillfully lensed missed opportunity.
In Between Days is a wise and beautiful study of yearning and repression.
The film has an admirable humanist agenda, but good intentions don't matter much when you can't care for the humans on the screen.
This superb debut feature by Korean-American director So Yong Kim seems to be constructed entirely of the ineffable and intangible, those fleeting moments that most movies treat as throwaways.
A touching and personal story that captures the swirling emotions of adolescence and the immigrant experience - and the heartbreak of being in the middle of both.
[It] feels honest and direct, which is more than you can say about a lot of movies these days.
Too minimalist for its own good when it comes to story details and even essential basic factual information, In Between Days can best be described as a skillfully lensed missed opportunity.
In Between Days plays like a teen movie with all the narration removed.
In Between Days is a small slice of a suspended life, intimate and filled with the mundane details most people forget when the waiting is over and their real lives begin.
Maybe I just dont have the eye for these kinda films but the ending was just...well, to me that wasnt an ending. I wanted to like it, I really did. I could appreciate the disjointed, quiet, slow-paced quality of the film but I cant say what this film accomplished.
March 14, 2010Good intentions from the same director as TREELESS MOUNTAIN, but BORING, BORING, BORING. What a let down. First South Korean flick I have seen I didn't like.
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